Embrace Sitespesifike Muorreskildering troch Supernova Art Embassy is in heech wurdearre winner fan de tige prestizjeuze 2021 A' Design Award yn Izer yn de kompetysje-kategory Skoane Keunsten en Keunstynstalaasje Ûntwerp.
IzerSkoane Keunst· 2021
Embrace Sitespesifike Muorreskildering
troch Supernova Art Embassy
Klant: Memorandum Project
A' Design Award yn Izer Winner yn de kategory Skoane Keunst
Ferifiearre Priiswinner
Ferifiearje Prisstatus foar #121349It Untwerp
Oer Embrace Sitespesifike Muorreskildering
Embrace is in sitespesifike muorreskildering skildere op in gebougevel yn Sterlitamak. De muorreskildering is 27 meter heech en 15 meter breed, mei in skildere oerflak fan 405 fjouwerkante meter. Der waard gebrûk makke fan gevelferve en ferfrollers, en gevelliften makken it mooglik om op hichte te skilderjen. It artistike wurk duorre trije wiken. It ferhaal dat te sjen is, ropt de oantins op oan in soldaat fan de 170e Sterlitamak-ynfanteriedivyzje, dy't nei it front gie mei in sulveren bûsklokje en bilofte joech dermei werom te kommen. Syn oerbliuwsels en it klokje waarden yn 2015 fûn en nei hûs brocht ta syn frou.
De Erkenning
Oer de A' Design Award yn Izer
Embrace Sitespesifike Muorreskildering is in winner fan de A' Design Award yn Izer, in prestisjeuze erkenning foar goede ûntwerpen dy't foldogge oan de profesjonele en yndustriële easken dy't ferwachte wurde fan goed ûntwurpen skeppings. Izerwinners litte grutte feardigens, hege spesjalisaasje, deskundich begryp en kreatyf fermogen fan har makkers sjen. Fan Embrace Sitespesifike Muorreskildering wurdt ferwachte dat it in tige heech achte, bewûndere en dierbere skepping is dy't praktysk en ynnovatyf is. Dit winnende ûntwerp fan de A' Design Award yn Izer yntegrearret de bêste praktiken fan de sektor en hat feardige technyske skaaimerken ferbûn mei kennis en talint. Embrace Sitespesifike Muorreskildering wurdt respektearre foar syn yngeandens en is ûntwurpen om ferbetteringen fan de kwaliteit fan it libben te leverjen dy't helpe de wrâld ta in bettere plak te meitsjen.
Efter it Untwerp
Parsepakket
Credits, teamleden en technyske details levere troch de ûntwerper.
- Unike Eigenskippen
- The word "memorandum" is translated from Latin as "something you have to memorize", that is why the Memorandum project is dedicated to complex contexts and topics.
Coming home is always an exciting event. That is why the Sterlitamak stage of the project was called "Coming home". It included several emotional aspects of this concept. It was reflected in the approach of Lidiia Averina, the curator, and in the plots of all participants. This project is her personal comeback to her hometown. - Ofmjittingen & Ferpakking
- Height 27 m, width 15 m, total artistic painting square 405 sq.m
- Labels
- mural art, spray art, public art, fine arts, storytelling, embrace, heritage, memory
- Produksjetechnology
- Some activists took great care of their ancestors memories and the works which may appear basing on historical data and archive photographs. There were different attempts to influence the curator and the artist work. However, the compromise was reached quite quickly and the work turned to constructive direction. The artistic part of the work was done by facade paints and paint rollers. For work at a height, facade lifts (scaffolds) were used.
- Untwerpútdaging
- 4 locations were selected, each of them having common connection with historical old town (although none of the buildings selected was a historically original building). They were different in meanings and the way they belong. Connection with "coming back" had been found immediately and we also had artists sharing common values. That was particularly important for their harmony.
- Undersyk
- Memory of the place is an eclectic mixture of emotions; it is impossible to catch a sole scent. There are pure facts, personal stories, critics, and embellishment. Interpretations multiply and fragment. This is the reason why we want to show our perception among many others.
Andreys work finely reflects the location context with lost wooden buildings as well as the irony on current town situation with chaotic architectural add-ons (tiny business centers) which try to squeeze into any available space and corners. - Ynspiraasje
- The works plot is based in the story of a soldier from 170th Sterlitamak infantry division: in May, 1941, the storys main character wanted to leave his silver pocket watch to his wife. However, his wife said: "You leave with this watch and youll come back with this watch!"
In 2015, during the expedition his remains and personal belongings were found. After 74 years he came home with the watch, as promised, and his 97 years old wife met him. - Projektdoer
- The work is dedicated to 75th anniversary of the Great Victory, therefore it must have been finished in 2020 before rainy autumn weather.
There were repair works on the building facades, so the whole project implementation period was 1.5 months. The artistic work implementation took 3 weeks. - Operaasjestreamferrin
- Now there is one of the main streets of town which connects an old town with new districts, therefore there are always a lot of students and pedestrians on the street. The works are on a high altitude and are well visible.
It is also important that the headquarters of 170th Sterlitamak infantry division was located nearby and here there was a path which was taken by the soldiers leaving to the railway station to go to the frontline. Where new standard buildings stand now, there were wooden houses and buildings. - Patinten
- Copyright belongs to Andrey Olenev and Dmitry Kudinov, 2020
- Teamleden
- Curator: Lidiia Averina
Artist: Andrey Olenev
Support: Dmitry Kudinov, Alexey Agafonov, Ludmila Averina - Ofbyldingskrediten
- Image #1: Photographer – Dmitry Kudinov, Embrace #1, 2020.
Image #2: Photographer – Dmitry Kudinov, Embrace #2, 2020.
Image #3: Photographer – Dmitry Kudinov, Embrace #3, 2020.
Image #4: Photographer – Dmitry Kudinov, Embrace #4, 2020.
Image #5: Photographer – Dmitry Kudinov, Embrace #5, 2020.
Video Credits: Dmitry Kudinov, Hyperlapse, Embrace and Shihans from bird’s-eye perspective, 2020.
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