The Armor Culaith Amharclainne le Samantha Chijona Garcia and Vladimir Cuenca

Is buaiteoir an-mheasúil den ghradam fíor-ardghradamach 2020 Duais Airgid A' Design Award sa Chatagóir Comórtais Dearadh Ealaíon Taibhithe é an dearadh The Armor Culaith Amharclainne le Samantha Chijona Garcia and Vladimir Cuenca.

AirgeadEalaíona Taibhithe· 2020

The Armor Culaith Amharclainne

le Samantha Chijona Garcia and Vladimir Cuenca

Cliant: Jazz Martinez Gamboa

Buaiteoir an ghradaim Duais Airgid A' Design Award sa Chatagóir Ealaíona Taibhithe

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Buaiteoir Gradaim Fíoraithe

Fíoraigh Stádas Gradaim do #102743

Tabhair Cuairt ar an Suíomh Féach ag A' Design Award Preasráiteas Suaitheantas Gradaim

Dathanna

An Dearadh

Maidir le The Armor Culaith Amharclainne

Is culaith amharclainne í an Armúr a cruthaíodh don charachtar Risteard III i léiriú stáitse de dhráma le Shakespeare. Déantar an chulaith as ábhair athchúrsáilte agus ábhair nach n-úsáidtear a thuilleadh. Fuaitear línte miotail ar sheaicéad twill, agus déanann guairní leathair atá ag forluí ar a chéile struchtúr ar leith atá ceangailte le strapaí agus búcla leathair. Dúnann lámhainn de mháille shlabhrach an mhuinchille, agus feidhmíonn hata veilbhite atá líneáilte le stiallacha miotail mar chlogad. Is féidir na sé chuid a chur leis nó a bhaint de de réir mar a athraíonn an carachtar le linn an dráma. Léiríonn an dearadh an rí chomh maith leis an bhfear leochaileach atá istigh ann.

An Aitheantas

Maidir leis an Duais Airgid A' Design Award

Bhuaigh an dearadh The Armor Culaith Amharclainne Duais Airgid A' Design Award, aitheantas an-ghradamach a bhronntar ar dhearaí ardchaighdeáin, álainn agus drámatach. Is saothair thar a bheith drithleacha agus an-chruthaitheach iad buaiteoirí Airgid a léiríonn saineolas, tallann agus géarchúis shármhaith a ndearthóirí. Táthar ag súil go mbeidh an dearadh The Armor Culaith Amharclainne ina shaothar iontach, ina léiriú sampla, thar a bheith gairmiúil agus go domhain nuálach. Is aireagán an-suntasach, ionadmhuirthe é an dearadh seo a bhuaigh Duais Airgid A' Design Award a dhéanann leas do theorainneacha na healaíne, na heolaíochta, an deartha agus na teicneolaíochta agus a chuireann chun cinn iad. Is cruthú é an dearadh The Armor Culaith Amharclainne a bhfuil formad mór leis, a mhúsclaíonn mianta, a thugann mothúcháin dhearfacha agus a adhnann iontas agus ionadh.

Taobh Thiar den Dearadh

Pacáiste Preasa

Creidiúintí, baill foirne agus sonraí teicniúla curtha ar fáil ag an dearthóir.

Airíonna Uathúla: This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
Toisí & Pacáistiú: Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm
Clibeanna: Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
Teicneolaíocht Táirgthe: The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees.
Dúshlán Deartha: The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
Taighde: My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
Inspioráid: Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
Fad an Tionscadail: The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
Sreabhadh Oibríochta: The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
Paitinní: Copyrights belong to Chijona, Samantha, 2018
Baill Foirne: Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca
Creidiúintí Íomhá: Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018