Hsinchu Scroll Suiteáil Idirghníomhach le Shyang Wang

Is buaiteoir an-mheasúil den ghradam fíor-ardghradamach 2026 Duais Cré-umha A' Design Award sa Chatagóir Comórtais Dearadh Suiteála é an dearadh Hsinchu Scroll Suiteáil Idirghníomhach le Shyang Wang.

Cré-umhaSuiteáil· 2026

Hsinchu Scroll Suiteáil Idirghníomhach

le Shyang Wang

Cliant: Cultural Affairs Bureau of Hsinchu City

Buaiteoir an ghradaim Duais Cré-umha A' Design Award sa Chatagóir Suiteáil

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Buaiteoir Gradaim Fíoraithe

Fíoraigh Stádas Gradaim do #182890

Tabhair Cuairt ar an Suíomh Féach ag A' Design Award Preasráiteas Suaitheantas Gradaim

Dathanna

An Dearadh

Maidir le Hsinchu Scroll Suiteáil Idirghníomhach

Is suiteáil idirghníomhach é Hsinchu Scroll a cruthaíodh le haghaidh taispeántais i gCathair Hsinchu, an Téaváin. Déanann an dearadh an lámhscrolla traidisiúnta Síneach a chur in oiriúint mar aistear spásúil trí dhá ghailearaí, gach ceann acu thart ar 30 méadar ar 15 mhéadar le hairde síleála de 5 mhéadar. Rianaíonn braiteoirí doimhneachta infridhearga gluaiseacht na gcuairteoirí agus spreagann siad éifeachtaí callagrafaíochta agus uisce ag sileadh i bhfíor-am. Tacaíonn struchtúir scáileáin mhodúlacha éadroma agus fabraic teilgin ardghnóthachain le teilgin dhigiteacha ar mhórscála. I gcrios deiridh, fágann cuairteoirí marcanna callagrafaíochta digiteacha agus glacann siad páirt sa taispeántas atá ag síorathrú.

An Aitheantas

Maidir leis an Duais Cré-umha A' Design Award

Bhuaigh an dearadh Hsinchu Scroll Suiteáil Idirghníomhach Duais Cré-umha A' Design Award, aitheantas an-ghradamach a bhronntar ar dhearaí sármhaithe a mbíonn cruthaitheacht, aireagacht agus géarchúis mar shaintréithe acu. Is déantúsáin ghlic agus chruthaitheacha go suntasach iad buaiteoirí Cré-umha a dhearbhaíonn taithí fhairsing, samhlaíocht agus acmhainneacht a ndearthóirí. Táthar ag súil go mbeidh an dearadh Hsinchu Scroll Suiteáil Idirghníomhach ina rud a bhfuil an-mheas air, a n-ardaítear agus a ghráitear, atá thar a bheith gairmiúil agus nuálach. Ionchorpraíonn an dearadh seo a bhuaigh Duais Cré-umha A' Design Award na cleachtais is fearr san ealaín, san eolaíocht, sa dearadh agus sa teicneolaíocht, agus tá sé sármhaith as a aird ar mhionsonraí. Sásaíonn an dearadh Hsinchu Scroll Suiteáil Idirghníomhach riachtanais go hálainn, bainíonn sé le mianta, cuireann sé draíocht ar mhothúcháin agus tarraingíonn sé fiosracht.

Taobh Thiar den Dearadh

Pacáiste Preasa

Creidiúintí, baill foirne agus sonraí teicniúla curtha ar fáil ag an dearthóir.

Airíonna Uathúla: This project establishes a new exhibition paradigm by transforming the traditional Chinese handscroll into a real-time, co-authored urban simulation system.
Toisí & Pacáistiú: The exhibition spans two primary galleries, each measuring approximately 30 Meter x 15 Meter with a ceiling height of 5 Meter, providing a combined immersive volume designed for large-scale digital projections.
Clibeanna: Digital scroll, Interaction Art, Techno-art, Hsinchu City, Chinese Art Exhibition, Media Art
Teicneolaíocht Táirgthe: To bridge traditional culture with technology, the project employs Infrared depth sensors and tracking to capture visitor movements, triggering real-time interactive calligraphy and "flowing water" effects. The physical installation uses lightweight, modular screen structures and high-gain projection fabric to ensure visual clarity while maintaining a flexible, eco-friendly exhibition layout.
Dúshlán Deartha: Technical Scarcity in Traditional Ink Wash Representation: While digital tools abound for Western art, sophisticated frameworks for translating the atmospheric, rhythmic brushwork of traditional Chinese landscape painting into dynamic digital media remain scarce. The team conducted extensive research to develop shaders and fluid dynamics that honor the "spirit resonance" of classical ink, ensuring the digital output felt organic rather than synthetic. Computational Innovation in Urban Mapping: A significant innovation involved the computational synthesis of Hsinchu’s modern cityscapes with the compositional logic of the legendary Along the River During the Qingming Festival. This required massive real-time data processing and custom algorithms to weave contemporary urban memory into a seamless, unfolding digital scroll—transforming a static masterpiece into a living, generative metropolitan narrative. Cross-Institutional Strategic Collaboration: Bridging the operational cultures of a municipal city museum and a world-renowned institution like the National Palace Museum presented a complex logistical and creative challenge. The design had to satisfy high-level academic curation standards while remaining accessible and engaging for a local civic audience, ultimately establishing a new collaborative model for global-local cultural exchange.
Taighde: This challenge is critical as it addresses the broader issue of how non-Western aesthetic systems can survive and evolve within algorithm-driven digital environments.This research addresses the "Digital-Cultural Gap" by developing custom shaders that replicate the "Spirit Resonance" (Qi Yun) of classical ink wash painting. By integrating IR depth sensors and FFT acoustic analysis, the project creates a "living" environment where human movement and ambient sound directly influence generative visual output. The breakthrough lies in "Computational Urban Mapping"—synthesizing Hsinchu's high-tech architecture with the compositional logic of legendary masterpieces.
Inspioráid: Inspired by the traditional Chinese handscroll, this project reimagines the exhibition as an unfolding spatial experience rather than a static display. It transforms cultural memory into a continuous narrative journey, drawing from literati garden traditions of the Tang and Song eras and historic Hsinchu landmarks. By merging classical aesthetics with contemporary urban identity, the design bridges heritage and technology, creating an immersive and evolving cultural landscape.
Fad an Tionscadail: This exhibition started on February 3 to May 10, 2026 in Hsinchu City Art Museum in Hsinchu City, Taiwan.
Sreabhadh Oibríochta: The exhibition is structured as a progressive spatial journey through two expansive galleries about 3000 sq. Ft each. Upon entry, visitors follow a curated "scroll-like" flow, transitioning from historical garden aesthetics to a futuristic digital landscape. Interaction is multifaceted: infrared sensors and motion tracking trigger dynamic visual changes on the walls, simulating the "Meandering Water" banquet. In the dedicated tea and music zones, physical rituals are augmented by generative digital media, where the rhythm of the music and the steam from the tea influence the ambient digital projections. The flow concludes in an interactive co-creation zone, where visitors can leave digital calligraphic marks, effectively becoming part of the living exhibition.
Baill Foirne: National Palace Museum:
Zong-Huang Xiao
Jun-Ke Xie
Shao-Qun Wu
Zhi-Yan Lin
Run-Ya You
Wen-Jia Hong
Cultural Affairs Bureau of Hsinchu City:
Shyang-Yuh Wang
Shu-Fei Chen
Yi-Rong Lai
Kuan-Chieh Huang
Yong-Jian Xu
AMUS ART TECH Co., Ltd.
Yung-Ta Chen
Ming-Lung Lee
Yu-Tung Kung
Chia-Yi Lin
Chun-Yen Chen
Ya-Chuan Chen
Yu-Hao Chang
SelfThink Creative Co., Ltd.
GONWEN DESIGN
Creidiúintí Íomhá: Cultural Affairs Bureau of Hsinchu City
National Palace Museum, Taiwan
AMUS ART TECH Co., Ltd., Taipei