Mountain God Ñembosarái Personaje Diseño Shuhe Huang omba'apóva

Mountain God Ñembosarái Personaje Diseño Shuhe Huang omba'apóva ha'e rembiporuarã oñemba'eguaséva 2024 A' Design Award Brónse pegua Computadora Ta'ãnga Ñeha'ã Categoría-pe.

BrónseComputadora Ta'ãnga· 2024

Mountain God Ñembosarái Personaje Diseño

Shuhe Huang -gua

A' Design Award Brónse Rembiporuarã Computadora Ta'ãnga Categoría-pe

45,102

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #161567 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Mountain God Ñembosarái Personaje Diseño Rehegua

Peteĩ proyecto oñemba'apóvo gueteri personaje diseño rehegua, oñepyrũva cultura tradicional china ipypukúva rupive ojejuhúva El Dios del Cerro ha El Insecto Orgulloso-pe. Oipurúvo técnica 2D ha 3D oñembojoajúva, ombohape porã mymba mitológico hetáva opaichagua ángulo-gui. Mba'e tradicional chino oñembojoaju porã umi diseño-pe, ombotuicha pypuku ha añetete umi personaje-pe. Ko ñembojoaju tembiasakue ymaguare tecnología ipyahuvéva ndive ome'ẽ umi personaje-pe peteĩ esencia ijojaha'ỹva ha ipypukúva herencia tradicional rehegua.

Jeguerohory

A' Design Award Brónse Rehegua

Mountain God Ñembosarái Personaje Diseño ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Mountain God Ñembosarái Personaje Diseño ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Mountain God Ñembosarái Personaje Diseño ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: A character design project inspired by Chinese traditional culture from "The Mountain God and the Proud Insect" is ongoing. It employs 2D/3D techniques to faithfully depict fantastical creatures from different angles, with added traditional Chinese elements for authenticity. This fusion of tradition and technology results in characters embodying unique traditional traits.
Tuichakue ha Ñemyenyhẽ: The character measures approximately 6 meters in height, with a seat behind measuring 10 meters x 7 meters x 11 meters. Surrounding smaller creatures range in size from approximately 0.3 to 0.75 meters. The character can be used in 3D mythological games, visual effects for films, and as collectible figurines. The character utilizes a combination of 2D and 3D technology.
Ñe'ẽ Rape: Chinese mythology, god, superpower, fantasy, otherworld, model
Ñeapopy Tecnología: Before designing, extract keywords from the original work for the foundation. Innovate elements like color and shape for inspiration. Gather extensive data, prioritize sketches for style and elements, and use tools like Designdoll, ZBrush, 3ds Max, and Substance Painter. Develop low and high poly models, conduct UV mapping, rendering, and coloring, refining continuously in Photoshop for desired outcome.
Diseño Jepy'apy: During 3D design, challenges extend to hardware and software limitations. Intricate head details expose flaws in traditional workflows, especially with long hairs causing detail loss. ZBrush's retopology preserves details as a workaround. Some models pose challenges for automatic UV unwrapping, solved by deleting unseen faces beforehand. Limited hardware affects precision, slowing production. Optimal hardware setup is crucial for efficient 3D modeling.
Ñesẽheka: Research on character design inspired by Chinese tradition, particularly "The Mountain God and the Proud Insect" from the Classic of Mountains and Seas. Methodology integrates creative exploration, literature review, and design iteration. Data collection involves keyword extraction, utilizing tools like DesignDoll, Marvelous Designer, ZBrush, UVLayout, KeyShot, 3ds Max, and Photoshop.
Inspiración: Since childhood, I've loved Chinese mythology, but noticed its portrayal in books is often flat. Inspired by modern 3D software, I aim to use 2D/3D techniques to give life to creatures from the Classic of Mountains and Seas. My project focuses on authenticity by blending traditional elements with modern technology, creating vivid characters with distinct traditional traits.
Proyecto Ára Tuichakue: The project began in Beijing in May 2022, completed in August 2022, and was exhibited at the Beijing University of Chemical Technology Art Gallery in July 2023.
Mba'apo Rape: Before design, extract keywords. Brainstorm innovative elements. Gather data, finalize style with sketches. Use Designdoll, Marvelous Designer, ZBrush for shaping. Create low/high-res models, UV map with UVLayout, refine, preview with Keyshot. Enhance materials in 3ds Max, color with Substance Painter, render. Iterate for quality due to hardware limits. Post-process in Photoshop for logos, layout adjustments.