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Orbit A Collection Jewa Ñembyatýpe by Suyu Chen

Orbit A Collection Jewa Ñembyatýpe by Suyu Chen is a highly esteemed winner of the very prestigious 2022 A' Design Award Fiero in Jeguaka Jejapo Competition Category.


FieroJeguaka· 2022

Orbit A Collection Jewa Ñembyatýpe

by Suyu Chen

Client: Suyu Chen

A' Design Award Fiero Winner in Jeguaka Category

Colors

The Design

About Orbit A Collection Jewa Ñembyatýpe

Orbit A Ñembyaty ha'e peteĩ jewa apyre'ỹ ojejapóva ipópe, oguerekóva peteĩ mbotýi (brooch) ha mokõi ajúra jewa (necklaces). Peteĩ-teĩva ha'e ojejapo peteĩnteme, ojoajúva pláta potĩ (sterling silver) plastiko yvyra'ĩ (tubos) ndive, resina yvy ha pinturarã ndive. Pe plastiko componente peteĩcha ojepuru jey jey ha'eháicha módulo tekotevẽva, ojejapo hag̃ua opaichagua forma jejaikóva ha eskultórica. Ojepuru avei umi ñemetalicárõ apyre'ỹ, techapyrãva soldadura, ñemoĩ porã ha kadena apo, oñondive plastiko welding, alisado ha ñemomboroguykue ndive. Ko ñembyaty ohechauka mba'éichapa ojoaju arte ymaguare ha industriaguasu moderno.

The Recognition

About the A' Design Award Fiero

Orbit A Collection Jewa Ñembyatýpe ohupyty A' Design Award Fiero, peteĩ ñehechakuaa prestigioso oñeme'ẽva diseño iporã-pe ohupytýva requisito profesional ha industrial oñeha'ãrõva creación iporã oñemoĩva-gui. Umi ganador Fiero ohechauka habilidad guasu, especialización yvate, comprensión experta ha capacidad creativa umi creador rehegua. Oñeha'ãrõ Orbit A Collection Jewa Ñembyatýpe ha'eha creación ojehayhúva, admirada ha estimada, práctica ha innovadora. Ko diseño ohupytýva A' Design Award Fiero ombojoaju mejor práctica industria rehegua ha oguereko característica técnica competente ojoajúva conocimiento ha talento ndive. Orbit A Collection Jewa Ñembyatýpe oñerespeta hembiapo cuidadoso rupi ha oñemoĩ ome'ẽ hag̃ua mejora calidad de vida rehegua oipytyvõva yvy ape iporãve hag̃ua.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Each piece in this collection is handcrafted and one-of-a-kind, featuring a combination of precious metals and mixed materials, such as plastic tubes and resin. By composing jewelry works that relate to subtle forms and marks, the works embody the relationships between practices and artificial objects in traditional arts and modern mass production. Through random separating, texturing, and coloring the plastic tubes, the jewelry pieces present unique consequences with an emphasis on minimalism and elegant forms.
Dimensions & Packaging
Brooch: 35*35*145mm
Double-tube necklace:127*40*50mm
Chain link statement necklace: 250*250*30mm
Tags
jewelry, necklace, brooch, craft, mixed material, art jewelry
Production Technology
The metal structure utilized traditional metalsmithing techniques, such as soldering, forming, and chain-making. For the alternative medium parts, plastic-welding and various paints combination were applied, including enamel paints, gesso, and acrylic.

Material: sterling silver(925 silver), plastic tube, resin clay, enamel paints, gesso, acrylic, stainless steel(for the brooch pin)
Design Challenge
Methods to assemble and secure the parts were the most essential and challenging throughout the whole process, while various experimentation had been performed in preparation. Although the tubes were manufactured within the same standard, they were however not entirely equivalent. The slight form difference requires a more precise structure design in order to assemble all parts together perfectly. Especially for the metal part, multiple models need to be done and tested before the final outcome.
Research
By studying the history of craft-making, traditional apprenticeship culture both in China and western society, and the idea of modularity in the art fields through books, articles, and interviews, this project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. Making art using a certain strict component or principle is not uncommon in art history. The occurrence not only happened in the craft fields, but also in fine arts and even literary creation. The nature of human activities and artifacts becomes a part of the artwork concept.
Inspiration
By exploring the Chinese cultural background, and the idea of modularity in the traditional art fields, the project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. The aim of the work is not simply to compose forms or examine functions of jewelry within one simple material, but also to memorialize and symbolize mixed thoughts related to the experience of nostalgia and self-identity that arise from being away from home.
Project Duration
The project started in January 2019 in Rochester, New York, United States, and was completed in December 2020. The collection works had been exhibited internationally, including in New York City Jewelry Week 2019(NYC, US), JOYA 2020(Barcelona, Spain), Gioielli in Fermento 20|21(Milan, Italy), Art in Media 2021 (Burchfield Penny Art Center, Buffalo, US) and Beijing International Jewellery Exhibition(Beijing, China).
Operation Flow
This collection focused on the variation and transformation of endless forms by continued use of the same artifact as a basic module. Revealing subtle layers of imperfection through painting, sanding, separating, and combining.
Team Members
Suyu Chen
Image Credits
Image #1, #2, #3 and #4 Photographer Suyu Chen, Orbit A Collection, 2019
Image #5, Photographer Jiageng Lin, Orbit A Collection, 2020

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