Industrial Bank Ynterieurûntwerp fan in Bank troch Qinyin Tan is in heech wurdearre winner fan de tige prestizjeuze 2020 A' Design Award yn Sulver yn de kompetysje-kategory Ynterieurromte en Útstallingûntwerp.
SulverYnterieur· 2020
Industrial Bank Ynterieurûntwerp fan in Bank
troch Qinyin Tan
Klant: JianFeng Construction & Interior Decoration Group
A' Design Award yn Sulver Winner yn de kategory Ynterieur
Ferifiearre Priiswinner
Ferifiearje Prisstatus foar #96906It Untwerp
Oer Industrial Bank Ynterieurûntwerp fan in Bank
Industrial Bank is in ynterieurûntwerp foar in bank fan 890 fjouwerkante meter yn Changchun. It konsept giet út fan lânskipsskilderkeunst út de Song-dynasty, en tradisjonele Sineeske ferwizings wurde útdrukt troch linen, kleuren, foarmen en tekstueren yn stee fan letterlik ornamint. Neutrale tinten lykas moanneljochtwyt, teewyt en rysgriis skeppe in kalme sfear, mei aksinten fan donkerblau en kurkuma. De baalje is foarme troch ienfâldich gearfoegjen, en nissen dieleje kolommen en muorren op. In heal-iepen kalligrafy- en teegebiet wurdt fersêftge troch lineêre ferljochting.
De Erkenning
Oer de A' Design Award yn Sulver
Industrial Bank Ynterieurûntwerp fan in Bank is in winner fan de A' Design Award yn Sulver, in bûtengewoan prestisjeuze erkenning foar topûntwerpen dy't prachtich en yndrukwekkend binne. Sulverwinners binne tige briljante en ekstreem kreative wurken dy't de treflike ekspertize, it talint en de skerpsinnigens fan har ûntwerpers yllustrearje. Fan Industrial Bank Ynterieurûntwerp fan in Bank wurdt ferwachte dat it in prachtich foarbyldwurk is, opmerklik profesjoneel en djip ynnovatyf. Dit winnende ûntwerp fan de A' Design Award yn Sulver is in tige opfallende, bewûndere útfining dy't foardiel bringt en de grinzen fan keunst, wittenskip, ûntwerp en technology ferleget. Industrial Bank Ynterieurûntwerp fan in Bank is in skepping dêr't breed oerjûn wurdt, dy't winsken wekker makket, positive gefoelens bringt en ferwûnderjen en fernuvering opwekket.
Efter it Untwerp
Parsepakket
Credits, teamleden en technyske details levere troch de ûntwerper.
- Unike Eigenskippen
- In this case, the designer deliberately played down the impression of traditional cultural symbols and conveyed the historical and cultural connotation through lines, colors, forms and textures. The combination of traditional Chinese element symbols and highly modern materials, combined with modern furniture craftsmanship, makes the shape and quality of different times seamlessly integrated, which not only inherits the classical ancient style, but also carries forward the innovation of art.
- Ofmjittingen & Ferpakking
- The project covers a total of 890 square meters. The negotiation area organically combines the traditional and modern, simple and elegant aesthetic tastes to create a pleasant space atmosphere. The calligraphy and tea drinking area further soften the boundary of the edge by using smooth line lighting. Semi-open layout allows customers to enjoy the surrounding scenery while waiting.
- Labels
- Interior, Bank, Office, Oriental Elements, Natural, Elegant, Cultural
- Produksjetechnology
- The front desk abandons too many complicated decorations and creates a sense of end-view hierarchy with simple and intuitive splicing. The application of niche elements makes space division for some columns and walls. Under the conversion of light, it weakens the compression caused by stone materials, breaks the dull and serious atmosphere, and gives people a new and fresh experience.
- Untwerpútdaging
- The designer has made a new interpretation of the dignity and elegance of Chinese-style furniture, the calligraphy and painting tea room creates the oriental charm with the aesthetic needs of modern people, chooses the clear-cut and simplified wood lines to replace the complex carving patterns and ornaments, and combines the simple and comfortable cotton and linen, fashionable and personalized leather, elegant and gorgeous silk and other materials to improve the collocation of style.
- Undersyk
- This case is located in Changchun City, Jilin Province, which is known as the "spring city of the northern kingdom", the mountain shadow here is muddy and heavy, and the pine and turbulent waves everywhere. You can hear pleasant sing from the birds. It has the quiet and gentle feeling of Chinese landscape painting. Through the level cooperation between regional forms, the modern Oriental aesthetic attitude is expressed in a progressive and backward way.
- Ynspiraasje
- With the concept of "the landscape painting of Xuanhe Palace in Song Dynasty", designer takes the landscape as the place of feeling and integrates it into the dominant atmosphere of modernism, applies more diversified design language to have a dialogue with the space, and then transforms the abstract artistic expression into the perceptible space image, striving to create the harmonious beauty of tradition and modernity.
- Projektdoer
- The project started in December 2018 in Changchun and finished in April 2019 in Changchun.
- Operaasjestreamferrin
- The so-called "painting leaves three spaces, and the vitality follows". The appropriate blank space in the corridor area creates a comfortable space atmosphere, simple art ornaments and hanging paintings elaborate the meaning of luxury in a graceful way, so that the thin space is filled with rich rhythm and rhythm.
- Patinten
- Copyrights belong to Qinyin Tan, 2019.
- Teamleden
- Qinyin Tan
- Ofbyldingskrediten
- Image #1: Photographer Qinyin Tan, Negotiation Area, 2019.
Image #2: Photographer Qinyin Tan, Reception Hall, 2019.
Image #3: Photographer Qinyin Tan, Tea Room, 2019.
Image #4: Photographer Qinyin Tan, Bar, 2019.
Image #5: Photographer Qinyin Tan, Financial Room, 2019.
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