The Crystal Hall Wenwyk Ynterieur troch Thomas Abraham

The Crystal Hall Wenwyk Ynterieur troch Thomas Abraham is in heech wurdearre winner fan de tige prestizjeuze 2022 A' Design Award yn Brûns yn de kompetysje-kategory Ynterieurromte en Útstallingûntwerp.

BrûnsYnterieur· 2022

The Crystal Hall Wenwyk Ynterieur

troch Thomas Abraham

Klant: Thomas Abraham

A' Design Award yn Brûns Winner yn de kategory Ynterieur

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Ferifiearre Priiswinner

Ferifiearje Prisstatus foar #129709

Besjoch by A' Design Award Parseberjocht Priisbadge

Kleuren

It Untwerp

Oer The Crystal Hall Wenwyk Ynterieur

Crystal Hall, lizzend yn Bangalore, Yndia waard ûntworpen as in partikuliere wenning dy't de begripen fan folkstaal arsjitektuer omfettet mei moderne materialen en technology. Omjûn troch boomgaarden besiket it de ferbining tusken minske en natuer te lizzen. Mei wite muorren en glêzen ynterieur wie de fokus it hâlden fan 'e romte uncluttered en minimalistysk. Alle brûkte materialen waarden upcycled fan it oerskot tidens de bou, wat soarge foar hast nul fergriemerij. Untworpen om miljeubewust te wêzen, leveret it thermyske, fisuele en auditive isolaasje, wylst it trou is oan syn estetyske filosofy.

De Erkenning

Oer de A' Design Award yn Brûns

The Crystal Hall Wenwyk Ynterieur is in winner fan de A' Design Award yn Brûns, in heech prestisjeuze erkenning foar treflike ûntwerpen dy't har ûnderskiede troch kreativiteit, fernuft en tûkens. Brûnswinners binne tige feardige en opfallend kreative artefakten dy't de grutte ûnderfining, ferbylding en betochtsumens fan har ûntwerpers befêstigje. Fan The Crystal Hall Wenwyk Ynterieur wurdt ferwachte dat it in tige heech achte, bewûndere en dierber objekt is dat opmerklik profesjoneel en ynnovatyf is. Dit winnende ûntwerp fan de A' Design Award yn Brûns yntegrearret de bêste praktiken yn keunst, wittenskip, ûntwerp en technology en is treflik om syn omtinken foar detail. The Crystal Hall Wenwyk Ynterieur foldocht behoeften prachtich, reitsjet winsken, betsjoeveret gefoelens en sprekt nijsgjirrigens oan.

Efter it Untwerp

Parsepakket

Credits, teamleden en technyske details levere troch de ûntwerper.

Unike Eigenskippen: The Crystal Hall integrates sustainability, reuses material, and uses disadvantaged local talent. Glass is a modern material that can be recycled endlessly without loss of quality or clarity, recreating bioclimatic conditions that tackle climate change. It follows a minimalistic modern approach while taking inspiration from classicism and yet being culturally, emotionally and ecologically conscious. The building follows a zero-waste policy and is an example of socially responsible design
Ofmjittingen & Ferpakking: Site area - 2322 meter square
Building area - 835 square meter
Gross - 418 sqm
Labels: Sustainable design, Sustainable Interior, Residential Interior, Ecofriendly Design, Innovative Design, Green Design, Interior design, White Interior, Modern Interiors, Minimalistic Interiors
Produksjetechnology: The structure consists an eclectic mix of glass, MS columns and cast in situ concrete. Contrary to general opinion, glass is among the most eco-friendly materials, more than compared to mud or stone, as it can be recycled endlessly without loss of quality or clarity and is made of sand, which is among the most plentiful resources available. Glass recreates bioclimatic conditions that tackle climate change while using modern materials that are culturally, emotionally, and ecologically conscious.
Untwerpútdaging: Glass is often considered inappropriate for a tropical climate. But the architect used a double-layered glass - one layer reflecting the longwave radiation and the other reflecting the sun's shortwave radiation, providing thermal insulation to the building. As the project is in the outskirts where the power situation is erratic, the architect used wind power generating towers to provide backup power during windy days. The power is stored in batteries, and the excess is fed back to the city grid.
Undersyk: The Crystal Hall a big but small home is an essay on light nature and history. Apart from integrating sustainability along reusing materials and using disadvantaged local talent the architect ensured every space of the project was curated to reflect what has been religiously culturally and geographically experienced by the client. It has the worlds first residential windmill towers proprietary use of two layers of high performance recycled glass with noninvasive vegetation species within thermal insulation technology and rainwater utilization thus creating a glocal (global and local) building.
Ynspiraasje: Inspired by the state of the Earths climate and the status of its poorest this is design as an instrument for social and environmental change. It is not just an aesthetic adventure but a tool to recycle and reuse modern materials in sustainable and affordable ways. He made it his mission to hire the so called unemployable from Indias oppressed people of color. This is a building of universal human values that is yet culturally specific being inspired by vernacular Indian design.
Projektdoer: Located in Bangalore, India, The Crystal Hall was constructed over a span of five years, from 2014 to 2019.
Operaasjestreamferrin: The Crystal Hall is an example of paleomodern design, paleo meaning first. This is to take design beyond form follows function to form follows feeling, to reintroduce beauty and pleasure in art, things which were once universal but now is seen as sentimental and commercial. Things like Square proportions, Golden mean proportions, rhythm, scale, harmony and the accommodation of local and climatological aspects makes this a traditional design with a modern outlook using Avant Grande technology and materials.
Patinten: Thomas Abraham
Teamleden: Thomas Abraham
Diana Jacil Prakash
Saad Pasha
Ofbyldingskrediten: Image #1: Sandeep
Image #2: Rashmi Srinivasan
Image #3: Dullu
Image #4: Rashmi Srinivasan
Image #5: Sandeep