Device of Perception Mba'apoha Kultural Yuting Zhang omba'apóva

Device of Perception Mba'apoha Kultural Yuting Zhang omba'apóva ha'e rembiporuarã oñemba'eguaséva 2022 A' Design Award Brónse pegua Arquitectura, Óga ha Mba'eguasu Jejapo Ñeha'ã Categoría-pe.

BrónseArquitectura· 2022

Device of Perception Mba'apoha Kultural

Yuting Zhang -gua

Mba'eporuhára: Yuting Zhang

A' Design Award Brónse Rembiporuarã Arquitectura Categoría-pe

11,171

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #138650 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Device of Perception Mba'apoha Kultural Rehegua

Device of Perception ha'e peteĩ mba'apoha kultural México City-pe, oĩva peteĩ tenda tuja itujavéva ha peteĩ tenda yvate oikohare ñemuha apopy pa'ũme. Pe mba'apoha ojaho'i rupi 4500 metro cuadrado, ha oguereko peteĩ jerure aty renda, peteĩ teatro michĩmi, peteĩ jehechauka renda, oficina-kuéra, ñongatuha ha peteĩ cafe. Peteĩ plaza jeike yvyguýpe oĩva omboja'o pe óga pe tape tuicháva ohóva rupi, ha oiko avei mba'e ojoajuhaicha pe estenario mba'e pyenda apytépe. Peteĩ-teĩ pe torre mbykymíva pyenda ojere kuarahy resa mbohapyha reheve, ojapo hag̃ua peteĩ galería público espiral, oguerekóva jehecha tuvichaite pe táva rehegua. Oipuru hikuái concreto armado ha acero mbojaipáva.

Jeguerohory

A' Design Award Brónse Rehegua

Device of Perception Mba'apoha Kultural ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Device of Perception Mba'apoha Kultural ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Device of Perception Mba'apoha Kultural ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
Tuichakue ha Ñemyenyhẽ: Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
Ñe'ẽ Rape: cultural center, gallery, theater, exhibition
Ñeapopy Tecnología: The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
Diseño Jepy'apy: The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
Ñesẽheka: Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
Inspiración: Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
Proyecto Ára Tuichakue: 2017 in Mexico City
Mba'apo Rape: The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop.
Aty Rembiguái: Yuting Zhang
Ta'ãnga Mba'eñemoneĩ: Yuting Zhang