Floating Island Keunsttentoanstelling troch Zong-Ying Chen

Floating Island Keunsttentoanstelling troch Zong-Ying Chen is in heech wurdearre winner fan de tige prestizjeuze 2024 A' Design Award yn Brûns yn de kompetysje-kategory Ynterieurromte en Útstallingûntwerp.

BrûnsYnterieur· 2024

Floating Island Keunsttentoanstelling

troch Zong-Ying Chen

Klant: IW Magazine

A' Design Award yn Brûns Winner yn de kategory Ynterieur

14,061

Ferifiearre Priiswinner

Ferifiearje Prisstatus foar #158573

Besjoch by A' Design Award Parseberjocht Priisbadge

Kleuren

It Untwerp

Oer Floating Island Keunsttentoanstelling

Boektekst: Floating Island is in keunsttentoanstelling dy't holden waard yn in smel gebou fan 190 kante meter. Fjirtich dûbele omslagen, selektearre út 153 tydskriftútjeften, binne printe op trochsichtige akrylpanielen en ophongen oan in 9 meter hege ynstallaasje dy't yn it midden pleatst is. De ynstallaasje ferdielt de romte yn twa ûngelikense trijehoekige gebieten en makket waaierfoarmige sitplakken mooglik foar lêzingen. Om't it gebou in histoarysk plak is, drage aluminium fakwurkkolommen de panielen sûnder de struktuer oan te reitsjen. De fakwurken binne opnij te brûken, wêrtroch't ôffal ferminderjend wurdt. Selektearre meubel- en ferljochtingsmerken wurde ek toand.

De Erkenning

Oer de A' Design Award yn Brûns

Floating Island Keunsttentoanstelling is in winner fan de A' Design Award yn Brûns, in heech prestisjeuze erkenning foar treflike ûntwerpen dy't har ûnderskiede troch kreativiteit, fernuft en tûkens. Brûnswinners binne tige feardige en opfallend kreative artefakten dy't de grutte ûnderfining, ferbylding en betochtsumens fan har ûntwerpers befêstigje. Fan Floating Island Keunsttentoanstelling wurdt ferwachte dat it in tige heech achte, bewûndere en dierber objekt is dat opmerklik profesjoneel en ynnovatyf is. Dit winnende ûntwerp fan de A' Design Award yn Brûns yntegrearret de bêste praktiken yn keunst, wittenskip, ûntwerp en technology en is treflik om syn omtinken foar detail. Floating Island Keunsttentoanstelling foldocht behoeften prachtich, reitsjet winsken, betsjoeveret gefoelens en sprekt nijsgjirrigens oan.

Efter it Untwerp

Parsepakket

Credits, teamleden en technyske details levere troch de ûntwerper.

Unike Eigenskippen: Double Covers Installation: Utilizing the limited space scale to develop endless aesthetic depth. Centered on our characteristic double covers collection, the preliminary issues, by the time sequence, are exhibited to the public for the first time.
Brand Showcase Island: Select Scandinavian and Italian design brands that have had a profound impact on the history of furniture design.
Aesthetic Special Lecture: Returning to the essence of media, the exhibition invites Taiwan's renowned architectural scholars and photographers to share with readers the aesthetic experience of life.
Ofmjittingen & Ferpakking: The Venue is only 190 square meters with a long and narrow layout. The team expected to create a comfortable and interesting traffic flow and, thus, located the 9-meter magazine cover installation in the center, which not only breaks the original rigid space planning but makes it extra two unequal triangular areas that with full of scale tension. Firstly, it gives a strong visual and a deep sense of spatial form; secondly, the lecture seats can be unfolded in a fan-shaped, making the event a small theater, and also shortening the distance between the speaker and the audience.
Labels: IW Magazine, Exhibition, Art Exhibition, PP Mobler, Gufram, Memphis Milano, Flos, Smeg, Space Design Magazine.
Produksjetechnology: In this exhibition, we focus on how to make the main visual cover installation as an emotional communication with readers, instead of just a backdrop. 40 double-covers selected from 153 issues were presented at the exhibition, adopting the form of transparent acrylic plate for output, in a penetrating and lightweight manner, along with a chronology of twenty-five years of important events, let it could be unrestricted in the 190-square-meter site, let the viewers as immersive in a quality magazine.
Untwerpútdaging: The exhibition building is a municipal historic site, thus all structures must be connected with external objects and not touch the building itself. To this end, the IW team chose 'aluminum square columns' (truss structures) that are commonly used in music concerts as the main structure of the double-cover installation. The 9-meter device uses 4 trusses in total, which are connected in series with flat irons. Its Thick and solid characteristics make the 80 acrylic panels hanging below extremely safe. It not only solves the load-bearing problem but is also reusable, which will not cause waste.
Undersyk: The entire exhibition not only showcases our magazine's historical highlights with internationally famous brands, PP Mobler, Gufram, Memphis Milano, Flos, and Smeg but also invites two well-known representative cultural figures to share their professional views through lectures. In summary, by taking 'life' as the fulcrum, 'aesthetics' as the focus, and 'perseverance' to express the opinion, the IW team wishes to evoke a clash of readers' points of view during this unprejudiced reading experience and also injects new thoughts into a cluster of buildings of historical value.
Ynspiraasje: 1997, IW Magazine was launched. As a bi-monthly magazine that reports on the aesthetics of living space and design trends, we have been thinking about exploring the essence of the publication and giving it an interpretation. In every meticulously crafted story, we expand the narrative by synthesizing the view and discovering depth through the details. This is the first special exhibition of IW Magazine's 25th anniversary, the team expects to express the value of the pass-years knowledge through the curation.
Projektdoer: The project finished in November 2023 in Taiwan.
Operaasjestreamferrin: Just like the initial mission of IW magazine, 'reports on the aesthetics of living space and design trends', we wish to contribute to the improvement of national aesthetics and implement as Rodin, the French sculptor, said: 'Beauty is everywhere. It is not that she is lacking to our eye, but our eyes which fail to perceive her.' As an independent media, we wish to through our modest power, provide the public another stage and perspective for appreciating beauty.
Teamleden: IW Magazine
Ofbyldingskrediten: Zong-Ying Chen