Looping Flower Spás Cultúrtha Ikebana le Ni Jie Guo

Is buaiteoir an-mheasúil den ghradam fíor-ardghradamach 2024 Duais Cré-umha A' Design Award sa Chatagóir Comórtais Dearadh Interiúir é an dearadh Looping Flower Spás Cultúrtha Ikebana le Ni Jie Guo.

Cré-umhaInteriúr· 2024

Looping Flower Spás Cultúrtha Ikebana

le Ni Jie Guo

Cliant: Blankspace

Buaiteoir an ghradaim Duais Cré-umha A' Design Award sa Chatagóir Interiúr

10,553

Buaiteoir Gradaim Fíoraithe

Fíoraigh Stádas Gradaim do #151842

Féach ag A' Design Award Preasráiteas Suaitheantas Gradaim

Dathanna

An Dearadh

Maidir le Looping Flower Spás Cultúrtha Ikebana

Is machnamh ar an saol é ealaín ikebana i sreabhadh na gceithre séasúr, lena n-áirítear gabháil deiridh na nóiméad gairid in aeistéitic Sheapánach, atógáil shaol na mbláthanna agus na gcraobhacha, agus imbhualadh nuálach an struchtúir agus na haeistéitice. Tá dearadh an spáis iomláin bunaithe ar spiorad Kusatsuki-ryu, ag baint gnéithe as ailtireacht thraidisiúnta Sheapánach agus á n-athrú go teanga ailtireachta nua-aimseartha, ag iniúchadh an ghaol idir tógáil chomhaimseartha agus aeistéitic le gnéithe teibí Seapánacha.

An Aitheantas

Maidir leis an Duais Cré-umha A' Design Award

Bhuaigh an dearadh Looping Flower Spás Cultúrtha Ikebana Duais Cré-umha A' Design Award, aitheantas an-ghradamach a bhronntar ar dhearaí sármhaithe a mbíonn cruthaitheacht, aireagacht agus géarchúis mar shaintréithe acu. Is déantúsáin ghlic agus chruthaitheacha go suntasach iad buaiteoirí Cré-umha a dhearbhaíonn taithí fhairsing, samhlaíocht agus acmhainneacht a ndearthóirí. Táthar ag súil go mbeidh an dearadh Looping Flower Spás Cultúrtha Ikebana ina rud a bhfuil an-mheas air, a n-ardaítear agus a ghráitear, atá thar a bheith gairmiúil agus nuálach. Ionchorpraíonn an dearadh seo a bhuaigh Duais Cré-umha A' Design Award na cleachtais is fearr san ealaín, san eolaíocht, sa dearadh agus sa teicneolaíocht, agus tá sé sármhaith as a aird ar mhionsonraí. Sásaíonn an dearadh Looping Flower Spás Cultúrtha Ikebana riachtanais go hálainn, bainíonn sé le mianta, cuireann sé draíocht ar mhothúcháin agus tarraingíonn sé fiosracht.

Taobh Thiar den Dearadh

Pacáiste Preasa

Creidiúintí, baill foirne agus sonraí teicniúla curtha ar fáil ag an dearthóir.

Airíonna Uathúla: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Toisí & Pacáistiú: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Clibeanna: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Teicneolaíocht Táirgthe: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Dúshlán Deartha: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Taighde: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Inspioráid: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Fad an Tionscadail: The project started in August 2022 and finished in December 2022 in China .
Sreabhadh Oibríochta: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Baill Foirne: NI JIE GUO
Creidiúintí Íomhá: BLANKSPACE