Embrace Mural Específico para o Sitio de Supernova Art Embassy

O deseño Embrace Mural Específico para o Sitio de Supernova Art Embassy é un estimado gañador do moi prestixioso 2021 A' Design Award de Ferro na Categoría de Competición Deseño de Belas Artes e Instalacións Artísticas.

FerroBelas Artes· 2021

Embrace Mural Específico para o Sitio

de Supernova Art Embassy

Cliente: Memorandum Project

Gañador do A' Design Award de Ferro na Categoría Belas Artes

14,697

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Cores

O Deseño

Sobre Embrace Mural Específico para o Sitio

Embrace é un mural específico para o sitio, pintado na fachada dun edificio en Sterlitamak. O mural mide 27 metros de alto e 15 metros de ancho, cunha superficie pintada de 405 metros cadrados. Empregáronse pinturas para fachadas e rolos de pintura, e plataformas elevadoras para fachadas permitiron pintar en altura. O traballo artístico levou tres semanas. A historia representada rememora a un soldado da 170ª división de infantería de Sterlitamak que partiu cara á fronte cun reloxo de peto de prata e prometeu regresar con el. Os seus restos e o reloxo foron atopados en 2015 e levados de volta á súa muller.

O Recoñecemento

Sobre o A' Design Award de Ferro

Embrace Mural Específico para o Sitio gañou o A' Design Award de Ferro, un recoñecemento prestixioso outorgado a bos deseños que cumpren os requisitos profesionais e industriais esperados de creacións ben deseñadas. Os gañadores Ferro demostran a gran habilidade, a alta especialización, a comprensión experta e a capacidade creativa dos seus creadores. Espérase que Embrace Mural Específico para o Sitio sexa unha creación moi apreciada, admirada e querida que é práctica e innovadora. Este deseño gañador do A' Design Award de Ferro integra as mellores prácticas do sector e ten características técnicas competentes ligadas ao saber facer e ao talento. Embrace Mural Específico para o Sitio é respectado pola súa minuciosidade e está deseñado para proporcionar melloras na calidade de vida que axudan a facer do mundo un lugar mellor.

Detrás do deseño

Kit de prensa

Créditos, membros do equipo e detalles técnicos proporcionados polo deseñador.

Propiedades Únicas: The word "memorandum" is translated from Latin as "something you have to memorize", that is why the Memorandum project is dedicated to complex contexts and topics.

Coming home is always an exciting event. That is why the Sterlitamak stage of the project was called "Coming home". It included several emotional aspects of this concept. It was reflected in the approach of Lidiia Averina, the curator, and in the plots of all participants. This project is her personal comeback to her hometown.
Dimensións e Embalaxe: Height 27 m, width 15 m, total artistic painting square 405 sq.m
Etiquetas: mural art, spray art, public art, fine arts, storytelling, embrace, heritage, memory
Tecnoloxía de Produción: Some activists took great care of their ancestors memories and the works which may appear basing on historical data and archive photographs. There were different attempts to influence the curator and the artist work. However, the compromise was reached quite quickly and the work turned to constructive direction. The artistic part of the work was done by facade paints and paint rollers. For work at a height, facade lifts (scaffolds) were used.
Reto de Deseño: 4 locations were selected, each of them having common connection with historical old town (although none of the buildings selected was a historically original building). They were different in meanings and the way they belong. Connection with "coming back" had been found immediately and we also had artists sharing common values. That was particularly important for their harmony.
Investigación: Memory of the place is an eclectic mixture of emotions; it is impossible to catch a sole scent. There are pure facts, personal stories, critics, and embellishment. Interpretations multiply and fragment. This is the reason why we want to show our perception among many others.

Andreys work finely reflects the location context with lost wooden buildings as well as the irony on current town situation with chaotic architectural add-ons (tiny business centers) which try to squeeze into any available space and corners.
Inspiración: The works plot is based in the story of a soldier from 170th Sterlitamak infantry division: in May, 1941, the storys main character wanted to leave his silver pocket watch to his wife. However, his wife said: "You leave with this watch and youll come back with this watch!"

In 2015, during the expedition his remains and personal belongings were found. After 74 years he came home with the watch, as promised, and his 97 years old wife met him.
Duración do Proxecto: The work is dedicated to 75th anniversary of the Great Victory, therefore it must have been finished in 2020 before rainy autumn weather.

There were repair works on the building facades, so the whole project implementation period was 1.5 months. The artistic work implementation took 3 weeks.
Fluxo de Operacións: Now there is one of the main streets of town which connects an old town with new districts, therefore there are always a lot of students and pedestrians on the street. The works are on a high altitude and are well visible.

It is also important that the headquarters of 170th Sterlitamak infantry division was located nearby and here there was a path which was taken by the soldiers leaving to the railway station to go to the frontline. Where new standard buildings stand now, there were wooden houses and buildings.
Patentes: Copyright belongs to Andrey Olenev and Dmitry Kudinov, 2020
Membros do Equipo: Curator: Lidiia Averina
Artist: Andrey Olenev
Support: Dmitry Kudinov, Alexey Agafonov, Ludmila Averina
Créditos das Imaxes: Image #1: Photographer – Dmitry Kudinov, Embrace #1, 2020.
Image #2: Photographer – Dmitry Kudinov, Embrace #2, 2020.
Image #3: Photographer – Dmitry Kudinov, Embrace #3, 2020.
Image #4: Photographer – Dmitry Kudinov, Embrace #4, 2020.
Image #5: Photographer – Dmitry Kudinov, Embrace #5, 2020.
Video Credits: Dmitry Kudinov, Hyperlapse, Embrace and Shihans from bird’s-eye perspective, 2020.