Lacquer Art Experience Pavilion Kultureel Sintrum troch Jie Li is in heech wurdearre winner fan de tige prestizjeuze 2026 A' Design Award yn Brûns yn de kompetysje-kategory Arsjitektuer, Gebou en Struktuerûntwerp.
BrûnsArsjitektuer· 2026
Lacquer Art Experience Pavilion Kultureel Sintrum
troch Jie Li
Klant: Li Jie
A' Design Award yn Brûns Winner yn de kategory Arsjitektuer
Ferifiearre Priiswinner
Ferifiearje Prisstatus foar #176919It Untwerp
Oer Lacquer Art Experience Pavilion Kultureel Sintrum
It Lakkeunst Belibbingspaviljoen is in kultureel gebou yn it doarp Fengshou, Sjanghai. It paviljoen befettet útstallingsromten, keunstnersateliers, in teekeamer en binnenpleinen dy't iepen binne foar besikers en doarpsbewenners. Pleatslike huzen brûke wite muorren en grize skeane dakken. It paviljoen folget dizze pleatslike gewoante mei seis groepen fan aparte skeane dakken en wyt skildere gevels. Smelle iepeningen tusken de dakfolumes foarmje lytse steechjes en pleintsjes. Sinneljocht, lucht en útsichten geane frij troch dizze iepeningen hinne. Lange finsters oan de noard- en súdkant stypje natuerlike fentilaasje.
De Erkenning
Oer de A' Design Award yn Brûns
Lacquer Art Experience Pavilion Kultureel Sintrum is in winner fan de A' Design Award yn Brûns, in heech prestisjeuze erkenning foar treflike ûntwerpen dy't har ûnderskiede troch kreativiteit, fernuft en tûkens. Brûnswinners binne tige feardige en opfallend kreative artefakten dy't de grutte ûnderfining, ferbylding en betochtsumens fan har ûntwerpers befêstigje. Fan Lacquer Art Experience Pavilion Kultureel Sintrum wurdt ferwachte dat it in tige heech achte, bewûndere en dierber objekt is dat opmerklik profesjoneel en ynnovatyf is. Dit winnende ûntwerp fan de A' Design Award yn Brûns yntegrearret de bêste praktiken yn keunst, wittenskip, ûntwerp en technology en is treflik om syn omtinken foar detail. Lacquer Art Experience Pavilion Kultureel Sintrum foldocht behoeften prachtich, reitsjet winsken, betsjoeveret gefoelens en sprekt nijsgjirrigens oan.
Efter it Untwerp
Parsepakket
Credits, teamleden en technyske details levere troch de ûntwerper.
- Unike Eigenskippen
- The practice of white walls and grey sloping roofs is basically adopted in the folk dwellings of Fengshou village. The experience pavilion adopts 6 groups of scattered sloping roof "clusters" to echo the "architectural prototype" of local residents; The facade material continues the local practice, using white paint. At the same time, the crack space between the clusters can allow sunlight, air and people's sight to pass through freely in order to bring a sense of breathing to the building.
- Ofmjittingen & Ferpakking
- Building area: 454.2 square meters.Width 16900 mm x Depth 16200mm.
- Labels
- architecture, rural building, cultural center
- Produksjetechnology
- The east and north sides of the base are the areas of villagers' self-built houses with poor construction quality. The south and west sides of the base are country parks with excellent view. From the perspective of master planning, the east and north sides of the building are designed as "serving Spaces" and the south and west sides are designed as "served Spaces" for public activities.
The scale of the site is about 20*30 meters. An outdoor "virtual courtyard" for tourists and villagers is based on the south side. The "virtual courtyard" is mainly composed of five "view frames" facing the landscape park on the south side and a piece wall on the west side, so as to keep the public open to the maximum extent while limiting the space. Space was defined as "serving space" and "served space" in an internal "solid” courtyard, the landscape stairs were set on the east side of the garden, also a wall between the stairs and courtyard was set to maximize the isolation to the east environment, Through the opening of the cave, it is obvious to see the pitched roofs of the houses and the people walking up and down the stairs. Due to the building's cluster form, there are a lot of “Crack Space” to connect the interior courtyard, interior space, exterior courtyard, and the country park landscape in the distance. - Untwerpútdaging
- 1) Challenges at the Site Level
The experience center is a public open space. It is crucial that visitors from the nearby park and villagers can freely pass through the building. Under the call of national rural revitalization, the local village government has started to organically update the original village. The lacquerware experience center was introduced as a cultural and creative industry, hoping to attract visitors from the surrounding park and boost the economic development of the village. In terms of site design, the boundaries of the courtyards on the south, north and west sides are designed as open fences, only serving to define the site boundaries. Visitors from the park and villagers can enter the site from the north and west sides. The main entrance and the internal hall are located on the west side. After entering the experience center, visitors can walk along the south side of the internal courtyard to visit three high exhibition spaces and artist studios. On the north side of the studios, there is an open staircase. Visitors can walk through the "perforated screen wall" via the staircase to the experience room on the north side of the second floor, and then cross the high hall and three high exhibition halls through the "bridge corridor" to reach the tea room on the east side of the second floor. The entire building, from the interior to the exterior, is a public cultural space that allows free movement.
2) Challenges at the Humanistic Level
The village is located in the riverside area between the urban area of Pujiang Town and the Huangpu River. The village was formed spontaneously by the original residents along the water, presenting an organically grown urban texture. The cluster of pitched-roof buildings is situated on a three-level wooden landscape platform. The six independent pitched roofs are separated from each other, creating gaps of various sizes between the volumes, which serve as "squares" and "alleys" on the roof. Visitors can wander among them, recreating the experience of a traditional village and providing humanistic care for both villagers and visitors at the level of habitation.
3) Challenges at the Climatic Level
The project is located on the banks of the Huangpu River in Minhang District, Shanghai. The site is crisscrossed by waterways and has a high humidity in the space environment. It has a subtropical monsoon climate, and users experience significant cold in winter and heat in summer. On the north-south section, it can be seen that the north wall of the first-floor restaurant and the mezzanine experience room has a long strip window, and vertical ventilation windows are set in the gaps between the clusters of buildings on the south side. The strip windows on the side walls of the second floor space are respectively arranged at the top and bottom, serving a ventilation function. The north-south through windows provide natural ventilation conditions for the experience center, reducing the load on air conditioning and making it an environmentally friendly building. - Undersyk
- Lacquer Art Experience Pavilion is located in the Fengshou village, Shanghai. Under the call of the National Rural Revitalization, the local village government began to renovate the original village organically. The lacquer art experience Pavilion was introduced as a cultural and creative industry in order to attract tourists from the surrounding parks through the cultural and creative space experience to drive the economic development of the village.
The building successfully interprets the contemporary regeneration of traditional village architecture through the design language of modern minimalism:
①Architectural Texture. Fengshou Village is a typical traditional village in the south of the Yangtze River. The dwellings are built along both sides of the river, from the prospect of the master plan the building shows the architectural texture of free growth. The scale of the building area is about 18*18 meters, and the shape of the building block must break up and reorganized so that it can be well integrated into the delicate architectural texture of the area.
②Cluster form Impression. The practice of white walls and grey sloping roofs is basically adopted in the folk dwellings of Fengshou village. The experience pavilion adopts 6 groups of scattered sloping roof "clusters" to echo the "architectural prototype" of local residents; The facade material continues the local practice, using white paint.
③Guidance of Landscape. "Serving" and "Served" Spaces under the guidance of landscape: the east and north sides of the base are the areas of villagers' self-built houses with poor construction quality. The south and west sides of the base are country parks with excellent view. From the perspective of master planning, the east and north sides of the building are designed as "serving Spaces" and the south and west sides are designed as "served Spaces" for public activities.
④”Virtual & Real courtyard”: the scale of the site is about 20*30 meters. An outdoor "virtual courtyard" for tourists and villagers is based on the south side.Space was defined as "serving space" and "served space" in an internal "solid” courtyard, the landscape stairs were set on the east side of the garden, also a wall between the stairs and courtyard was set to maximize the isolation to the east environment.
⑤Promenade Architecture: The experience pavilion belongs to the public space, and it is very important for visitors and villagers to traverse the building freely. As for the aspect of the design level, the boundary of the courtyard on the south and northwest was designed as an open wall.The first floor is also connected by an outdoor staircase to the third floor, an internal courtyard was surrounded by six groups of an individual sloped roofs. The “crack space” between the pitched roof forms "laneways" and "plazas" of different sizes, through which the view can be traverse to the south and west side of the landscape park. - Ynspiraasje
- Fengshou Village is a typical traditional village in the south of the Yangtze River. The dwellings are built along both sides of the river, from the prospect of the master plan the building shows the architectural texture of free growth. The BnB is located on the westernmost side of the Fengshou Village and the island adjacent to the country park. The island is surrounded by water on three sides, and the south side is integrated with the country park landscape green space. The scale of the building area is about 18*18 meters, and the shape of the building block must break up and reorganized so that it can be well integrated into the delicate architectural texture of the area.
- Projektdoer
- The project started in November 2020 and finished in January 21 in the Fengshou village, Shanghai.
- Operaasjestreamferrin
- The experience pavilion belongs to the public space, and it is very important for visitors and villagers to traverse the building freely. As for the aspect of the design level, the boundary of the courtyard on the south and northwest was designed as an open wall, which only serves as the boundary of the site.
Visitors and villagers can enter the site from the north and west side. The main entrance and internal lobby are located on the west side. After entering the experience pavilion, visitors can visit the internal courtyard which connects exhibition space and artist studios, on the north side of the studio is an open staircase, visitors can wander through the stairs to cross the "crack of the wall" to get to the “Experiencing Room”, and then across the exhibition hall through a bridge, finally arrive at the east tea room on the second floor.
The first floor is also connected by an outdoor staircase to the third floor, an internal courtyard was surrounded by six groups of an individual sloped roofs. The “crack space” between the pitched roof forms "laneways" and "plazas" of different sizes, through which the view can be traverse to the south and west side of the landscape park. - Teamleden
- Li Jie
- Ofbyldingskrediten
- Image #1: Photographer Zhu Ruizi, Pespective 1, 2021.
Image #2: Photographer Zhu Ruizi, Pespective 2, 2021.
Image #3: Photographer Zhu Ruizi, Pespective 3, 2021.
Image #4: Photographer Zhu Ruizi, Pespective 4, 2021.
Image #5: Photographer Zhu Ruizi, Pespective 5, 2021.
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