Beimu Tienda Ruvichavéva Pyahatã Huson omba'apóva

Beimu Tienda Ruvichavéva Pyahatã Huson omba'apóva ha'e rembiporuarã oñemba'eguaséva 2021 A' Design Award Brónse pegua Ogapype Jejapo Ñeha'ã Categoría-pe.

BrónseOgapype· 2021

Beimu Tienda Ruvichavéva Pyahatã

Huson -gua

Mba'eporuhára: Beimu Home

A' Design Award Brónse Rembiporuarã Ogapype Categoría-pe

11,250

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #116018 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Beimu Tienda Ruvichavéva Pyahatã Rehegua

Beimu ha'e peteĩ tienda ruvichavéva pyahatã, oĩva Dongguan, China-pe, oguerekóva 800 metro cuadrado. Ko diseño ombopeteĩve umi mba'e ojeguerúva rechauka, ha ombopy'aguasuve pe tenda voi, upéicha umi oikéva oñemba'apo hikuái pe interior rekove rupive. Pe fachada ojejapo hũ ha morotĩ ryepýpe, línea sencilla reheve. Pe marca logo ykére, oñembojuru peteĩ ovetã 3.3 metro cuadrado-va, ojapóva peteĩ jehecha mokõivehápe okápe ha ryepýpe. Pytã ha hũ omboguata peteĩ tape puku, omombeguéva pe jeikoha. Mesa ha apyka heta tamaño reheve oñeme'ẽ heta tenda oñemoĩ hag̃ua ojotopa, opytu'u térã oñomongeta hag̃ua.

Jeguerohory

A' Design Award Brónse Rehegua

Beimu Tienda Ruvichavéva Pyahatã ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Beimu Tienda Ruvichavéva Pyahatã ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Beimu Tienda Ruvichavéva Pyahatã ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The client of Beimu flagship store hopes to further improve its brand paradigm through space design strategy.

The creative logic of a designer consists of three parts: the change of business model and the manipulation of consumer psychology under the background of the era; the uniqueness and displeasure of cultural aesthetics in the context of globalization; and the gradual design refinement technology starting from concept to form
Tuichakue ha Ñemyenyhẽ: The store is about 40M（L）*20M（W） and covers an area of 800 square meters.
Ñe'ẽ Rape: Flagship store, BEIMU Home, Commercial Exhibition, OD·O office
Ñeapopy Tecnología: designers strive to create the symbol and spirit of the brand. Through the building facade, black and white color blocks are cut out with simple lines. Beside the highlighted brand logo, only a window of 3.3 square meters is opened to form a mutual peeping relationship inside and outside. The window plays the role of "soul and eye" and sends heartbeat signals to passers-by. Red and black construct a maze of time stagnation, guiding visitors to observe and pay attention to the strangeness after alienation. On the one hand, the deliberately elongated channel serves as the adjustment and transition of emotions, and on the other hand, it further strengthens the curiosity of the first-time visitors. Mirrors, stairs, and clever use of light all connect the feelings between people and space.
Diseño Jepy'apy: Symbol and spirit communication of brand building
Ñesẽheka: the creative logic of designers consists of three parts: the change of business model and the pinch of consumer psychology under the background of the great times, the uniqueness and unpleasure of cultural aesthetics in the context of globalization, and the gradual design refinement technology which begins with the concept of form.
Inspiración: Designers advocate weakening products, emphasizing space, retaining visitors with the charm of space itself, and achieving stronger business interaction. The development of the Internet has transformed space into a new space of the dual world of reality and virtual. Therefore, the design of modern commercial space not only depends on pure aesthetic judgment, but also bears the responsibility of brand identity media.
Proyecto Ára Tuichakue: The project started in Dongguan in April 2020 and completed in September 2020, opening to the outside world.
Mba'apo Rape: How to ease the antagonistic relationship between buyers and sellers is the focus of designers' thinking.
Provide multiple negotiation scenarios for visitors to choose from, the designer's purpose is to weaken the commercial characteristics of space. The combination of tables and chairs with different scales and styles shows that the space is not only a place for commercial negotiation, but also a clubhouse for old friends gathering, but also a place for leisure and rest for the surrounding residents.
Aty Rembiguái: HUSON
Zhou Yanjie
Yi Yongxian
Lin Wuyuan
Ye Bohui
Tang Xiaobo
Ta'ãnga Mba'eñemoneĩ: Picture#0000：photographer Ouyang yun,2020
Picture#0001：photographer Ouyang yun,2020
Picture#0002：photographer Ouyang yun,2020
Picture#0003：photographer Ouyang yun,2020
Picture#0004：photographer Ouyang yun,2020