Device of Perception Ionad Cultúrtha by Yuting Zhang

Device of Perception Ionad Cultúrtha by Yuting Zhang is a highly esteemed winner of the very prestigious 2022 Duais Cré-umha A' Design Award in Dearadh Ailtireachta, Foirgníochta agus Struchtúir Competition Category.

Cré-umhaAiltireacht· 2022

Device of Perception Ionad Cultúrtha

by Yuting Zhang

Client: Yuting Zhang

Duais Cré-umha A' Design Award Winner in Ailtireacht Category

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The Design

About Device of Perception Ionad Cultúrtha

Is ionad cultúrtha é Gléas an Aireachtála i gCathair Mheicsiceo, suite idir ceantar stairiúil ísealardaigh agus forbairt tráchtála ardardaigh. Clúdaíonn an t-ionad thart ar 4500 méadar cearnach agus tá halla léachta, amharclann bheag, spás taispeántais, oifigí, stóráil agus caife ann. Scarann cearnóg iontrála fothaithe an foirgneamh ón ardbhealach gnóthach agus feidhmíonn sí mar shíneadh ar an stáitse inmheánach. Castar gach urlár den túr gearr ceathrú casadh, ag cruthú dánlann phoiblí bhíseach le radhairc fhréamaithe den chathair. Úsáidtear coincréit threisithe agus cruach aimsearga.

The Recognition

About the Duais Cré-umha A' Design Award

Bhuaigh an dearadh Device of Perception Ionad Cultúrtha Duais Cré-umha A' Design Award, aitheantas an-ghradamach a bhronntar ar dhearaí sármhaithe a mbíonn cruthaitheacht, aireagacht agus géarchúis mar shaintréithe acu. Is déantúsáin ghlic agus chruthaitheacha go suntasach iad buaiteoirí Cré-umha a dhearbhaíonn taithí fhairsing, samhlaíocht agus acmhainneacht a ndearthóirí. Táthar ag súil go mbeidh an dearadh Device of Perception Ionad Cultúrtha ina rud a bhfuil an-mheas air, a n-ardaítear agus a ghráitear, atá thar a bheith gairmiúil agus nuálach. Ionchorpraíonn an dearadh seo a bhuaigh Duais Cré-umha A' Design Award na cleachtais is fearr san ealaín, san eolaíocht, sa dearadh agus sa teicneolaíocht, agus tá sé sármhaith as a aird ar mhionsonraí. Sásaíonn an dearadh Device of Perception Ionad Cultúrtha riachtanais go hálainn, bainíonn sé le mianta, cuireann sé draíocht ar mhothúcháin agus tarraingíonn sé fiosracht.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
Dimensions & Packaging: Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
Tags: cultural center, gallery, theater, exhibition
Production Technology: The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
Design Challenge: The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
Research: Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
Inspiration: Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
Project Duration: 2017 in Mexico City
Operation Flow: The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop.
Team Members: Yuting Zhang
Image Credits: Yuting Zhang