Dress Cnuasach Troscáin Cré-earraí le Masahiro Kito

Tha Dress Cnuasach Troscáin Cré-earraí le Masahiro Kito na bhuannaiche air leth urramach anns an fharpais chliùitich 2022 Duais Umha A' Design Award ann an Roinn Farpais Ealain Fhìnealta agus Dealbhadh Stàladh Ealain.

UmhaEalain Fhìnealta· 2022

Dress Cnuasach Troscáin Cré-earraí

le Masahiro Kito

Neach-ceannach: Masahiro Kito

Buannaiche Duais Umha A' Design Award ann an Roinn Ealain Fhìnealta

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Buannaiche Duais Dearbhaichte

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Tadhail air an Làrach Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn Dress Cnuasach Troscáin Cré-earraí

Is éard atá i gCulaith ná cnuasach troscáin cré-earraí a thaispeántar freisin mar shuiteán ealaíne. Cuireann an cnuasach éadach ar crochadh i bpoirceallán i láthair, ag cruthú spás sealadach a chosúil le dúshlán a thabhairt don domhantarraingt. Bogtar éadach gloine i sladra cré agus déantar é a dhóiteán ina shraitheanna ag 1150 céim Celsius ar feadh lá amháin, rud a chuireann neart leis fad is atá an t-ábhar coinnithe éadrom. Tacaíonn gaineamh leis an gcruth le linn an dóiteáin. Forbraíodh cathaoireacha, boird agus feistis soilsithe sa chnuasach. Tarchuireann an poirceallán solas freisin, mar sin oireann na píosaí lena n-úsáid mar lampaí.

An Aithneachadh

Mu dheidhinn Duais Umha A' Design Award

Tha Dress Cnuasach Troscáin Cré-earraí air Duais Umha A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean sònraichte a tha air an comharrachadh le cruthachalachd, innleachd agus geurchuis. Tha buannaichean Umha nan obraichean gu math sgileil agus gu sònraichte cruthachail a dhearbhas eòlas farsaing, mac-meanmna agus tapachd an luchd-dealbhaidh. Thathar an dùil gum bi Dress Cnuasach Troscáin Cré-earraí na nì air a bheil mòran meas, ion-mholta agus gràdhach, a tha gu sònraichte proifeiseanta agus ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Umha A' Design Award a' cur nan cleachdaidhean as fheàrr ann an ealain, saidheans, dealbhadh agus teicneolas an gnìomh, agus tha e sàr-mhath airson an aire do mhion-fhiosrachadh. Bidh Dress Cnuasach Troscáin Cré-earraí a' sàsachadh fheumalachdan gu h-iongantach, a' suathadh ri miannan, a' tàladh faireachdainnean agus a' togail fiosrachd.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: Dress is an interior design collection and installation, in which hanging cloth is expressed in porcelain as a "momentary space" that defies the earth's gravity.
By using pottery as a material for interior decoration, the quality of delicateness can be brought into daily life. To provide the installation strength, sheets of cloth are first soaked in clay and then baked it in layers.
Tomhasan & Pacadh: It has been developed as various interior decoration such as chairs, tables and lighting fixtures, and the sizes are as follows.[chair]W450,D450,H960,SH350
[desk]W400,D320,H600
Tagaichean: Pottery, chairs, furniture, desks, lighting, interiors, installations,
Teicneòlas Cinneasachaidh: This work is a pottery made by dipping glass cloth in slurry and baking it in layers.The firing temperature is 1150 degrees and it is baked for one day. At that time, the shape is maintained by reinforcing it with sand or the like.
Dùbhlan Dealbhaidh: The cloth used as a mold was required to be water-absorbent, quick-drying, and heat-resistant. Cotton and nylon could not absorb the slurry evenly, and it took a long time dry. The strength when baked was also low.
We solved that problem with glass cloth made of glass fiber. It has water absorption and quick-drying properties, and by applying heat, it was possible to give the pottery even more strength.
Rannsachadh: In this work, experiments were conducted to further expand the usage of porcelain materials.
For firing, an electric kiln that allows the temperature to be set according to time was used.
As a result of the experiment, a visually attractive pottery with spatial performance output was completed. In addition, because it has a unique light-transmitting property, it has become an eye-catching lighting fixture.
Brosnachadh: Aichi Prefecture is the traditional center of pottery production in Japan. Having lived in Aichi Prefecture for many years, I decided to use, lightness, and beauty of the pottery as my own way of expressing furniture. Furniture made from pottery has a problem in terms of strength and tends to be heavy. I decided to create a collection that was stronger while preserving the lightness of the material.
Faid a' Phròiseict: This project began research and production in May 2019.
It was exhibited at the exhibition held at Nagoya University of the Arts in February 2020.
Sruth Obrachaidh: This work can be developed as interior decoration such as tables, chairs, and lighting. The organic natural shape is an accent to your life.
Creideasan Dhealbhan: Photo/ Masahiro Kito/ 2020