The Japanese Forest Grianghrafadóireacht by Masaru Eguchi

The Japanese Forest Grianghrafadóireacht by Masaru Eguchi is a highly esteemed winner of the very prestigious 2020 Duais Airgid A' Design Award in Dearadh Grianghrafadóireachta Competition Category.

AirgeadGrianghrafadóireacht· 2020

The Japanese Forest Grianghrafadóireacht

by Masaru Eguchi

Client: Sunpono

Duais Airgid A' Design Award Winner in Grianghrafadóireacht Category

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Colors

The Design

About The Japanese Forest Grianghrafadóireacht

Tógtar Foraois na Seapáine ó pheirspictíocht reiligiúnach na Seapáine. Ceann de reiligiúin ársa na Seapáine ná Animism. Is é atá sa bheochan ná creideamh go bhfuil rún ag créatúir neamh-dhaonna, an saol neamhbheo (mianraí, déantáin, srl.) Agus rudaí dofheicthe freisin. Tá an ghrianghrafadóireacht cosúil leis seo. Tá Masaru Eguchi ag lámhach rud a fhágann go bhfuil mothú san ábhar. Mothaíonn crainn, féar agus mianraí toil na beatha. Agus mothaíonn fiú déantáin mar dhambaí a d’fhág sa nádúr ar feadh i bhfad an toil. Díreach mar a fheiceann tú an nádúr gan teagmháil, feicfidh an todhchaí an radharcra atá ann faoi láthair.

The Recognition

About the Duais Airgid A' Design Award

Bhuaigh an dearadh The Japanese Forest Grianghrafadóireacht Duais Airgid A' Design Award, aitheantas an-ghradamach a bhronntar ar dhearaí ardchaighdeáin, álainn agus drámatach. Is saothair thar a bheith drithleacha agus an-chruthaitheach iad buaiteoirí Airgid a léiríonn saineolas, tallann agus géarchúis shármhaith a ndearthóirí. Táthar ag súil go mbeidh an dearadh The Japanese Forest Grianghrafadóireacht ina shaothar iontach, ina léiriú sampla, thar a bheith gairmiúil agus go domhain nuálach. Is aireagán an-suntasach, ionadmhuirthe é an dearadh seo a bhuaigh Duais Airgid A' Design Award a dhéanann leas do theorainneacha na healaíne, na heolaíochta, an deartha agus na teicneolaíochta agus a chuireann chun cinn iad. Is cruthú é an dearadh The Japanese Forest Grianghrafadóireacht a bhfuil formad mór leis, a mhúsclaíonn mianta, a thugann mothúcháin dhearfacha agus a adhnann iontas agus ionadh.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Dimensions & Packaging: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Tags: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Production Technology: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Design Challenge: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Research: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Inspiration: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Project Duration: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Operation Flow: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Patents: Copyright: Masaru Eguchi
Image Credits: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.