Work at Nagasaki Dearadh Intí do Spás Comhoibre le Mitsuhiro Shoji - Uchida Shanghai

Is buaiteoir an-mheasúil den ghradam fíor-ardghradamach 2025 Duais Airgid A' Design Award sa Chatagóir Comórtais Dearadh Interiúir é an dearadh Work at Nagasaki Dearadh Intí do Spás Comhoibre le Mitsuhiro Shoji - Uchida Shanghai.

AirgeadInteriúr· 2025

Work at Nagasaki Dearadh Intí do Spás Comhoibre

le Mitsuhiro Shoji - Uchida Shanghai

Cliant: Regional Creation NAGASAKI Co, Ltd.

Buaiteoir an ghradaim Duais Airgid A' Design Award sa Chatagóir Interiúr

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Buaiteoir Gradaim Fíoraithe

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Tabhair Cuairt ar an Suíomh Féach ag A' Design Award Preasráiteas Suaitheantas Gradaim

Dathanna

An Dearadh

Maidir le Work at Nagasaki Dearadh Intí do Spás Comhoibre

Is oifig chomhoibre é Work at Nagasaki atá suite ar an deichiú agus an t-aonú hurlár déag d'fhoirgneamh i seanlár chathair Nagasaki na Seapáine. Clúdaíonn an dá urlár 4,500 méadar cearnach agus tá siad ceangailte le chéile ag staighre mór a fheidhmíonn freisin mar sheomra seimineáir oscailte le linn imeachtaí. Tá limistéar fáiltithe, spás imeachtaí agus oifig oscailte ar an deichiú hurlár. Tá oifigí dúnta agus seomra cruinnithe le radharc fairsing ar an aonú hurlár déag. Baineadh úsáid as ábhair áitiúla ar nós cloch Isahaya agus adhmad Sendan, agus rinneadh cuntar cruach 5.5 méadar ar fhad le modhanna longthógála.

An Aitheantas

Maidir leis an Duais Airgid A' Design Award

Bhuaigh an dearadh Work at Nagasaki Dearadh Intí do Spás Comhoibre Duais Airgid A' Design Award, aitheantas an-ghradamach a bhronntar ar dhearaí ardchaighdeáin, álainn agus drámatach. Is saothair thar a bheith drithleacha agus an-chruthaitheach iad buaiteoirí Airgid a léiríonn saineolas, tallann agus géarchúis shármhaith a ndearthóirí. Táthar ag súil go mbeidh an dearadh Work at Nagasaki Dearadh Intí do Spás Comhoibre ina shaothar iontach, ina léiriú sampla, thar a bheith gairmiúil agus go domhain nuálach. Is aireagán an-suntasach, ionadmhuirthe é an dearadh seo a bhuaigh Duais Airgid A' Design Award a dhéanann leas do theorainneacha na healaíne, na heolaíochta, an deartha agus na teicneolaíochta agus a chuireann chun cinn iad. Is cruthú é an dearadh Work at Nagasaki Dearadh Intí do Spás Comhoibre a bhfuil formad mór leis, a mhúsclaíonn mianta, a thugann mothúcháin dhearfacha agus a adhnann iontas agus ionadh.

Taobh Thiar den Dearadh

Pacáiste Preasa

Creidiúintí, baill foirne agus sonraí teicniúla curtha ar fáil ag an dearthóir.

Airíonna Uathúla: Located in the heart of Nagasaki's old city center and its rich natural surroundings, WORK@NAGASAKI is a workplace that blends the grandeur of the natural landscape with a contemporary work style.
This next-generation co-working space, which is based on the theme of incorporating the changing landscape over time, is a creative space that emerges with a sense of floating in the elegant nature of Nagasaki's landscape and urban materials, blending them together beautifully.
Toisí & Pacáistiú: The building consists of two floors totaling 4,500 square meters on the 10th and 11th floors, and the two floors are connected by a grand staircase.
The building is located in a prime location, surrounded by a rich natural environment and overlooking the mountain range and the old city.
The 10th floor consists of a reception area, event space, and open office space, with the floor and ceiling materials cut to create a rhythm of space without blocking the view of the large space.
The 11th floor consists of closed offices and a conference room with a rich view.
The grand staircase with a view of the landscape is used as an open seminar room during events and is planned as an important element of the space.
Clibeanna: Office,coworkingspace,Nagasaki,shanghai
Teicneolaíocht Táirgthe: The project expresses a unique post-architectural, post-luxury design in contemporary Nagasaki, a city that has nurtured a unique culture influenced by Western and Chinese influences.
Materials, styles, and colors were sublimated into a design inspired by existing historical buildings and townscapes.
For example, Isahaya stone, which has been used for many years in Nagasaki's urban infrastructure, was used in its raw form for furniture without the need to make it more modern and primitive, and a 5.5-meter steel plate counter was placed in the space as an object using shipbuilding technology.
The design concept was adjusted based on multiple fieldwork sessions, such as tracing stone patterns commonly seen on streets and reflecting the lines of the Nagasaki mountain range in the louvers.
The goal was to create a deep spatial concept that is conscious of the continuity of the mixed design with the surrounding environment.
Dúshlán Deartha: When considering the quality and strength of the space, we decided not to use melamine or printed sheet materials, which have been widely used in interior design in recent years, for the interior and furniture. This is because we feel that the control of space through texture is very important in reality, and that fine nuances cannot be achieved with fake materials. Therefore, it was very difficult to control details and costs for each design.
The low table in the VIP room is made of raw stone, so it took a long time to select a material that could be used as a table without processing. The tables weighed 350 kg and were difficult to install and carry in.
The wood used for the furniture and interior design was laminated wood and plywood made from a material called “Sendan” produced in the Nagasaki area, so we spent a lot of time coordinating with the producer after design.
Taighde: Fieldwork was conducted. Teams of local residents and designers surveyed Nagasaki to find out what styles and materials are used in Nagasaki for the purpose of researching historical architecture in the surrounding area. The team investigated the origins of distinctive styles and materials, and visited the places of origin of materials to record their condition before processing or to collect samples to explore their potential for interior design. For lumber, stone, and iron sheets, we investigated the processing process in more detail, and considered the finished state in more detail. The collected materials were placed on a material board by type and color, and the design was studied to create a more nuanced design by combining them with new styles.
We concluded that the texture and strength of the materials may lead to a generosity of space that is currently lacking in interior design, and this had a major impact on the post-architectural and post-luxury ideas of this project.
Inspioráid: Research on the streets of Nagasaki through fieldwork.
Design inspiration was drawn from nature.
The main theme was to minimally incorporate aged natural materials and historical architectural styles influenced by other countries into the design.
Fad an Tionscadail: The project started in December 2022 in Nagasaki and finished in October 2024.
Sreabhadh Oibríochta: A space designed to creatively support interaction, development, and the emergence of a new economy in Nagasaki, targeting companies, students, and startups from around the world. The location can be freely chosen to stimulate creativity through all five senses while experiencing the changing natural landscape around the space.
The space can accommodate a team of １ to 30 people, and offers a high level of spatial hospitality with furniture and interior furnishings designed with materials from Nagasaki, Japan, for both concentration and interaction. The space can be selected from open and rough space to modern luxury space.
Space is available to visitors on a time basis.
Baill Foirne: Architect:Mitsuhiro Shoji
Designer:Yasuhisa Makino
Designer:Makoto Hayashi
Photo:Kenta Hasegawa
Creidiúintí Íomhá: Main Image : Photographer Kenta Hasegawa, nightscape,2025
Optional Image #1 : Photographer Kenta Hasegawa, High-quality VIP rooms,2025
Optional Image #2: Photographer Kenta Hasegawa, 5.5m long steel plate reception desk,2025
Optional Image #3 : Photographer Kenta Hasegawa, Private seats with a view of the landscape,2025
Optional Image #4 : Photographer Kenta Hasegawa, High-quality VIP rooms,2025