Transition Techapyrã Apopyre Jehechauka Shuhei Matsuyama omba'apóva ha'e rembiporuarã oñemba'eguaséva 2026 A' Design Award Pláta pegua Ñemuha Jechaukaha Jejapo Ñeha'ã Categoría-pe.
PlátaÑemuha Jechaukaha· 2026
Transition Techapyrã Apopyre Jehechauka
Shuhei Matsuyama -gua
Mba'eporuhára: enigma Inc.
A' Design Award Pláta Rembiporuarã Ñemuha Jechaukaha Categoría-pe
Premio Rembiporuarã Oñemoneĩva
Emoneĩ Premio Reko #175014 Peg̃uaDiseño
Transition Techapyrã Apopyre Jehechauka Rehegua
Transition ha'e peteĩ yvoty jehechauka ohechaukáva ikebana, Japón-gua arte yvoty ñemohenda rehegua, peteĩ tenda ko'agãgua apytépe. Pe tenda ijurujáva ndoguerekói tapia kupepegua, upévare umi ohóva oguata sãsóme ha ohecha peteĩteĩ yvoty ñemohenda heta hendágui, ndaha'éi henondégui añónte. Kuarahy resẽ ha tesape oñemboheráva iñambue ára pukukue javeve, upévare pe tenda ha umi yvoty oikovéva iñambue meme. Umi pyenda modular ojejapo impresión tridimensional rupive resina ikatúva ojepuru jey-gui, ha ikatu oñemboja'o ha ojepuru jey. Pe yvy joja, jokoha'ỹva, omoĩ pe jehechauka ijurujáva opavave ohóvape g̃uarã.
Jeguerohory
A' Design Award Pláta Rehegua
Transition Techapyrã Apopyre Jehechauka ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Transition Techapyrã Apopyre Jehechauka ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Transition Techapyrã Apopyre Jehechauka ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.
Diseño Rapykuéri
Marandu Aty
Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.
- Mba'e Iñambuéva
- An immersive flower exhibition engaging all five senses, tracing 1,400 years of ikebana and the kado philosophy of the life of flowers. Fresh floral works, shifting sunlight, and responsive lighting continuously transform both space and experience. A wall-less, open configuration overturns traditional frontal ikebana viewing, inviting active participation and enabling unrepeatable, time-based engagement with floral art.
- Tuichakue ha Ñemyenyhẽ
- Exhibition area: approx. 300 sqm.
Monitor fixtures: 1965 mm Width x 470 mm Depth x 1195 mm Height.
Large stage: 3000 mm Width x 4200 mm Depth x 300 mm Height.
130-size modular lighting pedestals in 3 types: A: 400 mm Width x 400 mm Depth, B: 500 mm Width x 500 mm Depth, C: 800 mm Width x 800 mm Depth.
All components are designed for disassembly, reuse, and full barrier-free accessibility. - Ñe'ẽ Rape
- Ikebana, Exhibition Design, Floral Art, Japanese Culture, Immersive Experience, Sustainable Design, Inclusive Design, Expo 2025, Contemporary Art, Spatial Design
- Ñeapopy Tecnología
- The exhibition structure was realized using recyclable resin-based 3D-printed pedestals, minimizing waste and enabling modular reuse for future installations. The lighting design incorporated responsive LED systems to simulate natural transitions. Spatial modeling and daylight simulation were conducted using Unreal Engine to test sun paths and visual conditions, allowing for precise environmental calibration. Materials include wood, recycled steel, and living floral elements.
- Diseño Jepy'apy
- Traditional ikebana shows erected one-off timber walls and fixtures, then scrapped them. We challenged that legacy, adopting a reusable system that slashes physical build. Pedestals are 3-D-printed from recyclable resin, designed for quick disassembly, transport, and redeployment, cutting material use and waste. With level floors and wide clearances, the fully barrier-free layout marries sustainability to inclusive design.
- Ñesẽheka
- In this show we discarded the rear wall once mandatory for classical ikebana and used self-standing fixtures, letting visitors wander freely. Single-use timber walls became reusable, 3-D-printed units of recycled resin, proving ikebana can travel to sites once impossible. Surveys showed 90 % of attendees were first-time ikebana viewers, revealing new audiences. Energized by this success, we are already planning the next “new-generation” flower exhibition.
- Inspiración
- Ikebana is a centuries-old tradition that unites time-based and spatial art. To honor this duality, we removed the rear wall once deemed essential, shaping a fluid gallery where changing daylight, responsive lighting, and living flowers mingle in shifting layers. Visitors roam freely, viewing each arrangement from many angles while bespoke Unreal-Engine simulations refined sun paths and sightless, letting space and work animate each other.
- Proyecto Ára Tuichakue
- The project started on April 13, 2025, and concluded on April 20, 2025. It was exhibited at the “Gallery EAST” of Expo 2025 Osaka, Kansai.
- Mba'apo Rape
- Visitors freely move through the open, wall-less gallery, exploring ikebana arrangements from multiple angles. Natural and dynamic lighting interact with fresh flowers, creating constantly shifting scenes. This spatial and sensory engagement encourages personal interpretation, breaking from the static, front-facing norms of classical ikebana.
- Patente-kuéra
- Copyrights belong to Ikenobo Society of Floral Art, 2025.
- Aty Rembiguái
- Creative Director / Art Director / Planner: Shuhei Matsuyama
Technical Director / Engineer: Koki Kaminoura
Project Director: Kenji Suina
Spatial Design Director: Kazuhiro Itagaki
Designer (130): Daina Kato
Engineer (130): Kenta Iguchi
Promotion Director: Satomi Tamai
Research Director: Tsubasa Kuri
Researcher: Tomoya Shimojo
Promotion Planner: Mako Fujimoto - Ta'ãnga Mba'eñemoneĩ
- Image #1-#5: Photographer Kamiya Ryo、Transition: The Origin of Ikebana、 2025.
Video Credits: Videographer Mizuno Kai、 Transition: The Origin of Ikebana、 2025.
Patrocinado
Ehechauka Designers.org Rapykuéri
Ejuhu producto, servicio ha oportunidad ore socio publicitario-kuéra rehegua.
Hetave Ejuhúta
Diseño Ojoguáva
Ehechave diseño oganava'ekue peteĩ lája-pe, ojeporavo haguéicha iporãveháicha.