O deseño Shany Abdallah Naji Serie de Arte Gráfica de Shany Dvora é un estimado gañador do moi prestixioso 2021 A' Design Award de Prata na Categoría de Competición Deseño Gráfico, Ilustración e Comunicación Visual.
PrataGráfico· 2021
Shany Abdallah Naji Serie de Arte Gráfica
de Shany Dvora
Gañador do A' Design Award de Prata na Categoría Gráfico
Gañador de Premio Verificado
Verificar o Estado do Premio para #121320O Deseño
Sobre Shany Abdallah Naji Serie de Arte Gráfica
Shany Abdallah Naji é unha serie de obras gráficas que recupera unha tradición familiar de nomeamento. Esta tradición, que rematou cando a familia se trasladou de Iraq a Israel, outorgaba a un recentemente nado un primeiro nome seguido dos nomes do pai e do avó. A serie creouse tras atopar antigos documentos de inmigración da familia. Cinco obras de técnica mixta, catro de 50 por 70 centímetros e unha de 75 por 70 centímetros, entretecen imaxes coa caligrafía hebrea inspirada en manuscritos hebreos de Iraq, Iemen e Marrocos realizados entre os séculos XII e XV.
O Recoñecemento
Sobre o A' Design Award de Prata
Shany Abdallah Naji Serie de Arte Gráfica gañou o A' Design Award de Prata, un recoñecemento enormemente prestixioso outorgado a deseños de gama alta, fermosos e impresionantes. Os gañadores Prata son obras tremendamente brillantes e sumamente creativas que ilustran a pericia, o talento e a agudeza sobresaíntes dos seus deseñadores. Espérase que Shany Abdallah Naji Serie de Arte Gráfica sexa unha obra marabillosa, escaparate de oficio, notablemente profesional e profundamente innovadora. Este deseño gañador do A' Design Award de Prata é unha invención moi notable e admirada que beneficia e fai avanzar os límites da arte, a ciencia, o deseño e a tecnoloxía. Shany Abdallah Naji Serie de Arte Gráfica é unha creación moi envexada que esperta desexos, achega sentimentos positivos e prende asombro e marabilla.
Detrás do deseño
Kit de prensa
Créditos, membros do equipo e detalles técnicos proporcionados polo deseñador.
- Propiedades Únicas
- Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry - Dimensións e Embalaxe
- 4 works 50*70 cm
1 work 75*70 cm - Etiquetas
- Calligraphy, Typography, Hebrew, Eastern
- Tecnoloxía de Produción
- Mixed Media
- Reto de Deseño
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- Investigación
- For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.
This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.
Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco - Inspiración
- In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
- Duración do Proxecto
- 2018-2019, Israel
- Fluxo de Operacións
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- Patentes
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- Membros do Equipo
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- Créditos das Imaxes
- Shany Dvora
Patrocinado
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