Past at Last Duorsume Moade troch Tihana Miksa

Past at Last Duorsume Moade troch Tihana Miksa is in heech wurdearre winner fan de tige prestizjeuze 2021 A' Design Award yn Sulver yn de kompetysje-kategory Moade, Klean en Kleanstikûntwerp.

SulverMoade· 2021

Past at Last Duorsume Moade

troch Tihana Miksa

Klant: Tihana Mikša

A' Design Award yn Sulver Winner yn de kategory Moade

36,948

Ferifiearre Priiswinner

Ferifiearje Prisstatus foar #113802

Besykje Side Besjoch by A' Design Award Parseberjocht Priisbadge

Kleuren

It Untwerp

Oer Past at Last Duorsume Moade

De klam yn 'e kleikompozysjes leit op rike, spielerige tekstueren en ûngelikense kleuring. As gefolch dêrfan binne de kledingstikken sels symmetrysk, ienfâldich en sletten foarmen sûnder easjende yngripen yn 'e struktuer. Dizze objekten ûndersykje it fisuele aspekt, tastberens, materiaaliteit, libbene beweging en de architektoanyk fan tekstyl. De kleuren binne leech yn yntinsiteit en achromatysk, útsein redens dy't pulsearje binnen dit bleek spektrum.

De Erkenning

Oer de A' Design Award yn Sulver

Past at Last Duorsume Moade is in winner fan de A' Design Award yn Sulver, in bûtengewoan prestisjeuze erkenning foar topûntwerpen dy't prachtich en yndrukwekkend binne. Sulverwinners binne tige briljante en ekstreem kreative wurken dy't de treflike ekspertize, it talint en de skerpsinnigens fan har ûntwerpers yllustrearje. Fan Past at Last Duorsume Moade wurdt ferwachte dat it in prachtich foarbyldwurk is, opmerklik profesjoneel en djip ynnovatyf. Dit winnende ûntwerp fan de A' Design Award yn Sulver is in tige opfallende, bewûndere útfining dy't foardiel bringt en de grinzen fan keunst, wittenskip, ûntwerp en technology ferleget. Past at Last Duorsume Moade is in skepping dêr't breed oerjûn wurdt, dy't winsken wekker makket, positive gefoelens bringt en ferwûnderjen en fernuvering opwekket.

Efter it Untwerp

Parsepakket

Credits, teamleden en technyske details levere troch de ûntwerper.

Unike Eigenskippen: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Labels: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Produksjetechnology: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Untwerpútdaging: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Ynspiraasje: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Projektdoer: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Ofbyldingskrediten: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.