Past at Last Faisean Inbhuanaithe le Tihana Miksa

Is buaiteoir an-mheasúil den ghradam fíor-ardghradamach 2021 Duais Airgid A' Design Award sa Chatagóir Comórtais Dearadh Faisin, Éadaí agus Éadaigh é an dearadh Past at Last Faisean Inbhuanaithe le Tihana Miksa.

AirgeadFaisean· 2021

Past at Last Faisean Inbhuanaithe

le Tihana Miksa

Cliant: Tihana Mikša

Buaiteoir an ghradaim Duais Airgid A' Design Award sa Chatagóir Faisean

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Buaiteoir Gradaim Fíoraithe

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Tabhair Cuairt ar an Suíomh Féach ag A' Design Award Preasráiteas Suaitheantas Gradaim

Dathanna

An Dearadh

Maidir le Past at Last Faisean Inbhuanaithe

Tá an bhéim sna cumadóireachtaí éadaí ar uigeachtaí saibhre spraíúla agus dathú neamhchothrom. Dá bharr sin, tá na héadaí féin siméadrach, simplí agus ina bhfoirmeacha dúnta gan aon idirghabhálacha deacra ar an struchtúr. Scrúdaíonn na réada seo an ghné amhairc, an inláimhsitheacht, an ábharthacht, gluaiseacht bheo agus ailtireacht na dtéacsaíl. Tá na dathanna íseal ó thaobh déine de agus acrómach, seachas na dearga a phreabann laistigh den speictream éadrom seo.

An Aitheantas

Maidir leis an Duais Airgid A' Design Award

Bhuaigh an dearadh Past at Last Faisean Inbhuanaithe Duais Airgid A' Design Award, aitheantas an-ghradamach a bhronntar ar dhearaí ardchaighdeáin, álainn agus drámatach. Is saothair thar a bheith drithleacha agus an-chruthaitheach iad buaiteoirí Airgid a léiríonn saineolas, tallann agus géarchúis shármhaith a ndearthóirí. Táthar ag súil go mbeidh an dearadh Past at Last Faisean Inbhuanaithe ina shaothar iontach, ina léiriú sampla, thar a bheith gairmiúil agus go domhain nuálach. Is aireagán an-suntasach, ionadmhuirthe é an dearadh seo a bhuaigh Duais Airgid A' Design Award a dhéanann leas do theorainneacha na healaíne, na heolaíochta, an deartha agus na teicneolaíochta agus a chuireann chun cinn iad. Is cruthú é an dearadh Past at Last Faisean Inbhuanaithe a bhfuil formad mór leis, a mhúsclaíonn mianta, a thugann mothúcháin dhearfacha agus a adhnann iontas agus ionadh.

Taobh Thiar den Dearadh

Pacáiste Preasa

Creidiúintí, baill foirne agus sonraí teicniúla curtha ar fáil ag an dearthóir.

Airíonna Uathúla: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Clibeanna: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Teicneolaíocht Táirgthe: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Dúshlán Deartha: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Inspioráid: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Fad an Tionscadail: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Creidiúintí Íomhá: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.