Boku Karu ha kaguape ryepy jegua Takahiro Todoroki omba'apóva

Boku Karu ha kaguape ryepy jegua Takahiro Todoroki omba'apóva ha'e rembiporuarã oñemba'eguaséva 2026 A' Design Award Pláta pegua Ogapype Jejapo Ñeha'ã Categoría-pe.

PlátaOgapype· 2026

Boku Karu ha kaguape ryepy jegua

Takahiro Todoroki -gua

Mba'eporuhára: Engine,inc

A' Design Award Pláta Rembiporuarã Ogapype Categoría-pe

14,918

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #183326 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Boku Karu ha kaguape ryepy jegua Rehegua

Boku ha'e peteĩ karu ha kaguape ryepy jegua oĩva Guadalajara, México-pe. Pe diseño ombojoaju Japón-gua espacio rembiaporã ñemohenda tekoita ypykuéra rehe, ha oñemopu'ã Osaka rapére tembi'u ojejapóva rehegua, takoyaki oĩvo mba'e tuichavévaramo. Peteĩ mostrador karẽ omokyre'ỹ tapichakuéra oñomongeta hag̃ua, ha tápia rehegua pire'ata omoĩve mba'e ojepokóva rehegua. Takuára mba'erendy osãingóva ha mba'e'apo tekoha reheguáva ojapo peteĩ tekoha organiko. Peteĩ mezzanine oipuru pe techo yvate ha omoĩve tembiapo opaichagua. Ko tenda ome'ẽ tembi'u árape ha pyharekue oiko chugui kaguape ha tenda mba'eguasúpe g̃uarã.

Jeguerohory

A' Design Award Pláta Rehegua

Boku Karu ha kaguape ryepy jegua ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Boku Karu ha kaguape ryepy jegua ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Boku Karu ha kaguape ryepy jegua ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: This project merges Japanese spatial philosophy with the local culture of Mexico, avoiding superficial Japanese style design. Inspired by Osaka street food culture, the space centers on takoyaki and reinterprets the vitality of octopus as a spatial language. A curved counter evokes tentacles, encouraging social interaction, while wall textures recall suction cups. Suspended bamboo lighting and natural materials create an organic atmosphere. A mezzanine utilizes the high ceiling, adding vertical depth and functional diversity.
Tuichakue ha Ñemyenyhẽ: Total area: 128 sqm. Ceiling height: 4500 mm. Structure: steel frame. Materials: bamboo, mortar cement, brick, steel, washi, resin, sumi ink, LED neon. Ceiling: brick finish with clear coating. Floor: pigmented mortar with urethane coating. Walls: brick and painted surfaces with artwork. Lighting: 50 lux ambient, 100 lux table, 2700K. Features include sound system with subwoofer, DJ booth, and integrated lighting installations.
Ñe'ẽ Rape: Bar, Mexico, Japanese, Restaurant, Takoyaki, Tequila, Bamboo, Sake, Guadarajara,
Ñeapopy Tecnología: The design process translated traditional Takeakari into a modular ceiling system using parametric modeling and digital fabrication. Bamboo elements were lasercut based on 3D data due to limited local craftsmanship. Detailed drawings were developed to adapt complex geometries to local construction skills. The counter was formed using mortar and cement with curved surfaces requiring precise manual finishing. A mezzanine structure resolves the narrow plan by layering functions vertically. Circulation and visibility were optimized through curved layouts and open kitchen placement.
Diseño Jepy'apy: The main challenge was bridging the gap between complex design intent and local construction capabilities. Many contractors declined due to the level of detail, and initial cost estimates exceeded the budget. This was resolved by simplifying construction systems and clearly communicating design logic through detailed drawings. Inconsistent schedules and craftsmanship required multiple adjustments and rework. Maintaining design quality under these constraints demanded continuous on-site coordination and adaptive problem-solving throughout the project.
Ñesẽheka: This is an applied spatial design research. The objective was to reinterpret Japanese identity in Mexico without cliches while ensuring functional performance. The methodology combined cultural analysis, spatial planning, material testing, and onsite coordination over 3 months design and 5 months construction. Data were collected through site constraints, user flow studies, and mock ups using drawings, 3D modeling, lighting tests, and material comparisons. Experiments included bamboo lighting and steel hand lights. The result improved user stay time, SNS engagement, and cross cultural business value.
Inspiración: The project was inspired by the fusion of Japanese highball culture and takoyaki, aiming to redefine Japanese identity outside Japan. Instead of stereotypical expressions, it integrates subtle cultural elements such as bamboo lighting, ranma lattice, and sumie art. Influenced by Osaka vibrant street stalls, the design reflects warmth, energy, and informality. Traditional Japanese spatial techniques are reinterpreted through contemporary materials and composition, creating a modern space that quietly embodies the essence of Wa within a global context.
Proyecto Ára Tuichakue: This project began its design phase in Japan in 2024 and opened in Guadalajara, Mexico, in August 2025.
Mba'apo Rape: The space operates as a restaurant during the day and transforms into a bar and event venue at night. It supports a wide range of users, from individuals to large groups. The open kitchen creates a lively atmosphere where guests can experience the cooking process. The takoyaki grill is placed near the entrance to attract attention and introduce the cuisine. The curved counter allows natural communication between guests, enhancing social interaction and making the space intuitive and engaging.
Ta'ãnga Mba'eñemoneĩ: Photographer : Katsumi Hirabayashi