Shany Abdallah Naji Ta'ãnga Arte Aty by Shany Dvora is a highly esteemed winner of the very prestigious 2021 A' Design Award Pláta in Ta'ãnga Jejapo Competition Category.
PlátaTa'ãnga· 2021
Shany Abdallah Naji Ta'ãnga Arte Aty
by Shany Dvora
A' Design Award Pláta Winner in Ta'ãnga Category
Verified Award Winner
Verify Award Status for #121320The Design
About Shany Abdallah Naji Ta'ãnga Arte Aty
Shany Abdallah Naji ha'e peteĩ ta'ãnga rembiapo aty omoingove jeýva peteĩ ñemuñare ojeheróva tekokuaa. Ko tekokuaa, opáva ambue ojehéramo pe ñemuñare Irák-gui Israel-pe, ome'ẽ mitã pyahúpe peteĩ téra ha upéi túa ha tamói réra. Ko aty oñemoĩ ojejuhu rire ñemuñare ambue kuatia ymaguare. Cinco mba'e apopyre ojo'apáva heta materiálgui, irundy oreko 50 metro rasáicha 70 centímetro ha peteĩ oreko 75 metro rasáicha 70 centímetro, ojoapyty ta'ãngakuéra hebreo kaligrafía ndive, omomarandúva hebreo kuatiajehai Irák, Yemen ha Marruecos-guágui ojejapóva 12 ha 15 ary aja pa'ũme.
The Recognition
About the A' Design Award Pláta
Shany Abdallah Naji Ta'ãnga Arte Aty ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Shany Abdallah Naji Ta'ãnga Arte Aty ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Shany Abdallah Naji Ta'ãnga Arte Aty ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry - Dimensions & Packaging
- 4 works 50*70 cm
1 work 75*70 cm - Tags
- Calligraphy, Typography, Hebrew, Eastern
- Production Technology
- Mixed Media
- Design Challenge
- -
- Research
- For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.
This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.
Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco - Inspiration
- In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
- Project Duration
- 2018-2019, Israel
- Operation Flow
- -
- Patents
- -
- Team Members
- -
- Image Credits
- Shany Dvora
Sponsored
Explore Beyond Designers.org
Discover products, services and opportunities from our advertising partners.
More to Explore
Related Designs
Explore more award-winning designs from the same category, selected by merit.
