Oriental Zen Cibiyar Karɓar Baƙi daga Parn Shyr Design

Zane Oriental Zen Cibiyar Karɓar Baƙi daga Parn Shyr Design mai nasara ne mai daraja sosai na 2020 Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Gasar Cikin Gida.

Baƙin ƘarfeCikin Gida· 2020

Oriental Zen Cibiyar Karɓar Baƙi

daga Parn Shyr Design

Abokin Ciniki: PARN SHYR DESIGN Co., Ltd.

Mai Nasarar Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Cikin Gida

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Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #102433

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Oriental Zen Cibiyar Karɓar Baƙi

Oriental Zen cibiya ce ta karɓar baƙi da ke a gundumar Zhonghe, birnin New Taipei, Taiwan. Cikin gininta ya mamaye wani gini mai hawa biyu, kuma an yi amfani da dabarun ƙira masu sauƙi don magance matsalar siffar da ba ta daidaita ba da kuma iyakokin tsarin sararin samaniya na asali. An lulluɓe wani ginshiƙin tsarin gini a bene na farko da ƙarfe da aka fesa da baƙar fenti, wanda ya zama babban abin gani na musamman. Layukan ƙarfe a tsaye suna haɗa benaye tare da ƙirƙirar tasirin dazuzzukan bamboo. An haɗa kayan adon gabas kamar allon raga (lattices), rubutun hannu (calligraphy), da aikin fasaha na tafkin lotus tare da hasken wuta ta yadda haske da inuwa suke haɗuwa da juna. An kawo shimfidar wuri mai kore cikin gini.

Amincewa

Game da Kyautar A' Design Award ta Baƙin Ƙarfe

Zanen Oriental Zen Cibiyar Karɓar Baƙi ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe, wata karramawa mai daraja da ake bai wa kyawawan zane-zane waɗanda ke cika buƙatun ƙwararru da masana'antu da ake tsammani daga ƙirƙire-ƙirƙire da aka tsara da kyau. Waɗanda suka lashe kyautar Baƙin Ƙarfe suna nuna babban ƙwarewa, ƙwarewa ta musamman, fahimtar ƙwararru da ikon ƙirƙira na masu ƙirƙirar su. Ana sa ran zanen Oriental Zen Cibiyar Karɓar Baƙi ya zama ƙirƙira da ake girmamawa sosai, ake sha'awa da ƙauna wacce ke da amfani kuma mai sababbin abubuwa. Wannan zane da ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe yana haɗa mafi kyawun ayyukan fannin kuma yana da halayen fasaha masu cancanta da ke da alaƙa da sanin yadda da baiwa. Ana girmama zanen Oriental Zen Cibiyar Karɓar Baƙi saboda cikakkiyar kulawarsa kuma an tsara shi don ba da ingantuwar rayuwa da ke taimakawa wajen mai da duniya wuri mafi kyau.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Ingeniously utilized structure and landscape construction techniques and paired them with lighting coordination so that light and shadow are interwoven, achieving a Zen visual effect. With the addition of oriental elements such as a bamboo forest, lattices, works of calligraphy, and lotuses, an oriental-styled artistic space full of was created. At the same time, the green landscape is introduced into the interior from the outdoors, presenting a modern garden impression rich in Zen style.
Girma da Fakitin: Within the main design feature on the first floor having concealed the original structural column with its painted black metallic finishing soaring upward. The sparkling white masonry floor guides into the entire first-floor space all the way in echoing with the masonry materials on both the benchtops of the sales control counter and bar area. As the vista at the reception desk area was extended through the transparent glass, the metal tubing behind exhibits a tree-like symbolism. The floor pattern in the gents and ladies' bathrooms takes after the ebony pattern in the bar area with strong visual contrast.
Kalmomin Alama: Zen style, Green building, Forest garden, Artistic style, Orientalism
Fasahar Samarwa: With a modern and fashionable palette of Zen-style materials, such as black-color metal, darkened mirror glass, black-color crystal acetate, grey-color paint color, linear-pattern ebony, brown-color sandblasted glass, striped and monochrome carpet, linear-striped wallpaper, and snow-white-color marble, etc., they complete and complement one another very well. Basic Non-Toxic and Non-Hazardous Types: Unpolluted and slightly processed decorative materials that are natural with zero.
Ƙalubalen Zane: A bold design featuring an aesthetically embellished and revamped structural column as the main visual focus was implemented on the first floor. For the second floor, the front-end vista provided a transparent visual effect to replace originally incomplete platform that cannot bear too much weight, so as to elevate the interior as well as connected the cultural section of the second floor. The design not only brings relief to the irregularity and limitation of the original space but synergize the original landscaping element and artist calligraphy pieces in dramatically elevating the aura of culture and art.
Bincike: In this project, sustainable metal building materials were utilized to form raised vertical lines, which connects every floor indoors. Also, materials such as black bake-painted metal pieces, wood pieces, smoky gray, black glass, striped carpet, wallpaper, black acrylic plates, and snow fox marble slabs were used to present modern fashion and Zen elements. In addition, the designer also made an in-depth understanding and application of green building and green building materials.
Wahayi: The reception center takes the theme of "Fashionable Oriental Zen" and draws inspiration from garden landscapes. The designer worked with the original structure of the two-story building and used minimalistic design techniques to cleverly resolve the irregularities and structural restrictions that existed in the space, further transforming defects into advantages, and creating a transparent and open artistic space.
Tsawon Lokacin Aikin: Zhonghe District, New Taipei City, Taiwan
Tsarin Aiki: Through complementing this raised vertical line with landscape construction techniques, interior spaces on every floor are interconnected, creating a bamboo-forest-like visual effect, which stretches upward. Adding oriental elements such as a bamboo forest and lattices and combining them with lighting design presents a visual effect where light and shadow are interwoven. Calligraphy works written in the cursive script on the walls and the semi-stereoscopic lotus pond oil painting installation art construct the impression of a modern garden in the interior.
Mambobin Ƙungiya: Pei Chi Hung and Yung Hsi Peng
Godiyar Hotuna: PARN SHYR DESIGN