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Era Cadeira sen encosto by Arsalan Ghadimi and Saiedeh Jaafari

Era Cadeira sen encosto by Arsalan Ghadimi and Saiedeh Jaafari is a highly esteemed winner of the very prestigious 2021 A' Design Award de Ferro in Deseño de Mobiliario Competition Category.


FerroMobiliario· 2021

Era Cadeira sen encosto

by Arsalan Ghadimi and Saiedeh Jaafari

Client: Boof Ceram

A' Design Award de Ferro Winner in Mobiliario Category

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Verified Award Winner

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Colors

The Design

About Era Cadeira sen encosto

Era é unha cadeira sen encosto deseñada como un elemento escultórico de asento para interiores. A base fórmase mediante varas metálicas fixadas entre un polo superior e outro inferior, cada un suxeitado por un anel metálico con orificios dispostos en ángulos calculados. As varas xiran ao redor dun eixo central, e o reflexo da luz entre as liñas crea unha sensación de movemento. Todos os elementos de suxeición están ocultos, de xeito que a estrutura se le como unha forma clara. O asento está recuberto de escuma e coiro, e unha placa de madeira contrapeada no interior evita que a escuma se deforme. Era mide 500 milímetros de alto, 450 de ancho e 450 de profundidade.

The Recognition

About the A' Design Award de Ferro

Era Cadeira sen encosto gañou o A' Design Award de Ferro, un recoñecemento prestixioso outorgado a bos deseños que cumpren os requisitos profesionais e industriais esperados de creacións ben deseñadas. Os gañadores Ferro demostran a gran habilidade, a alta especialización, a comprensión experta e a capacidade creativa dos seus creadores. Espérase que Era Cadeira sen encosto sexa unha creación moi apreciada, admirada e querida que é práctica e innovadora. Este deseño gañador do A' Design Award de Ferro integra as mellores prácticas do sector e ten características técnicas competentes ligadas ao saber facer e ao talento. Era Cadeira sen encosto é respectado pola súa minuciosidade e está deseñado para proporcionar melloras na calidade de vida que axudan a facer do mundo un lugar mellor.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
The goal of this project was to make a unique stool that in itself can be a convincing and prominent element for the user and the room.
The reflection of light and its effect between the lines of its metal bases creates a sense of movement and continuity for the audience.
Dimensions & Packaging
500 High 450 Wide 450 Depth
Tags
furniture, stool, brass, arsalan ghadimi, ghafdesign, leather, iran
Production Technology
The rods are fixed at the top and bottom poles, each by a metal ring, each of which has a calculated angle hole. The stool is covered with a foam and a leather cover, and a plywood plate is embedded in the seat to prevent the foam from deforming.
Design Challenge
The clearness of the design was one of the main intentions during the whole development period. That meant that no visible fastening elements were allowed. These objectives together required the invention of an ingenious, yet simple solution to completely hide the fastening elements for the poles. Probably this was the hardest part of the development.
Research
Until the final form of Era was realized, diverse prototypes has been constructed to get the best possible look. All the angles, number and diameter of poles, the final colors, the exact shape of the ring was researched in many ways. We have also made numerous experiments with the SLS technology, to reach the desired quality and perfect assembly tolerances for the manufacturing of the product.
Inspiration
The main idea of the quadruped is derived from nature. The circular rotation around a axis makes it look like a tornado. Regular repetition of lines at the base of stool has made it a modern sculpture
Project Duration
This project started in April of 2018 in Tehran, Iran.
Operation Flow
It is part of a new living style that, due to its special shape, can create a unique landscape as a unit or even in combination with other components of the interior.
Team Members
Saiedeh Jaafari
Image Credits
Render by Arsalan Ghadimi
Edit by Saiedeh Jaafari

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