Chair of Soul Apyka by Wen Jenq Cherng is a highly esteemed winner of the very prestigious 2020 A' Design Award Brónse in Mba'epyru Jejapo Competition Category.

BrónseMba'epyru· 2020

Chair of Soul Apyka

by Wen Jenq Cherng

Client: Cherng's Work

A' Design Award Brónse Winner in Mba'epyru Category

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Verified Award Winner

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View at A' Design Award Press Release Award Badge

Colors

The Design

About Chair of Soul Apyka

Chair of Soul ha'e peteĩ apyka ojejapo vaekue ombohorãvo tete oĩ porãve hag̃ua oñemyakãngue añete. Apyka yvate, atukupehegua apyka pe kupiicha, ha po ryepýpe oĩva ojagarra pe tete yguatã pohýi. Pe apyka kupiicha karape'ivéva ombohapevu pe tete rechaka ha omopotĩ pe atukupe, ajúra, kupii ha tembeguéva iporãve hag̃ua. Ming Dynasty múa yma guare mba'e apytu'ũ pyahu omoheñói pe apyka tekotevẽ ha jekupytyva'e. Ébano Sulawesi guigua ojejapo pe apyka rete guasuvéva, oñembojoaju hendive pe copre rehegua py'aitépe ha peteĩ apyka morotĩ'akỹ Nappa kuéra piru rehegua. Mortiza ha tenón kuéra oñemoĩ ojoapytépe, ha peteĩ arco ombojoaju pe py'aitépe pe apyka rehe.

The Recognition

About the A' Design Award Brónse

Chair of Soul Apyka ohupyty A' Design Award Brónse, peteĩ ñehechakuaa heta prestigioso oñeme'ẽva diseño sobresaliente-pe ojekuaáva creatividad, ingenio ha astucia rupi. Umi ganador Brónse ha'e artefacto hábil ha creativo ohechaukáva experiencia, imaginación ha recurso umi diseñador-pe. Oñeha'ãrõ Chair of Soul Apyka ha'eha peteĩ objeto ojehayhúva, admirado ha estimado, profesional ha innovador. Ko diseño ohupytýva A' Design Award Brónse ombojoaju mejor práctica arte, ciencia, diseño ha tecnología rehegua ha iporãiterei detalle rehe. Chair of Soul Apyka ombohory necesidad, ohupyty ipotapy, ombovy'a sentimiento ha ohenói curiosidad.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Chair of Soul is my entry point of use as a starting point for design thinking. Since I have long been practicing meditation for destressing and calming my body and mind, I am hoping the design of the chair could reflect a completely relaxed condition for the body. Overall design is thereby focused on its function, where the user would sit upright on the chair and his or her upper-body weight be perfectly supported through the height of the chair, the backrest at the waist, and the armrests.
Dimensions & Packaging: When producing a hereditary chair, what is more important than ensuring its functions is finding ways to incorporate visual aesthetics. I am using Chinese traditional Ming Dynasty style furniture as my blueprint, borrowing its elegant and simple exterior design and principles on proportion. And through enhancement of overall structural system, a unique arc structure is used as the support that connects the legs and the seat of the chair.
Tags: Product, Chair, Health, Oriental, Furniture
Production Technology: The curvature of the slightly bulging backrest embraces the body; this waist-supporting chair design offers supports for the human body, so that tensions around user’s shoulders, neck, waist, and limbs would all be relieved–user would be welcomed with a comforting sensation similar to a hug.
Design Challenge: Pairing the material with the metallic copper tube of the legs and the purple cow Nappa leather seat, harmony, elegance, stability, and sustainability are incorporated altogether to bring forth a chair that user could converse with, the chair I dub – Chair of Soul.
Research: A chair that is aimed to improve the users health would need to value the choice of material as equally important as the design that would fit precisely to human body proportions. I have especially chosen the ebony produced in Sulawesi, Indonesia as the chair’s main structure element; its fine material and deep-black colored lines flawlessly interpret the sophistication that the chair should exhibit.
Inspiration: We have always had different thoughts in regards to chairs. This piece of furniture with a long history of evolution has always been deemed irreplaceable in home interior. How should a classic chair, which one hopes to pass down for generations and stay eternally quintessential, be presented?
Project Duration: The project started in December 2016 and finished in December 2018.
Operation Flow: The design is further complemented by the mortice and tenon joint as the reinforcing linkage between parts, bringing betterment to the complex composition found in old-fashioned traditional furniture. In addition to strengthening the chair’s mechanics system, a simplistic and spiritual appearance is thereby created for the chair.
Team Members: Designer: Wen-Jenq Cherng