Pure Infinity Tĩboja by Bettina Gomez-Latus is a highly esteemed winner of the very prestigious 2020 A' Design Award Pláta in Jeguaka Jejapo Competition Category.
PlátaJeguaka· 2020
Pure Infinity Tĩboja
Client: 1Karat - Atelier für Schmuck & Design - Bettina Gomez-Latus
A' Design Award Pláta Winner in Jeguaka Category
Verified Award Winner
Verify Award Status for #102897The Design
About Pure Infinity Tĩboja
Ko tĩboja ojejapo 18K kuarepotĩ pytã ha peteĩ topásio 92.14 ct reheve. Ko itá iporãva ñemoĩ ha ñembotyrypy ojejapo peteĩ guembe añónte reheve. Oguata michĩguive tuichavépe peteĩ jesarekópe ndopapapy'ỹva ojekrusakuéra rendápe noñembojáre'ỹ. Ko tĩboja ñemoĩ hekovia, ha katu upéva omoneĩ ko jojapy oñembotyrypy hekopete peteĩ kora rehe, ndokĩmbáirõ kotygua térã tenonde gotyo.
The Recognition
About the A' Design Award Pláta
Pure Infinity Tĩboja ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Pure Infinity Tĩboja ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Pure Infinity Tĩboja ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- The pendant became Pure Infinity thanks to the clear, flowing border in red gold that runs around the stone without touching it. The gemstone setting and the loop are made of a single wire and follows an infinite line from narrow to wide. The delicate facet of the topaz is incorporated into the setting thus creating a never-ending impression. The suspension of the pendant is diagonal and allows the pendant to hang straight on a chain without tilting back or forth.
- Dimensions & Packaging
- Pendant length: 32,5 mm, width: 56,5 mm, 18K red gold, topaz 92,14 ct. 27,8 mm x 38,4 mm x 13,4 mm.
- Tags
- Pendant, Topaz, Gold, red gold, Jewelry design, jewelry, gemstones, gold, handmade, endless, infinity
- Production Technology
- The topaz of the pendant was scanned and its setting constructed in CAD. It was then plotted in wax and cast in 18K red gold. The setting was finished at the workbench and the gemstone was busted into the setting.
- Design Challenge
- The main issues while developing the pendant was in maintaining the required tension in the gold and holding the gemstone without closing the setting entirely.
- Research
- It was necessary to examine how much the gold would move when the gemstone was set in the pendant and whether the stone would break if tension within the setting got too high. Due to the fact that the gemstone is not completely held by the setting, it was important to find out how thick and hard the wire had to be to maintain a certain tension in the gold without the gemstone fracturing during processing.
- Inspiration
- Pure elegance, nothing but the radiance of the gemstone should attract attention. The clear line of metal which serves as a setting, combines purism and functionality into an object that makes the gemstone wearable as a pendant without distracting the viewer from unnecessary details. The symbiosis between metal and stone merges. Only the colour of the red gold and the sky blue of the topaz are complementary and increase their charisma through contrasts.
- Project Duration
- The project started in May 2019 and ended in July 2019. The pendant was produced in Steinbach (Taunus), Germany.
- Operation Flow
- The pendant can be worn on different precious metal chains or on a leather band. Depending on the wears preference, both sides of the jewel can be worn frontally. Each side of the pendant has its own exklusiv expression.
- Image Credits
- All photos by Achim Kuest
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