Past at Last Fasan Seasmhach le Tihana Miksa

Tha Past at Last Fasan Seasmhach le Tihana Miksa na bhuannaiche air leth urramach anns an fharpais chliùitich 2021 Duais Airgid A' Design Award ann an Roinn Farpais Dealbhadh Fasain, Aodaich agus Trusgain.

AirgeadFasan· 2021

Past at Last Fasan Seasmhach

le Tihana Miksa

Neach-ceannach: Tihana Mikša

Buannaiche Duais Airgid A' Design Award ann an Roinn Fasan

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Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #113802

Tadhail air an Làrach Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Past at Last Fasan Seasmhach

Tha an cudrom anns na co-dhèanaidhean aodaich air inneachdan beairteach cluicheach agus dathachadh neo-chòmhnard. Mar thoradh air sin, tha na h-aodaichean fhèin co-chothromach, sìmplidh agus nan cruthan dùinte gun eadar-theachdan dùbhlanach sam bith don structar. Tha na nithean seo a' sgrùdadh na taoibh lèirsinneach, faireachdainn bean-làimhe, stuthanachd, gluasad beò agus ailtireachd aodach. Tha na dathan ìosal ann an dian agus neo-chromatach, ach a-mhàin dearg a tha a' bualadh taobh a-staigh an speactram bhàin seo.

An Aithneachadh

Mu dheidhinn Duais Airgid A' Design Award

Tha Past at Last Fasan Seasmhach air Duais Airgid A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean den chiad ìre, àlainn agus drùidhteach. Tha buannaichean Airgid nan obraichean anabarrach boillsgeach agus gu math cruthachail a nochdas sàr-eòlas, tàlant agus geurchuis an luchd-dealbhaidh. Thathar an dùil gum bi Past at Last Fasan Seasmhach na obair mhìorbhaileach, na sàr-eisimpleir a tha gu sònraichte proifeiseanta agus gu domhainn ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Airgid A' Design Award na innleachd glè fhaicsinneach, ion-mholta a bhrosnaicheas crìochan ealain, saidheans, dealbhaidh agus teicneolais. Tha Past at Last Fasan Seasmhach na chruthachadh air a bheil mòran eud, a dhùisgeas miannan, a bheir faireachdainnean math agus a thogas iongnadh is miorbhail.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Tagaichean: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Teicneòlas Cinneasachaidh: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Dùbhlan Dealbhaidh: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Brosnachadh: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Faid a' Phròiseict: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Creideasan Dhealbhan: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.