Oriental Movie Metropolis Theater Óga Ojehechauka by Shanxing Gao is a highly esteemed winner of the very prestigious 2022 A' Design Award Platino in Arquitectura, Óga ha Mba'eguasu Jejapo Competition Category.
PlatinoArquitectura· 2022
Oriental Movie Metropolis Theater Óga Ojehechauka
by Shanxing Gao
Client: Gdf Ltd
A' Design Award Platino Winner in Arquitectura Category
- 3,104,965
- Verified Award Winner
- Verify Award Status for #126211
The Design
About Oriental Movie Metropolis Theater Óga Ojehechauka
Py'a oñeme'ẽva tekoha tendágui ha mbohovái ko'ãga ára rehegua ha'e inspiración ñepyrũha creación estética forma arquitectónica rehegua. Oñemopyendáva filosofía Oriental-pe, sistema oñemohenda voi elevación edificio rehegua, omoingéva percepción ambiental natural, función rendimiento costumbre ha potencial conformación material construcción rehegua, ohechauka porãiterei elegancia orden ha complejidad rehegua.
The Recognition
About the A' Design Award Platino
Oriental Movie Metropolis Theater Óga Ojehechauka ohupyty A' Design Award Platino, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño añeteguáicha excepcional, elegante ha magnífico-pe. Umi ganador Platino ha'e mba'e hechapyrãva ñemoheñói rehegua, testimonio límite creatividad intelectual rehegua, ha ohechauka profesionalismo ha genio ndaipóri hasýva umi diseñador-pe. Oñeha'ãrõ ko diseño ha'eha umi tembiapo ojekuaavéva ohechaukáva estética peteĩ época rehegua, oipytyvõva sociedad iporãve hag̃ua ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Oriental Movie Metropolis Theater Óga Ojehechauka ohechauka peteĩ nivel excelencia transcendente ha ndaipóri duda omoporãve yvy ape hembiapo ñemoĩ ha valioso rupi. Oriental Movie Metropolis Theater Óga Ojehechauka ha'e tembiapo ohupytýva A' Design Award Platino omokyre'ỹva ipotapy, ombokyre'ỹva, ombovy'áva ha omoheñóiva vy'a guasu.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- "The heart is on the ground and natural, responding to the next era", the Show Theatre takes it as the core aesthetic principle and starting point of inspiration. In terms of locality, environmental perception and the spirit of the times, it is demonstrated through architectural performance functions with customization, material shaping systems, and orderly, complex and elegant spatial organization. The curvilinear form language implies multi-level metaphors.
- Dimensions & Packaging
- Project size: 231424 sq. ft
- Tags
- locality;dramatic; Cultural symbols; Parametric design;BIM technology
- Production Technology
- At the beginning of facade design, the Show Theater shape was defined as a hyperboloid of negative Gaussian curvature with different curvatures everywhere. It brings great difficulty to the subsequent processing, and also causes the high cost of curtain wall processing. According to the basic design principles defined by related structural design and morphological requirements, and through the establishment of Grasshopper-assisted design logic, we optimize the traditional basic surface morphology defined by the orthogonal UV direction, and achieve a positive design optimization of construction-oriented.
- Design Challenge
- In order to realize the design concept, the Show Theatre adopts a spirally ascending curve form covered with a full glass curtain wall to express the natural texture of the conch. This structural form determines that most of the glass are hyperboloid, and require customized processing. During construction, the complexity of the components and the requirements for installation accuracy are very high, the installation and positioning of a large number of special-shaped glasses are difficult, and the deformation of complex steel structures is difficult to control. In order to ensure safety, there are high requirements on the precision of steel consumption, displacement control and synchronization during the construction process.
- Research
- Dominated by the initial design concept, the project applies the forward BIM methodology to introduce the parametric control of spatial curves in the very first stage of design. Integrating the artistic design of form as well as the construct of NURBS curves and surfaces, the elegant double shells concept fits well with the function of theater. During the whole design and construction process, forward BIM technology is used for the design communication and file control, which enable s the best translation of the initial design concept to the final built structure of the theater as well as the combination of art and technology.
- Inspiration
- The proposal concept comes from a conch-one of the oldest marine creature.Combined with the unique marine culture of QINGDAO, the Show Theatre creates an abstract and dynamic shape with verti calconch texture. Standing by the sea, the Show Theatre and the Grand Theater are in a beautiful contrast. They look the same, but with some changes.One is quiet,and one is lively, which adds a lot of vitality.
- Project Duration
- The project was completed on January 18, 2019 and officially opened on April 29, 2019 in Qingdao.
- Operation Flow
- In history, Qingdao was the hometown of Dongyi's marine civilization, the important place of the "Nation of Sea King" in the Spring and Autumn Period, and one of the earliest prosperous places on the Maritime Silk Road. Modern Qingdao is vigorously implementing marine cultural revitalization projects, marine cultural inheritance and development projects, and image enhancement projects. These will help build a marine cultural brand and a famous coastal cultural tourism city. A brand-new cultural, tourism and performing arts product not only enables citizens and tourists to feel the unique charm of the world’s top art performances, but also better meets their strong demand for night life in the island city. It also further enhances the city images of Open, Modern, Vibrant and Fashion, which promotes and spreads Qingdao culture as well as Qilu culture.
- Team Members
- Gao shanxing, Wen yikang, Chang qi, Tang xiaomin
- Image Credits
- Image #1,2,3,4,5: Photograph by Wu qingshan studio
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