Qin Posterrige troch Kaidi Mao is in heech wurdearre winner fan de tige prestizjeuze 2021 A' Design Award yn Brûns yn de kompetysje-kategory Grafyk, Yllustraasje en Fisuele Kommunikaasje Ûntwerp.

BrûnsGrafysk· 2021

Qin Posterrige

troch Kaidi Mao

Klant: Kaidi Mao

A' Design Award yn Brûns Winner yn de kategory Grafysk

8,729

Ferifiearre Priiswinner

Ferifiearje Prisstatus foar #124488

Besjoch by A' Design Award Parseberjocht Priisbadge

Kleuren

It Untwerp

Oer Qin Posterrige

Qin is in posterrige dy't de tradysje fan Sineeske lânskipsskilderkeunst opnij ynterpretearret troch middel fan digitale media. De namme Qin komt fan in Sineesk wurd dat trochkringe of trochsiverje betsjut, en it skriftteken foeget de tekens foar wetter en hert byinoar. De ôfbyldings begjinne as foto's en wurde dêrnei ûntwikkele mei digitale ark lykas Photoshop, Cinema 4D en Procreate. De rige wurdt produsearre yn twa formaten en kin printe of op skerm toand wurde, yn in galery of thús. It doel is om de taoïstyske sicht op de natuer út te drukken foar in ynternasjonaal publyk.

De Erkenning

Oer de A' Design Award yn Brûns

Qin Posterrige is in winner fan de A' Design Award yn Brûns, in heech prestisjeuze erkenning foar treflike ûntwerpen dy't har ûnderskiede troch kreativiteit, fernuft en tûkens. Brûnswinners binne tige feardige en opfallend kreative artefakten dy't de grutte ûnderfining, ferbylding en betochtsumens fan har ûntwerpers befêstigje. Fan Qin Posterrige wurdt ferwachte dat it in tige heech achte, bewûndere en dierber objekt is dat opmerklik profesjoneel en ynnovatyf is. Dit winnende ûntwerp fan de A' Design Award yn Brûns yntegrearret de bêste praktiken yn keunst, wittenskip, ûntwerp en technology en is treflik om syn omtinken foar detail. Qin Posterrige foldocht behoeften prachtich, reitsjet winsken, betsjoeveret gefoelens en sprekt nijsgjirrigens oan.

Efter it Untwerp

Parsepakket

Credits, teamleden en technyske details levere troch de ûntwerper.

Unike Eigenskippen: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Ofmjittingen & Ferpakking: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Labels: Art, poster, Taoism, culture, landscape, painting
Produksjetechnology: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Untwerpútdaging: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Undersyk: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Ynspiraasje: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Projektdoer: The project started in September 2019, finished in May 2020 in Los Angeles.
Operaasjestreamferrin: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.