Changes Cycles and Shapes Ealaín Dhigiteach le Yuko Suzuki

Is buaiteoir an-mheasúil den ghradam fíor-ardghradamach 2025 Duais Óir A' Design Award sa Chatagóir Comórtais Dearadh Giniúnach é an dearadh Changes Cycles and Shapes Ealaín Dhigiteach le Yuko Suzuki.

ÓrGiniúnach· 2025

Changes Cycles and Shapes Ealaín Dhigiteach

le Yuko Suzuki

Cliant: Feral File

Buaiteoir an ghradaim Duais Óir A' Design Award sa Chatagóir Giniúnach

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Buaiteoir Gradaim Fíoraithe

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Dathanna

An Dearadh

Maidir le Changes Cycles and Shapes Ealaín Dhigiteach

Scrúdaíonn an saothar seo an cheist, Cad é an phéintéireacht? trí shruthú na léirithe amhairc a chur in iúl. Spreagtha ag aistrithe i bpéintéireachtaí Mondrian, tá sé bunaithe ar léaráid chomhpháirteach na péintéireachta, áit a mbogann cruth idir an tsamhailteach agus an teibí, agus idir torann agus líneacht - smaoineamh a chuirtear i bhfeidhm ar dhath. Músclaíonn an saothar staid athraitheach an ábharachais dhigitigh, ag cur béime ar an tuiscint gurb iad na foirmeacha idir athruithe an bunús. Trí uigeachtaí priontáilte le baren a chomhcheangal, léiríonn sé féiniúlacht an ealaíontóra mar phriontóir i bhfoirm dhigiteach.

An Aitheantas

Maidir leis an Duais Óir A' Design Award

Bhuaigh an dearadh Changes Cycles and Shapes Ealaín Dhigiteach Duais Óir A' Design Award, aitheantas thar a bheith clúiteach a bhronntar ar dhearaí den chéad scoth, iontacha agus sármhaithe. Is cruthuithe an-nuálacha, fíorasacha agus drithleacha iad buaiteoirí Óir a léiríonn géiniais, eagna agus máistreacht a ndearthóirí. Táthar ag súil go mbeidh an dearadh Changes Cycles and Shapes Ealaín Dhigiteach ina aireagán a mholtar go mór, ceannródaíoch agus séadchomharthach a sholáthraíonn luach nach bhfacthas riamh cheana. Is tionscadal iontach, measúil é an dearadh seo a bhuaigh Duais Óir A' Design Award a dhéanann sárleas do theorainneacha na healaíne, na heolaíochta, an deartha agus na teicneolaíochta agus a chuireann chun cinn iad. Cruthaíonn an dearadh Changes Cycles and Shapes Ealaín Dhigiteach mothúcháin dhian mhianta, músclaíonn sé paisean, spreagann sé cruthaitheacht agus cuireann sé draíocht orainn.

Taobh Thiar den Dearadh

Pacáiste Preasa

Creidiúintí, baill foirne agus sonraí teicniúla curtha ar fáil ag an dearthóir.

Airíonna Uathúla: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Toisí & Pacáistiú: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Clibeanna: Generative Art, Coding
Teicneolaíocht Táirgthe: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Dúshlán Deartha: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Taighde: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Inspioráid: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Fad an Tionscadail: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Sreabhadh Oibríochta: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Creidiúintí Íomhá: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.