Wild Rhythm Ojechauka Renda Chao Wen omba'apóva

Wild Rhythm Ojechauka Renda Chao Wen omba'apóva ha'e rembiporuarã oñemba'eguaséva 2020 A' Design Award Pláta pegua Ogapype Jejapo Ñeha'ã Categoría-pe.

PlátaOgapype· 2020

Wild Rhythm Ojechauka Renda

Chao Wen -gua

Mba'eporuhára: Jade Simple Design

A' Design Award Pláta Rembiporuarã Ogapype Categoría-pe

16,621

Premio Rembiporuarã Oñemoneĩva

Emoneĩ Premio Reko #94921 Peg̃ua

Eike Tendápe Ehecha A' Design Award-pe Marandu Myasãi Mba'ete Jeguerohory

Sa'y

Diseño

Wild Rhythm Ojechauka Renda Rehegua

Wild Rhythm ha'e peteî ojechauka renda oîva Chongqing, China-pe. Pe hyepýpe oguereko 240 metrocuadrado ha ikatu avei oservi mba'e jehechauka renda, bar térã tekoha ramo. Cemento, kuarepoti ha síkýra ha'e umi mba'e teete ojeporúva, ha umi tembiapo ymaguare hasy' ỹva ojeporu opa rupi. Ojejapo peteî mokôiha ijyvatehápe pe techo oheja haguã, ha ojejapo peteî escalera ojere'íva peteî columna oîmavare. Ojemoî peteî mba'e ñongatuha renda pe bar ári oguerohorýpe hikuái pe henda ojeporukuaáva. Ko diseño ombojevy pe henda umi mba'e ojejapohaguére ha omomichî umi mba'e jegua ha jehundi tekoteve'ỹva.

Jeguerohory

A' Design Award Pláta Rehegua

Wild Rhythm Ojechauka Renda ohupyty A' Design Award Pláta, peteĩ ñehechakuaa extraordinariamente prestigioso oñeme'ẽva diseño de primera línea, hechapyrãva ha impresionante-pe. Umi ganador Pláta ha'e tembiapo brillante ha heta creativo ohechaukáva expertise, talento ha agudeza sobresaliente umi diseñador-pe. Oñeha'ãrõ Wild Rhythm Ojechauka Renda ha'eha peteĩ tembiapo maravilloso, ejemplar, profesional ha innovador pypukuvéva. Ko diseño ohupytýva A' Design Award Pláta ha'e invento ojehechakuaáva ha ojehayhúva ohepyme'ẽva ha ombohasáva límite arte, ciencia, diseño ha tecnología rehegua. Wild Rhythm Ojechauka Renda ha'e creación heta ojeenvidiáva omokyre'ỹva ipotapy, ome'ẽva sentimiento positivo ha omoheñóiva maravilla ha sorpresa.

Diseño Rapykuéri

Marandu Aty

Diseñador ome'ẽva'ekue crédito, aty pegua ha mba'e técnico.

Mba'e Iñambuéva: Compared with the traditional household exhibition hall, designers are not rigidly placing each simulation cell in the space. And at the beginning of the design, their product positioning is like its brand name, meaning growing wildly, they don't have the limitation of the product line, giving more freedom to the space. In the space, you can regard it as an exhibition hall, and you can also regard it as a gallery, a bar, even a residential accommodation.
Tuichakue ha Ñemyenyhẽ: The project covers 240 square meters. The biggest advantage of the original space is that its story height is relatively high, but a large column in the middle of the original building destroys the integrity of the original space. In addition to the construction of the second floor, designers also built a scenario spiral stair around the original structural column, and set up the storage room through the empty high relationship on the bar, increasing its layering sense and actual use space.
Ñe'ẽ Rape: Interior, New Life Exhibition Hall, Modern, Simple, Pure, Art, Life Aesthetics, Ideal Residence
Ñeapopy Tecnología: Just because this is a pure space, all design intents are derived from basic demands of life, so in the aspect of material usage, designers will return to the essence of architecture as far as possible. Then cement, steel and paint are the materials they use the most, the craft is also as simple and traditional as possible. All the planning is just for returning to the most basic building level so as to reduce unnecessary waste and superposition.
Diseño Jepy'apy: Although some space of the building is relatively high, we cannot carry out construction of the second floor in the whole space due to the influence of beam mesh, smoke exhaust and fire fighting equipment. And the space that can be built is separated by piecemeal. So we made full use of the complex spatial foundation, and we have created a variety of spatial forms in a relatively limited space through the setting of stairs, thus creating conditions for the later construction of atmosphere.
Ñesẽheka: In the commercial society, and even the whole society, there is a surplus of consumption, which virtually produces a great waste of resources. And people who live in the environment seem to have slowly forgotten the essence of life. Therefore, designers hope that the pure space can arouse people's rethinking of life. Finally, the space becomes basic and simple, the decoration and the architecture are integrated, and the design and selection of the furniture are also based on actual use.
Inspiración: The inspiration originates from the residential living environment of designers' childhood, because of shortage of material, all parts of families are derived from the basic needs of life. With the development of economy and the accumulation of material, people begin to tend to be exaggerated and wasteful. So, designers hope the furniture are the products from thinking about the practical aspects, and the space also returns to the most basic requirements from the perspective of buildings.
Proyecto Ára Tuichakue: The project started in September 2018 in Chongqing and finished in July 2019 in Chongqing.
Mba'apo Rape: Pure is the most fundamental reason of finishing the project completely. From the beginning of the design, designers integrated the decoration with the building, which effectively ensured that the project was not affected too much in the implementation process. Thus, ensured a perfect realization of the design intention.
Patente-kuéra: Copyrights belong to Chao Wen, 2019.
Aty Rembiguái: Chao Wen
Ta'ãnga Mba'eñemoneĩ: Image #1: Photographer In Space, Storage Area and Display Area, 2019.
Image #2: Photographer In Space, Chair Exhibition Area, 2019.
Image #3: Photographer In Space, Bedroom Display Area, 2019.
Image #4: Photographer In Space, Hand-made Activity Space, 2019.
Image #5: Photographer In Space, Bar Area, 2019.