Xiangxin Huzhou Songyuanli Óga Ryepy Diseño Jehecharã Zhijun Zhong omba'apóva

Xiangxin Huzhou Songyuanli Óga Ryepy Diseño Jehecharã Zhijun Zhong omba'apóva ha'e rembiporuarã oñemba'eguaséva 2023 A' Design Award Pláta pegua Ogapype Jejapo Ñeha'ã Categoría-pe.

PlátaOgapype· 2023

Xiangxin Huzhou Songyuanli Óga Ryepy Diseño Jehecharã

Zhijun Zhong -gua

Mba'eporuhára: Herabenna

A' Design Award Pláta Rembiporuarã Ogapype Categoría-pe

13,975

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #148815 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Xiangxin Huzhou Songyuanli Óga Ryepy Diseño Jehecharã Rehegua

Xiangxin Huzhou Songyuanli ha'e peteĩ óga ryepy diseño ojeporukáva avei óga techapyrãramo ojehechauka hag̃ua opavavépe. Ko tembiapo oñemyasãi 696 metro cuadrado-re Huzhou-pe, Zhejiang Provincia, China retãme. Pe arquitectura ojepyso Huizhou óga apo ymaguarégui, tápia morotĩ ha teja hũ reheve. Hyepýpe oñembojoaju cristal ha metal, ha tembiporu oro ha plátagui ijapopyre ha ta'anga ymaguare omoporãmba umi koty. Umi mueble oiporu Huzhou-pegua sédà tee. Umi tembiapokue ymaguare ojehai'ỹva, ao jegua ha yvotyty apo oñembojoaju ko'ag̃agua jeikoveha ndive, upéicha pe óga omyenyhẽ ijára ha umi ohóva ohecha remikotevẽ.

Jeguerohory

A' Design Award Pláta Rehegua

Xiangxin Huzhou Songyuanli Óga Ryepy Diseño Jehecharã ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Xiangxin Huzhou Songyuanli Óga Ryepy Diseño Jehecharã ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Xiangxin Huzhou Songyuanli Óga Ryepy Diseño Jehecharã ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: The project is located in Huzhou, Zhejiang Province, and its architecture draws on the traditional "huizhou architecture" with its white wall and black tile, recreating the highlight of "Aesthetics of China". It intends to respect tradition, review history with contemporary aesthetic taste, open up the lifestyle of modern aristocrats, reorganize the elements of the new era, and write new "story chapters ",which can be traced back to the Chinese modern era.
Tuichakue ha Ñemyenyhẽ: 696 square meters
Ñe'ẽ Rape: Mansion, luxury, classical, golden age, aristocratic circle, Modern Times of China
Ñeapopy Tecnología: Under the contemporary background, the design shows the aesthetics of China, incorporating classical British expressions into the design, and enhancing the space with soft furnishings such as gold and silver wares and antique paintings.

In terms of material selection, c crystal and metal are perfectly integrated, showing the prosperity of the industrial age and reappearing the golden years of the Oriental Modern. The interior furniture uses local silk products from Huzhou as raw materials, and the joint design with BIZZOTTO, the world leading furniture brand. This reflects the quality and craftsmanship, and conveys the essence of high quality spirit.

The design carries forward the excellence of Chinese culture by inheriting traditional Chinese dark engraving techniques, traditional handicraft embroidery techniques, Jiangnan gardening techniques and an inclusive human attitude.
Diseño Jepy'apy: "Fusion is a better reservation"

In an era of rapid development of science and technology, the inheritance of handicrafts and excellent traditional culture has always been facing great difficulties. The design of the large space draws inspiration from modern 'Shanghai', applying the 'cross-border fusion' model once again to the design, integrating traditional culture with contemporary lifestyles and fusing Chinese and Western design features. The multifunctional parlour in the basement will lead the design to trendy movies and video games, and then disassemble and reorganize them to create a boy's ultimate dream playground. In the future design, standards and styles are constantly being broken. We prefer to try to constantly integrate and cross boundaries, challenging more and more interesting fields, and conveying a design concept that is constantly breaking through.
Ñesẽheka: n the 1930s and 1940s, the area around the Yangtze River Basin, headed by Shiliyangchang (Shanghai), was gradually westernized. The aristocratic circle's recognition of "Ambilight" decoration has reached the peak of the times, and the classical and luxurious temperament of the space given by the luxury materials such as crystal, metal and leather is generally accepted by people in the circle, which has formed a unique interior decorative style such as naval style and Hong Kong style by integrating with the traditional implicit, class distinct interior layout style. As we all know, gold and silver utensils are the symbol of luxury and the belief of excellent craftsmanship and quality, and also reflect the attitude of noble circles pursuing quality of life. Promoting high quality of life is also the most desired quality concept to be conveyed by the design itself.
Inspiración: When we think back to China in 1930s, the lifestyle of the upper aristocracy has always been regarded as a classic of the times. Chinese people's aesthetic appreciation began to go from traditional classical subtlety to international modernity. Interior decoration styles began to show the characteristics of the industrial era, not only modern and stylish but also retaining the traditional subtle and elegant temperament.
Proyecto Ára Tuichakue: This project is located at No. 58 Meiquan Road, Wuxing District, Huzhou City, Zhejiang Province, China, and was completed in May 2022.
Mba'apo Rape: This project is the private residence of the project developer, and also needs to be shown to the public as a prototype house. Therefore, we are faced with a paradox: our works should conform to both the owner's preferences and the audience's design preferences, which means that our design works should be both "relatively universal" and "exclusively pertinence". In the first stage, from the perspective of the audience circle, we mainly researched design preferences. In the second stage, we conducted a more detailed investigation on the design details for the owners, thus achieving both the exhibition purpose and meeting the exclusive needs of the owners.