Looping Flower Ikebana Pa Cultural Ni Jie Guo omba'apóva

Looping Flower Ikebana Pa Cultural Ni Jie Guo omba'apóva ha'e rembiporuarã oñemba'eguaséva 2024 A' Design Award Brónse pegua Ogapype Jejapo Ñeha'ã Categoría-pe.

BrónseOgapype· 2024

Looping Flower Ikebana Pa Cultural

Ni Jie Guo -gua

Mba'eporuhára: Blankspace

A' Design Award Brónse Rembiporuarã Ogapype Categoría-pe

10,553

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #151842 Peg̃ua

Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Looping Flower Ikebana Pa Cultural Rehegua

Ikebana arte ha'e peteĩ ñe'ẽmi'ĩ tekove rehegua irundyve ára ojerehápe, oikéva umi momento mbykymi ñembyaty ipahavéva estética japygua-pe, yvoty ha yvyramata rekove ñemopu'ãjey, ha ñembyaty ipyahúva estructura ha porãrã apytépe. Ko tenda tuicháva diseño oñemopyenda Kusatsuki-ryu py'a rehe, ogueroguáva mba'e arquitectura japygua ymaguare guive ha ombohasáva chupekuéra peteĩ ñe'ẽme arquitectura ipyahúva-pe, oheka'ỹvo joaju ñembyaty ko'ãgagua ha porãrã apytépe mba'e abstracto japygua reheve.

Jeguerohory

A' Design Award Brónse Rehegua

Looping Flower Ikebana Pa Cultural ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Looping Flower Ikebana Pa Cultural ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Looping Flower Ikebana Pa Cultural ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
Tuichakue ha Ñemyenyhẽ: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
Ñe'ẽ Rape: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
Ñeapopy Tecnología: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
Diseño Jepy'apy: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
Ñesẽheka: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
Inspiración: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
Proyecto Ára Tuichakue: The project started in August 2022 and finished in December 2022 in China .
Mba'apo Rape: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
Aty Rembiguái: NI JIE GUO
Ta'ãnga Mba'eñemoneĩ: BLANKSPACE