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Movie Boxed Publicidad Kampaña by Shaoyang Chen

Movie Boxed Publicidad Kampaña by Shaoyang Chen is a highly esteemed winner of the very prestigious 2023 A' Design Award Brónse in Ñemomarandu Jejapo Competition Category.


BrónseÑemomarandu· 2023

Movie Boxed Publicidad Kampaña

by Shaoyang Chen

Client: AyDaDa

A' Design Award Brónse Winner in Ñemomarandu Category

31,915

Verified Award Winner

Verify Award Status for #146280

Colors

The Design

About Movie Boxed Publicidad Kampaña

Movie Boxed ha'e peteĩ publicidad kampaña ojejapo vaʼekue pe kine Boxed rembiapo ñepyrũrã. Pe kampaña ogueraha pe "kaja" rehegua ñeʼẽ mbojoja opaite aplikasiõnguápe. Pe título sequencia, pe créditos paha, peteĩ poster, peteĩ ticket, peteĩ press pass, peteĩ wristband ha peteĩ bus stop motion poster ojoguerekombaʼe peteĩ arandukápe. Pe typografía ojejapo kaja hetáicha, ombojoja avei umi puntuación marca. Peteĩ letra tipo condensada ha pohýi, itujáva, ombojoja umi kine sa'y itujáva reheve. Umi wristband, ojoguáva umi cadena po pegua, ojejopy umi ohendúvape oike jave pe salón oñemyasãi haguépe.

The Recognition

About the A' Design Award Brónse

Movie Boxed Publicidad Kampaña ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Movie Boxed Publicidad Kampaña ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Movie Boxed Publicidad Kampaña ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
In this campaign, we aim to bring an immersive experience to the audience at the premiere of the movie Boxed, written and directed by Alam Virk. As we follow the main character, Andy Whiteman, we are forced to confront the reality that we too are often fed with modern culture and trapped in a vacuum of superficial living. Through various mediums, including posters and wristbands with curated copywriting, we seek to reinforce the movie's theme and deepen the audience's understanding of the void state of being portrayed on the screen.
Dimensions & Packaging
27 x 40 inch Poster, 14 seconds of Title Sequence, 8 seconds of Ending Credits, 6 seconds of Bus Stop Motion Poster, 1 Wristband, 1 Ticket,
Tags
Branding, Campaign, Graphic Design
Production Technology
VFX for Title Sequence and End Credits, Poster, Ticket, Press Pass, Wristband, and Motion Graphics for the Trailer and Bus Stop Advertisement
Design Challenge
We are faced with the challenge of how to intrigue the audience without telling the full story of the movie.
Research
For the typeface choice, since the movie color plate is quite vintage and the plot is suffocating, I chose a condensed, thick and historical typeface that fits the movie's story.

This campaign also tries to carry the box metaphor throughout. As for the ending credits, most typography layouts are rigid box shapes, including punctuation marks, to emphasize the box concept. Wristbands look similar to handcuffs. And from an architectural standpoint, the screening room is a box made of concrete. To leave more impression on the audience, we also distribute wristbands that say" boxed, aren't we" as they enter the screening room.
Inspiration
All applications are reinforcement of the idea of being boxed. For the opening title, the main character rips off the film title. For the ending credits, to emphasize the box concept, most typography layouts are rigid box shapes, including punctuation marks. At the premiere night, the stuff pass is tagged with the slogan we are boxed as the punchline for the event. Waistbands that say boxed, aren't we are distributed as the audience enters the screening room.
Project Duration
This project started in August 2022 and finished in November 1, 2022 in New York, NY.
Operation Flow
Considering this movie is the second film from an award-winning indie director, the whole campaign needs to be tailor-made. The logic of this campaign is to serve the story. Each application speaks to the scene in the movie and emphasizes the box metaphor.
Patents
Copyrights belong to Alam Virk and Shaoyang Chen
Image Credits
Writer and Director / Alam Virk
Executive Producer / Guljar Singh
Produceder / JR Cardona
First Associate Director / Sarab Sahni
Second Associate Director / Vittoria Giacomini
Script Supervisor / Vittoria Giacomini
Production Designer / Ant Ma
Production Design Assistants / Erica Zhang & Shuquing Zhang & Laila Matuk
Director of Photography / Yuanhao Zhang
First Assistant Camera / Ananyaa Dave
Gaffer / Aman Tulsian
Key Grip / Kgositielle Maleka
Best Person / Justin Cambrelen
Production Sound / Trevor Misplay & Daniel DeGeorges
Coloris / Yuanhao Zhang & Sarab Sahni
Editor / Sarab Sahni & Alam Virk
Sound Synching / Reuben Rojak
Sound FX/ Design Sound Mixing & Music / Marlon Fraser
Make-up/Hair / Kelli Hauber

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