One Thousand and One Nights Soitheach le Mohamadali Vadood and Shadi Habib

Tha One Thousand and One Nights Soitheach le Mohamadali Vadood and Shadi Habib na bhuannaiche air leth urramach anns an fharpais chliùitich 2021 Duais Umha A' Design Award ann an Roinn Farpais Ealain Fhìnealta agus Dealbhadh Stàladh Ealain.

UmhaEalain Fhìnealta· 2021

One Thousand and One Nights Soitheach

le Mohamadali Vadood and Shadi Habib

Neach-ceannach: Vadood Wood Arts Institute

Buannaiche Duais Umha A' Design Award ann an Roinn Ealain Fhìnealta

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Buannaiche Duais Dearbhaichte

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Tadhail air an Làrach Seall aig A' Design Award Brath Naidheachd Suaicheantas Duaise

Dathan

An Dealbhadh

Mu dheidhinn One Thousand and One Nights Soitheach

Is e Mìle is Aon Oidhche am beachd a bhith a’ dèanamh innealan agus structaran fiodha le bhith a’ cleachdadh pìosan beaga gu mòr bho dhiofar chraobhan aig a bheil dathan nàdarra breagha agus pàtrain tarraingeach. Bidh dathan blàth de choilltean agus mìltean de phìosan le diofar chumaidhean a’ cur an cuimhne an neach-coimhead faireachdainn de dhealbhan Orientalist agus sgeulachdan na Mìle is Aon Oidhche. Anns an dealbhadh seo, tha pìosan fiodha bho na ceudan de chraobhan eadar-dhealaichte a bha aon uair na lus beò air an toirt còmhla gus bodhaig samhlachail a thogail, a’ giùlan iomadachd gnèithean craoibhe ann an coille.

An Aithneachadh

Mu dheidhinn Duais Umha A' Design Award

Tha One Thousand and One Nights Soitheach air Duais Umha A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean sònraichte a tha air an comharrachadh le cruthachalachd, innleachd agus geurchuis. Tha buannaichean Umha nan obraichean gu math sgileil agus gu sònraichte cruthachail a dhearbhas eòlas farsaing, mac-meanmna agus tapachd an luchd-dealbhaidh. Thathar an dùil gum bi One Thousand and One Nights Soitheach na nì air a bheil mòran meas, ion-mholta agus gràdhach, a tha gu sònraichte proifeiseanta agus ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Umha A' Design Award a' cur nan cleachdaidhean as fheàrr ann an ealain, saidheans, dealbhadh agus teicneolas an gnìomh, agus tha e sàr-mhath airson an aire do mhion-fhiosrachadh. Bidh One Thousand and One Nights Soitheach a' sàsachadh fheumalachdan gu h-iongantach, a' suathadh ri miannan, a' tàladh faireachdainnean agus a' togail fiosrachd.

Air Cùl an Dealbhaidh

Pasgan Naidheachd

Creideasan, buill sgioba agus fiosrachadh teicnigeach a chuir an dealbhaiche ri chèile.

Feartan Sònraichte: Segmenting is a wood-work technique which is in two aspects: art-wise and production-wise. While both use motifs and cut trimmed lumbers and planks into angled and regular shapes, the former makes up marquetry pictures, and the latter produces objects. The method used here, calling it Irregular Segmenting, has roots in the second aspect but is inspired by the idea of putting irregular segments together accidently with various sizes and shapes. So, it has different procedures of segmenting and pressing with no needs to trim wood or use motifs, technically speaking, and means a random assemblage of colors and else, regarding aesthetics.
Tomhasan & Pacadh: The vessel is 40 cm in height and 20 cm in diameter, and it weighs 200 grams. The bigger cup is 30 cm in height and 15 cm in diameter, and it weighs 100 grams. The smaller cup is 25 cm in height and 8 cm in diameter, and it weighs 40 grams.
Tagaichean: Recycle Wood, Reuse Wood, Save Natural Resources, Save Forests, Save Green Lives, Save Trees, Tree Huggers, Anti Deforestation, Stop Deforestation, One Thousand and One Nights, Ali Baba and the Forty Thieves, Wood Vessel
Teicneòlas Cinneasachaidh: To begin with the Irregular Segmenting work, first, left-over cuts of wood with different shapes are sorted out according to their complementary colors. After that small sheets are made up this way, they are arranged to build up bigger sheets. In order to produce this design One Thousand and One Nights, discs of desired diameter were cut out of the sheets and were glued and fixed to shape up like a vessel. Finally, the whole volume was wood-turned.
Dùbhlan Dealbhaidh: The fundamental challenge is to technically find a way to connect pieces of different sizes and various shapes so they could regain a fine form. Applying effective techniques to put the right pieces next to each other and under the press, without having them slipped or displaced, led to an algorithm defined based on the parallel sides of each piece. This method can fulfill the random presence of colors and shapes in each sheet and also provide better opportunities for creativity.
Rannsachadh: Three research types are needed to do Irregular Segmenting. First, Mechanics of Wood, the mechanical behavior of wood like expansion and contraction so that wood pieces with similar mechanics can sit next to each other and build up a stronger structure. Second, Chemistry of Wood, the chemical behavior of wood such as its reactions to light. It is suggested to gain information about yellowing to place pieces with a correct color contrast so they are more likely to be preserved against aging. Third is studying aesthetics of the sheet before making a design. As in this work, it is based on circular forms.
Brosnachadh: Using wood while producing a design, artists usually finish up with a pile of scraps which mostly end up in trash bins, garden incinerators, or barbeques. Even if they may look impracticable due to their inappropriate size or unwanted shape, there are colors, textures, or else among them that cannot be simply ignored. Sounding like the tales of 'One Thousand and One Nights', a world full of magic and possibilities that comes right out of impossibilities, this idea occurred to me to first design a technique for making a sheet of wood out of those cuts, and then to design a vessel like Ali Baba and the Forty Thieves'.
Faid a' Phròiseict: The whole project, Irregular Segmenting and designing One Thousand and One Nights started and finished in Tehran, Iran, in 2015. It has not been exhibited so far, except for online shares via social medias.
Sruth Obrachaidh: The vessel and the cups could be used as decorative objects. The Irregular Segmenting technique, however, can be applied to almost every artistic or industrial process which uses wood as its main material.
Buill na Sgioba: Mohammad-ali Vadood
Shadi Habib