Fissure Jerureko Jewellery Collection Lingjun Sun omba'apóva

Fissure Jerureko Jewellery Collection Lingjun Sun omba'apóva ha'e rembiporuarã oñemba'eguaséva 2021 A' Design Award Fiero pegua Jeguaka Jejapo Ñeha'ã Categoría-pe.

FieroJeguaka· 2021

Fissure Jerureko Jewellery Collection

Lingjun Sun -gua

Mba'eporuhára: Lingjun Sun Jewellery

A' Design Award Fiero Rembiporuarã Jeguaka Categoría-pe

14,394

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #120295 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Fissure Jerureko Jewellery Collection Rehegua

Fissure ha'e peteĩ joyas ñembyaty ojehecharamóva umi ykua roy okuáva ha yvy ipirúva rehe. Peteĩteĩ joyas ojejapo pópe cera-pe, ojejapóva peteĩ tekove mbohapy hendápe ojoguáva táva rembiapo oĩva ñande yvyrupápe. Pe estructura oñembojoapy umi mba'e resãi rehe, ombosako'ívo peteĩ tembiapo iporãva umi mba'e ndojoheguáiva apytégui. Lost-wax casting, mba'e resãi ñemoĩ, kuarepoti ñemyatyrõ ha black rhodium plating omohu'ãva peteĩteĩ mba'e. Umi material ojeporúva ha'e 18K oro sa'yju, South Sea baroque perla ha diamante morotĩ. Pe ára ñemoĩ oñemoĩporãve pe forma ndojoheguáiva ha ojoykeguáva.

Jeguerohory

A' Design Award Fiero Rehegua

Fissure Jerureko Jewellery Collection ohupyty A' Design Award Fiero, peteĩ ñehechakuaa prestigioso oñeme'ẽva diseño iporã-pe ohupytýva requisito profesional ha industrial oñeha'ãrõva creación iporã oñemoĩva-gui. Umi ganador Fiero ohechauka habilidad guasu, especialización yvate, comprensión experta ha capacidad creativa umi creador rehegua. Oñeha'ãrõ Fissure Jerureko Jewellery Collection ha'eha creación ojehayhúva, admirada ha estimada, práctica ha innovadora. Ko diseño ohupytýva A' Design Award Fiero ombojoaju mejor práctica industria rehegua ha oguereko característica técnica competente ojoajúva conocimiento ha talento ndive. Fissure Jerureko Jewellery Collection oñerespeta hembiapo cuidadoso rupi ha oñemoĩ ome'ẽ hag̃ua mejora calidad de vida rehegua oipytyvõva yvy ape iporãve hag̃ua.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Each piece of this collection is hand-carved into a three dimensional lattice with lines mimicking those found in nature - a technique developed in my MA program in London. A thoughtful design logic hides between the organic lines of each piece, forming accordingly around the gems, contributing to balanced compositions of seemingly random components.
Tuichakue ha Ñemyenyhẽ: Ring No.1: 41mm x 27mm x 19mm; Earrings No.1: 32mm x 32mm x 7mm; Earrings No.2: 55mm x 14mm x 11mm
Ñe'ẽ Rape: wearable sculpture, art jewellery, one of a kind, volume, asymmetry
Ñeapopy Tecnología: Each piece was hand-carved from wax to create the structure, according to the design needs or specific gem shapes. Lost-wax casting was used later. Stone setting, metal finishing and black rhodium plating were also applied. 18K yellow gold, south sea baroque pearls, white diamonds.
Diseño Jepy'apy: Seemingly randomness, asymmetrical structure, fine surface texture, together with unique form of each piece in the collection made 2D rendering or computer tools nearly impossible. Every piece required significant time and carving craftsmanship to model and test in physical prototypes. Further detailed adjustment was processed with additional remarkable time and effort.
Ñesẽheka: Extracting a two dimensional pattern that widely found in nature to a three dimensional form requires large scale of visual analysis and model construction. Carefully designed structure, texture and colour, together serve the design logic hidden behind these seemingly random lines.
Inspiración: 'Fissure' is a collection inspired by the crevices in melting ice caps and dried earth, echoing the growing environmental crisis we are living in.
Proyecto Ára Tuichakue: The project started in August 2020 in Sydney, and was exhibited in NYC Jewellery Week 2020
Mba'apo Rape: The designs were inspired the crevices in melting ice caps and dried earth. Wearers are experiencing the organic, three dimensional and asymmetrical forms of the collection. Its crisscrossing structure is further highlighted by colour contrast. Smooth and lustrous gems sitting in a carefully textured surface of the metal implies the incongruity human civilization and the nature.
Ta'ãnga Mba'eñemoneĩ: Image#1, 2, 3, 4: Photographer Charmaine Morgan, 2020, Image#5: Photographer Lingjun Sun, 2021