The Birth of a Book Leabhar le Urszula Giren

Is buaiteoir an-mheasúil den ghradam fíor-ardghradamach 2020 Duais Óir A' Design Award sa Chatagóir Comórtais Dearadh Clóite é an dearadh The Birth of a Book Leabhar le Urszula Giren.

ÓrCló· 2020

The Birth of a Book Leabhar

le Urszula Giren

Cliant: Urszula Gireń

Buaiteoir an ghradaim Duais Óir A' Design Award sa Chatagóir Cló

80,127

Buaiteoir Gradaim Fíoraithe

Fíoraigh Stádas Gradaim do #97144

Tabhair Cuairt ar an Suíomh Féach ag A' Design Award Preasráiteas Suaitheantas Gradaim

Dathanna

An Dearadh

Maidir le The Birth of a Book Leabhar

Is foilseachán clóite é Breith Leabhair faoi dhearadh leabhar sa Pholainn sa 16ú haois. Cuireann an leabhar seanphriontaí i láthair ag a bhfíormhéid, ionas gur féidir le léitheoirí na formáidí bunaidh a fheiceáil. Léiríonn an forchlúdach an modh forleagain a úsáideadh don tseanfhormáid ochtavo. Marcálann leabharmharc ribín airde na leabhar folio, quarto agus ochtavo. Tá na gearrthóga adhmaid ar na leathanaigh teidil clóite in inbhéartú datha, rud a chuireann maitrísí clúdaithe le dúch dubh i gcuimhne. Is é 256 faoi 320 milliméadar an fhormáid, le 560 leathanach agus timpeall 1200 léaráid. Is é an aidhm atá leis modhanna clódóireachta na hAthbheochana a mhíniú do léitheoirí i gcoitinne.

An Aitheantas

Maidir leis an Duais Óir A' Design Award

Bhuaigh an dearadh The Birth of a Book Leabhar Duais Óir A' Design Award, aitheantas thar a bheith clúiteach a bhronntar ar dhearaí den chéad scoth, iontacha agus sármhaithe. Is cruthuithe an-nuálacha, fíorasacha agus drithleacha iad buaiteoirí Óir a léiríonn géiniais, eagna agus máistreacht a ndearthóirí. Táthar ag súil go mbeidh an dearadh The Birth of a Book Leabhar ina aireagán a mholtar go mór, ceannródaíoch agus séadchomharthach a sholáthraíonn luach nach bhfacthas riamh cheana. Is tionscadal iontach, measúil é an dearadh seo a bhuaigh Duais Óir A' Design Award a dhéanann sárleas do theorainneacha na healaíne, na heolaíochta, an deartha agus na teicneolaíochta agus a chuireann chun cinn iad. Cruthaíonn an dearadh The Birth of a Book Leabhar mothúcháin dhian mhianta, músclaíonn sé paisean, spreagann sé cruthaitheacht agus cuireann sé draíocht orainn.

Taobh Thiar den Dearadh

Pacáiste Preasa

Creidiúintí, baill foirne agus sonraí teicniúla curtha ar fáil ag an dearthóir.

Airíonna Uathúla: The designed structure of publications presents the old prints in real size and the method of their production in additional elements like a dust jacket which show printing sheet, typographic composition at 1:1 scale. The woodcuts in color inversion on the title pages refer to matrices covered with black ink. The compositions of this pages were plotted on a scheme invented by Villard de Honnecourt, 13th century artist, and refer to the proportions of columns, margins used in the 16th century.
Toisí & Pacáistiú: Format:
256 x 320 mm in a 1.25 ratio, 560 pages, the page format allowed the calculation of a multi-level grid for the composition of individual elements, including 1200 illustrations.
Clibeanna: renaissance book, first roman typefaces, old prints, typography
Teicneolaíocht Táirgthe: The work was digitally printed and a hardback, paper binding, thermo-gluing was used. The covering is made of black beater-dyed paper. There are also a dust jacket reflecting an imposition method for the old octavo book format, as well as a ribbon - bookmark, depicting the folio, quarto and octavo heights. Covering: Geltex Negro Antracita 191 Embossing LS 115 g (beater-dyed paper), silver color - screen printing, binder's board: spine board 2 mm, base case 3 mm, Dust Jacket: Color Style Black Smooth 120 g (beater-dyed paper) silver color - screen printing, Endpaper: Geltex Negro Antracita 191 Embossing LS 130 g (beater-dyed paper), Book-block: Pergraphica Natural Smooth 120 g, CMYK - digital printing, HP Indigo, printing according to fiber direction, PUR glue, Headband: Black, Ribbon bookmark: Black, silver color
Dúshlán Deartha: The biggest challenge was complicated structure of the text - a lot of auxiliary and descriptive texts, an unusually large number of various illustrations - 1274. Organizing the appropriate grid required several verifications. I based the project largely on mathematical calculations related to the content of the publication. The divisions and colors used resulted entirely from the content and the assumption of the best possible exposure of illustrations and text. By learning the methodology of 16th-century typographers, you can see frequent references to numbers that have always been present in nature. The search for systematization the surrounding world by the renaissance artists was huge inspiration. Each element in the world has its place and meaning, nothing is accidental, everything is connected with each other and interacts with each other. I also wanted to build a relationship system in the design of my publication, where the smallest part would result from the structure of the whole.
Taighde: The first part of book contains basic information about printing, introduces the reader to the general principles of Renaissance design. In the second part of the publication, printing in Poland was discussed in more detail. This part was divided into 5 chapters, four of which have been assigned specific cities. The choice of places was justified by the pioneering activity of the printing houses, which opened there, their size, as well as the quality of the publications they produced.
Inspioráid: The main inspirations were the general principles of Renaissance design. The first stage of the project included gathering graphic material necessary to conduct research on the old European, Polish books. The study covered individual elements, starting from the materials from which books were created: papers, binding materials, typefaces, ornaments, graphics. Information was also collected on the most well-known Polish and European publishers, typographers and punchcutters.
Fad an Tionscadail: The project started in May 2017 in Bialystok and finished in February 2019 in Katowice, Poland
Sreabhadh Oibríochta: All the elements in the book have been designed to familiarize the reader with the methodology of creating books in the 16th century. Starting from the format of the book showing real formats of old prints, to the dust jacket presenting the printing imposition, or the ribbon indicating the height of old books - folio, quarto, otavo.
Creidiúintí Íomhá: Urszula Gireń / 2019