Art Omi Deconstructive Utopia Ta'ãngahechauka Diseño Rendaguã Daria Yang Du omba'apóva

Art Omi Deconstructive Utopia Ta'ãngahechauka Diseño Rendaguã Daria Yang Du omba'apóva ha'e rembiporuarã oñemba'eguaséva 2026 A' Design Award Pláta pegua Arquitectura, Óga ha Mba'eguasu Jejapo Ñeha'ã Categoría-pe.

PlátaArquitectura· 2026

Art Omi Deconstructive Utopia Ta'ãngahechauka Diseño Rendaguã

Daria Yang Du -gua

Mba'eporuhára: DD Studio

A' Design Award Pláta Rembiporuarã Arquitectura Categoría-pe

23,338

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #176619 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Art Omi Deconstructive Utopia Ta'ãngahechauka Diseño Rendaguã Rehegua

Art Omi Deconstructive Utopia ha'e peteĩ diseño ta'ãngahechauka renda ha ogaguasu jehechaukarã oĩva Hudson Valley-pe, oguerekóva 12000 pyende kora rupi. Pe kápsula concreto ikarapãva ojejapo ojeporu rire vosa yvytu renyhẽva ñehesa'ỹijo, ha oñemboguata formwork CNC-pe ojejapopyre rupive ikatu haguãicha oiko hekopete umi karapã. Mbytépe, peteĩ pa'ũ apu'a oñeñongatu jehechaukaha tenda tuichavéramo ha tetãygua jeikeha ramo. Peteĩ tape oho kuarahy reike guive kuarahy resẽ gotyo, ijykére oĩ mba'apoha renda ha opa yguasu ypýpe. Umi estudio osãingóva oiporu estructura vevúi hierro-gua oñemoañuãva yvyra reheve. Yvyra panel haku porãva ombojegua hyepykuéra ha omoporãve pu ñehendu.

Jeguerohory

A' Design Award Pláta Rehegua

Art Omi Deconstructive Utopia Ta'ãngahechauka Diseño Rendaguã ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Art Omi Deconstructive Utopia Ta'ãngahechauka Diseño Rendaguã ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Art Omi Deconstructive Utopia Ta'ãngahechauka Diseño Rendaguã ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Beginned by an experimental process of morsal-folly finding process to explore form and movement, the Art Omi Design Gallery reinterprets kinetic gestures into architectural space. The design transitions from a linear system of tensioned strings to a centralized spherical volume, carved out and preserved as the main exhibition space and public entrance. This void becomes the anchor of spatial experience, emphasizing a fluid internal circulation that guides visitors across the site.
Tuichakue ha Ñemyenyhẽ: Size: 12000ft²
Ñe'ẽ Rape: Balloon Experiment, Yarn Grid, Deflation Studies, Form-Finding, Curved Concrete, Spatial Void, Floating Studios, Circulation Path, Cultural Landmark, Landscape Integration, Lightness and Memory, Architecture and Movement
Ñeapopy Tecnología: The gallery is built as a curved concrete shell shaped by balloon deflation studies, using CNC-milled formwork for precise curvature. Warm timber panels line the interiors, enhancing acoustics and contrast with the concrete mass. Suspended studios use lightweight steel frames clad in wood, appearing to float above. Foundations integrate with the lakeside landscape, anchoring the structure while respecting natural topography.
Diseño Jepy'apy: The challenge was translating a fleeting balloon-and-yarn experiment into a permanent architectural system. Capturing the dynamic shift from expansion to deflation required rethinking geometry, circulation, and structure. Preserving the spherical void while adapting the shifting yarn grid into concrete and timber demanded both technical precision and conceptual clarity, turning ephemeral gestures into a coherent, inhabitable cultural landmark.
Ñesẽheka: Each material guided form-finding through its properties. In balloon and yarn experiments, expansion and contraction revealed new spatial opportunities. Placed on flat topography, the balloon’s center aligned with a yarn grid, creating a cloud-like form. Strings attached to it defined smooth paths connecting to the ground. When deflated, shifting strings generated a new landscape, inviting people to walk, sit, lie, and interact with the folly as structure.
Inspiración: Inspired by balloon inflation and deflation studies, the design shifts from a linear system to a central spherical void, preserved as the main exhibition and entrance. A pivoting path extends west to east, flanked by workshops and ending at the lake. Suspended studios echo floating forms, while a curving concrete shell recalls string grids. Warm wood interiors contrast the monolithic frame, guiding visitors through a dynamic spatial journey.
Proyecto Ára Tuichakue: Art Omi in Hudson Valley
Mba'apo Rape: Individual Work
Ta'ãnga Mba'eñemoneĩ: All Design & Illustration & Drawing & Physical Model by Daria Yang DU