Past at Last Moda Sostible de Tihana Miksa

O deseño Past at Last Moda Sostible de Tihana Miksa é un estimado gañador do moi prestixioso 2021 A' Design Award de Prata na Categoría de Competición Deseño de Moda, Vestiario e Prendas.

PrataModa· 2021

Past at Last Moda Sostible

de Tihana Miksa

Cliente: Tihana Mikša

Gañador do A' Design Award de Prata na Categoría Moda

36,948

Gañador de Premio Verificado

Verificar o Estado do Premio para #113802

Visitar sitio Ver en A' Design Award Nota de prensa Distintivo do premio

Cores

O Deseño

Sobre Past at Last Moda Sostible

A énfase nas composicións de roupa está nas texturas ricas e lúdicas e na coloración irregular. Como consecuencia, as prendas en si son formas simétricas, simples e pechadas sen intervencións esixentes na súa estrutura. Estes obxectos examinan o aspecto visual, a tactilidade, a materialidade, o movemento vivo e a arquitectónica dos téxtiles. As cores son de baixa intensidade e acromáticas, agás os vermellos que pulsan dentro deste espectro pálido.

O Recoñecemento

Sobre o A' Design Award de Prata

Past at Last Moda Sostible gañou o A' Design Award de Prata, un recoñecemento enormemente prestixioso outorgado a deseños de gama alta, fermosos e impresionantes. Os gañadores Prata son obras tremendamente brillantes e sumamente creativas que ilustran a pericia, o talento e a agudeza sobresaíntes dos seus deseñadores. Espérase que Past at Last Moda Sostible sexa unha obra marabillosa, escaparate de oficio, notablemente profesional e profundamente innovadora. Este deseño gañador do A' Design Award de Prata é unha invención moi notable e admirada que beneficia e fai avanzar os límites da arte, a ciencia, o deseño e a tecnoloxía. Past at Last Moda Sostible é unha creación moi envexada que esperta desexos, achega sentimentos positivos e prende asombro e marabilla.

Detrás do deseño

Kit de prensa

Créditos, membros do equipo e detalles técnicos proporcionados polo deseñador.

Propiedades Únicas: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
Etiquetas: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
Tecnoloxía de Produción: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
Reto de Deseño: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
Inspiración: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
Duración do Proxecto: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
Créditos das Imaxes: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.