Jinglan Bay Art Ferkeapsintrum troch Nic Lee

Jinglan Bay Art Ferkeapsintrum troch Nic Lee is in heech wurdearre winner fan de tige prestizjeuze 2024 A' Design Award yn Sulver yn de kompetysje-kategory Ynterieurromte en Útstallingûntwerp.

SulverYnterieur· 2024

Jinglan Bay Art Ferkeapsintrum

troch Nic Lee

Klant: China Resources Land South China Guangxi Co.

A' Design Award yn Sulver Winner yn de kategory Ynterieur

22,229

Ferifiearre Priiswinner

Ferifiearje Prisstatus foar #152974

Besykje Side Besjoch by A' Design Award Parseberjocht Priisbadge

Kleuren

It Untwerp

Oer Jinglan Bay Art Ferkeapsintrum

Jinglan Bay Art is in ynterieur fan in ferkeapsintrum yn Liuzhou, in berchachtich gebiet mei kronkeljende wetters. It ynterieur beslacht 1705 kante meter en omfettet ûntfangst-, ferkeap-, útstallings-, digitale media- en VIP-gebieten. Ynstee fan it lânskip nei te bootsjen mei foarmen, wurde ljocht en skaad brûkt om hege bergen en djip wetter te suggerearjen. Swarte terrazzo is oppoetst ta in spegelglâns, sadat it bûtenlânskip en de beweging fan besikers wjerspegele wurde. Rûge stien by de yngong skept de djipte fan in delling. Oare materialen binne beheind marmer, minerale ferve, swart hout en iken.

De Erkenning

Oer de A' Design Award yn Sulver

Jinglan Bay Art Ferkeapsintrum is in winner fan de A' Design Award yn Sulver, in bûtengewoan prestisjeuze erkenning foar topûntwerpen dy't prachtich en yndrukwekkend binne. Sulverwinners binne tige briljante en ekstreem kreative wurken dy't de treflike ekspertize, it talint en de skerpsinnigens fan har ûntwerpers yllustrearje. Fan Jinglan Bay Art Ferkeapsintrum wurdt ferwachte dat it in prachtich foarbyldwurk is, opmerklik profesjoneel en djip ynnovatyf. Dit winnende ûntwerp fan de A' Design Award yn Sulver is in tige opfallende, bewûndere útfining dy't foardiel bringt en de grinzen fan keunst, wittenskip, ûntwerp en technology ferleget. Jinglan Bay Art Ferkeapsintrum is in skepping dêr't breed oerjûn wurdt, dy't winsken wekker makket, positive gefoelens bringt en ferwûnderjen en fernuvering opwekket.

Efter it Untwerp

Parsepakket

Credits, teamleden en technyske details levere troch de ûntwerper.

Unike Eigenskippen: The project is located in Liuzhou, a mountainous area with winding waters. Instead of simulating the landscape with shapes, we think it would be better to use light and shadow to create high mountains and deep water. The material facade is used to recreate the mental transitions of entering a deep forest, and to incorporate nature into the interior gestures.
Ofmjittingen & Ferpakking: Location：Liuzhou
Area：1705 m2
Layout： Reception area. Sales area. Display area. Digital media area. VIP area. Office. Toilet
Material：polished terrazzo. chiseled marble. mineral paint. red paint. black wood. oak
Labels: sales center, landscape, museum, indoor architecture, interior design
Produksjetechnology: In addition to abstracting nature through volumetric forms, we also attempt to bring nature indoors from a different perspective. By polishing black terrazzo to a mirror-like finish, we create a deep and tranquil ambiance that constantly reflects the seasonal scenery and human movement outside the windows. Viewing from different heights within the space resembles the ever-changing landscapes experienced while hiking or walking in the mountains.
Untwerpútdaging: By inviting you to visit the landscape narrated by the architecture, and experience the white space and depth of the design grid, we hope that this site is like spreading a multi-view ink painting of a landscape, which synthesizes philosophy and poetry, and transcends the perception of the surface landscape to facilitate a pure feeling of the change in status and the state of mind fit.
Undersyk: Liuzhou is famous for its wonderful stones, which include mountain stones, water stones, earth stones, cave stones, and rocks. Each of which has its own beauty. Taking this as our inspiration, we built the entrance with raw stones to create the depth of a valley. The deep cut stone surface of the counter is not only used as the facade of the building but also as a display of the mountain wall, transforming the natural stone gestures into an emotional turn when experiencing nature.
Ynspiraasje: The focus of the landscape in paintings is expressions, but how does architecture become a narrative tool to record nature? We imagine that walking through the interior of the building is like a mountain climbing practice, passing through a tunnel covered by branches and leaves with the sky hidden behind boulders or looking up at the mountain peaks under the cliff, feeling the personal transformation of the mind and the tranquility of not clinging to material things.
Projektdoer: The project started in November 2021 and finished in July 2022, and was exhibited in Liuzhou in August 2022.
Operaasjestreamferrin: Giving up persistence, we withdraw ourselves from the environment to maintain the clarity of non-stagnation. Therefore, we do not simulate a figurative landscape, but reproduce the experience of people wandering in the mountains through the multi-directional views of people zigzagging, climbing, looking up, or looking down between structures, and even the real and imaginary contours of reflections on the floor.
Ofbyldingskrediten: Image #1: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #2: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #3: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #4: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.
Image #5: Photographer Vincent Wu, Jinglan Bay Art Museum, 2022.