Maison Francois Primary Function: Tembi'urenda John Whelan - GSL omba'apóva

Maison Francois Primary Function: Tembi'urenda John Whelan - GSL omba'apóva ha'e rembiporuarã oñemba'eguaséva 2021 A' Design Award Pláta pegua Ñembyatyha Jejapo Ñeha'ã Categoría-pe.

PlátaÑembyatyha· 2021

Maison Francois Primary Function: Tembi'urenda

John Whelan - GSL -gua

Mba'eporuhára: The Guild of Saint Luke

A' Design Award Pláta Rembiporuarã Ñembyatyha Categoría-pe

51,886

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #123843 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Maison Francois Primary Function: Tembi'urenda Rehegua

Maison François ha'e peteĩ tembi'urenda oguerekóva 500 metrocuadrado, ojejapóva peteĩ concreto rehe'ỹva ryepýpe. Techo coffered ojejapo materia phonicgui ojehaipyréva cemento japúpe ombojoja hag̃ua concreto ojekãva ñuhã ndive. Banqueta apu'a nogal rehegua vidrio privacidad rehegua yvate gotyo ojejaho'i lino cremagui, ha cortina lino crema ñuhãgui techo peve ombojoja terracota estuco ha espejo arco ndive. Carpintería ojejapo nogal ha caoba rehe, bronce ha níquel patinado ndive. Isla central mbytepegua ha'e pe koty rembiapo mbytegua ha ojoaju kosina tembi'u renda ndive.

Jeguerohory

A' Design Award Pláta Rehegua

Maison Francois Primary Function: Tembi'urenda ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Maison Francois Primary Function: Tembi'urenda ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Maison Francois Primary Function: Tembi'urenda ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Initially, the concrete shell was taken as the starting point, creating a Brutalist ceiling coffering and laying down a polished concrete floor. Once the framework was established, ensuing elements were designed to create that elusive warmth and intimacy. Curved walnut banquettes with privacy glass uppers are upholstered in a resistant cream linen that are tactile and inviting. They correspond with floor-to-ceiling cream linen curtains that offset the grandeur of the imposing terracotta stucco and mirror arches.
Tuichakue ha Ñemyenyhẽ: 500 square metres floor space
Ñe'ẽ Rape: Restaurant, Brasserie, London
Ñeapopy Tecnología: The coffered ceiling was realised in phonic material and painted in faux-cement to match the polished concrete floor. Joinery is in walnut and mahogany, with patinated brass and nickel metalwork. Upholstery and drapery is in cream linen.
Diseño Jepy'apy: The main challenge was the space that was inherited from the landlord. A far cry from the warm and welcoming environment desired by the client, it was a cavernous concrete shell with no discernible features of interest. The façade offered little more by way of inspiration, being part of a somewhat generic new build. It was therefore necessary to think carefully about how the large volume could be animated, and how to create visibility from the street.
Ñesẽheka: Much of the research that went into this project had been conducted over several years, working on restoring and re-designing historic brasseries in France. Everything that was learned by the studio during this period was applied to the project, but this knowledge was infused with more contemporary reference points such as Postmodernism and Brutalism in order to evolve the genre.
Inspiración: Rather than taking the more tried and tested route of looking to the Art Deco period for inspiration, the design looked at successful residential conversions of Brutalist spaces, such as Ricardo Bofill’s, La Fabrica. What interested the team was how the designers managed to create a sense of intimacy and warmth despite their imposing concrete surrounds. The solution was to find the right dosage of these ideas, within a more traditional brasserie framework.
Proyecto Ára Tuichakue: The project started in September 2019 and opened in September 2020
Mba'apo Rape: Bringing the kitchen into direct conversation with the room was key to creating a vibrant atmosphere, and so the central island pass became the focal point of the room. It sits underneath a monumental Rado inspired clock flanked by a lambs-tongue mahogany and bevelled mirror canopy that recalls the windows of the Ismaili Centre. Metals range from patinated nickel to burnished brass, all heavy on texture and designed to warm up the space.
Aty Rembiguái: Designer: John Whelan for The Guild of Saint Luke
Ta'ãnga Mba'eñemoneĩ: Photography by Oskar Proctor