Ceramic Forest Kantoar troch I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

Ceramic Forest Kantoar troch I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung is in heech wurdearre winner fan de tige prestizjeuze 2020 A' Design Award yn Brûns yn de kompetysje-kategory Ynterieurromte en Útstallingûntwerp.

BrûnsYnterieur· 2020

Ceramic Forest Kantoar

troch I-Ju Chan, Hsuan-Yi Chen and Su-Huang Hung

Klant: Merge Interiors

A' Design Award yn Brûns Winner yn de kategory Ynterieur

8,006

Ferifiearre Priiswinner

Ferifiearje Prisstatus foar #92890

Besjoch by A' Design Award Parseberjocht Priisbadge

Kleuren

It Untwerp

Oer Ceramic Forest Kantoar

As jo wurkje yn in fisueel komfortabele omjouwing mei ûntwurpen romtelikheid, wurdt de wurkproduktiviteit ferbettere, is it display en it wurkgebiet ek omfoarme ta artistike romten. Yn 'e semy-iepen gebieten binne ûnôfhinklike wurkgebieten ôfgrûn, wylst gerdynmûrglês natuerlik ljocht hat tastien om de vitaliteit fan' e wite kleurskema te fangen by it meitsjen fan in goed ferljochte en ljochte wurkromte by it optimalisearjen fan 'e romte fan' e heule binnenkant.

De Erkenning

Oer de A' Design Award yn Brûns

Ceramic Forest Kantoar is in winner fan de A' Design Award yn Brûns, in heech prestisjeuze erkenning foar treflike ûntwerpen dy't har ûnderskiede troch kreativiteit, fernuft en tûkens. Brûnswinners binne tige feardige en opfallend kreative artefakten dy't de grutte ûnderfining, ferbylding en betochtsumens fan har ûntwerpers befêstigje. Fan Ceramic Forest Kantoar wurdt ferwachte dat it in tige heech achte, bewûndere en dierber objekt is dat opmerklik profesjoneel en ynnovatyf is. Dit winnende ûntwerp fan de A' Design Award yn Brûns yntegrearret de bêste praktiken yn keunst, wittenskip, ûntwerp en technology en is treflik om syn omtinken foar detail. Ceramic Forest Kantoar foldocht behoeften prachtich, reitsjet winsken, betsjoeveret gefoelens en sprekt nijsgjirrigens oan.

Efter it Untwerp

Parsepakket

Credits, teamleden en technyske details levere troch de ûntwerper.

Unike Eigenskippen: The client of this project is Nobel Ceramic and Tiles, the supplier of most ceramic products for Starbucks, who founded its own brand, Cilin, and established its office in Neihu, Taipei. The design of the overall office space was inspired by ceramic from which design elements and vocabulary was generated. The office with showroom adopted white wall cabinet and grey Bolon carpet and black metalwork as its main elements.
Ofmjittingen & Ferpakking: With an interior area of 514 square meters, the supervisor offices are allocated near the perimeter of the site near the window for ample natural lighting and window views, while allowing natural lighting to flood into the interior of spacious layered space, and for spaces such as server room, dark room, accounting office, etc., area allocated at the side area, and VP office, legal office, and staff working area are located at the inner area.
Labels: Display Cabinet, Mug, Special Paint, Curtain Wall Glass, Open Office
Produksjetechnology: For creating the stern and grand spatial qualities of the commercial space and the office that is befitting to the corporate core values, the reception lobby was treated with elegant grey plaster primer paint accentuating the humble beauty of ceramic. The interior of the office space adopted Mexin ceiling and Bolon carpet for acoustic consideration in creating a quiet working environment.
Untwerpútdaging: As the spatial expression is derived from the consideration of color and size of products on display in a boundless fashion, the design department has also requirements for sample storage, therefore, apart from the white minimalist design, the geometric linework has also helped to maintain the sense of order for the working area, complemented with recessed opening for product display which has further embellished this transitional space.
Undersyk: The ceiling of the showroom features a circular arc design symbolizing the round opening of a ceramic mug, as the showroom cabinet and white color wall softens the serious working ambiance but still maintain a sense of order and layers strung together within a spatial consistency.
Ynspiraasje: The elevator lobby is imbued with the symbolism of Kiln, and as it is surrounded by timberwork, the warm and stern beauty of kilns was articulated grey-scale color relating to the personable texture. With LED lighting giving a layering effect to the interior, special door panels and installation artwork forming motifs of Taiwanese Folk Art has brought strong contrast in this visual focus of this area.
Projektdoer: The project was completed in October 2013 in Taipei, Taiwan.
Operaasjestreamferrin: As the program purpose of merchandise showroom is to express the core imagery of products; therefore, the design has gone beyond the conventional rhythmic nature of normal space by injecting an enriched stream of brand characteristics in every segment of the showroom so that this space becomes a museum of exquisitely made objects which also makes it an ideal location for product introduction and sales discussion.
Teamleden: I Ju Chan
Hsuan Yi Chen
Su Huang Hung
Ofbyldingskrediten: Kyle Yu Photo, 2013