Venus Cliabhan, Sòfa le Hajar Shahsavari and Golnoush Zamani

Tha Venus Cliabhan, Sòfa le Hajar Shahsavari and Golnoush Zamani na bhuannaiche air leth urramach anns an fharpais chliùitich 2022 Duais Iarainn A' Design Award ann an Roinn Farpais Dealbhadh Àirneis.

IarannÀirneis· 2022

Venus Cliabhan, Sòfa

le Hajar Shahsavari and Golnoush Zamani

Buannaiche Duais Iarainn A' Design Award ann an Roinn Àirneis

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Buannaiche Duais Dearbhaichte

Dearbhaich Inbhe na Duaise airson #130019

Tadhail air an Làrach Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Venus Cliabhan, Sòfa

Is e Venus ball àirneis ioma-dhleastanach a tha ag obair mar sòfa agus mar chliabhan le chèile. Tha an structar creafach air a dhèanamh de fhiodh air a ghearradh le inneal CNC, air a lìonadh le cùmhdach bogha 60 mm agus air a chòmhdach le aodach. Faodar feansa clàr-fiodha a chur sìos gus an leanabh a dhìon. Le cluasag anns a bheil teicneòlas steatoscop, is urrainn don mhàthair fuaim cridhe an leinibh a chluinntinn fhad ’s a tha i trom. Tha Venus a’ toirt taic do fhois, biadhadh agus cadal do mhàthair agus leanabh suas gu còig bliadhna a dh’aois. Tha an cruth air a bhrosnachadh le ìomhaighean crèadha à Ioran anns an t-seann aimsir Neòlitigeach.

An Aithneachadh

Mu dheidhinn Duais Iarainn A' Design Award

Tha Venus Cliabhan, Sòfa air Duais Iarainn A' Design Award a bhuannachadh, aithneachadh urramach a bheirear do dhealbhaidhean math a choinnicheas ris na riatanasan proifeiseanta is gnìomhachais a thathar a' sùileachadh bho chruthachaidhean a chaidh an dealbhadh gu math. Tha buannaichean Iarainn a' nochdadh sgil mhòr, speisealachadh àrd, tuigse eòlaiche agus comas cruthachail an luchd-cruthachaidh. Thathar an dùil gum bi Venus Cliabhan, Sòfa na chruthachadh air a bheil mòran meas, ion-mholta agus gràdhach a tha practaigeach agus ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Iarainn A' Design Award a' cur nan cleachdaidhean as fheàrr sa ghnìomhachas còmhla agus tha feartan teignigeach comasach aige ceangailte ri eòlas-dèanamh agus tàlant. Tha meas air Venus Cliabhan, Sòfa airson a dhùrachd agus chaidh a dhealbhadh gus leasachaidhean càileachd beatha a thoirt seachad a chuidicheas le bhith a' dèanamh an t-saoghail na àite nas fheàrr.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: Venous is furniture to a hug for mother and kid.
Venous inspire by Iran's feminine statues that go back to the Neolithic era.
with the specific vision to the concept of fertility and motherless, Venous provides a comfortable area for the mother and her child as well.
this is multi _purpose product that applies as a sofa and cradle, considered as a piece of child's room furniture.
A space for :
-Having rested in pregnancy
-listening to the fetus's heartbeat by the cushion (during pregnancy)
-feeding and resting with the baby
-baby's cradle up to a 5 year _old child
Tomhasan & Pacadh: The oval shape of the furniture has the following dimension: 800mm(width) 1200mm(depth) 1000mm (height)
Tagaichean: interaction, relax mother, cradle, pregnancy, ancient of Iran , statues
Teicneòlas Cinneasachaidh: The oval shape of Venus structure is made of wood, cut down with a CNC machine and filled with Upholstery Foam (60mm thickness), and then covered with fabric.
the fence was prototyped in the Polywood structure and was connected to the body with two circular patches.
we used stethoscope technology for the pillow to hear the fetus heartbeat.
Dùbhlan Dealbhaidh: the main challenge was the connection between ancient inspiration and modern society. finding a design language the faces our real needs. we could highlight some of the fertility touch points and find solutions based on inspiration resources. as an example mother's concerns for the health of the fetus and the desire to hear the baby's heartbeat were founded in the function of the old mother statues that were used as some magical power to calm down and have an easy birth.
Rannsachadh: The mother is the oldest subject of human art," says Toynbee. In ancient Iran, over the Neolithic period, there are some play statues with this subject. In some of these statues, their female organs are emphasized such as breasts and legs.
The excessive fatness of these statues reflects the difference that has been achieved in the aesthetic view of us and our prehistoric ancestors, and the belief in the beauty of fat women has remained strong in the minds of many people in the world until a few decades ago. Fatness was a symbol of health, wealth, and satiety for our ancestors.
Brosnachadh: The identity of this project goes back to ancient Iran and the importance of women in the fertility of the earth. there are some clay statues, called Venus, that go back to the Neolithic era which is the symbol of the mother, the oldest human artistic subject. (says, Toynbee) These statues are symbols of fertility in the human, agriculture, and earth and were inspirational for our ancestors to survive. these ancient Iranian Venouses have a minimal ascetic with exaggerated sexual organs.
Faid a' Phròiseict: The project started in Jul 2020 Isfahan/Iran and finished in Dec 2020.
Sruth Obrachaidh: In the pregnancy period, the mother can lay down on the furniture and use the pillow behind her head to listen to the fetus heartbeat and feel relax physically and mentally with her baby.
after the birth, the furniture can be used as space work for both mother and newborn to sleep, feed, hug and calm down together.
the main interaction is when the furniture can be used as a cradle the mother can turn down the fence to protect her baby.
Buill na Sgioba: Hajar Shahsavari & Golnoush Zamani
Creideasan Dhealbhan: image#1:photograpger GolnoushZamani, image#2:phptographer: Golnoush Zamani, image#3:photographer Golnoush Zamani, image#4:photographer Golnoush Zamani
Video: Golnoush Zamani