Zane Gis Kujera daga Sepehr Mehrdadfar mai nasara ne mai daraja sosai na 2022 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Ƙirar Kayan Ɗaki.

AzurfaKayan Ɗaki· 2022

Gis Kujera

daga Sepehr Mehrdadfar

Abokin Ciniki: Hamoun

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Kayan Ɗaki

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Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Gis Kujera

Gis kujera ce ta itace mai ƙafa uku da ƙafafu na tagulla kuma an sassaƙa ta daga gunguman itacen walnut guda biyu tare da ƙwarewar sana'a mai ƙayatarwa don ta yi kama da sassaka. An bar kullewar itace da tambobinta a fili don baiwa kayan aikin sifa ta musamman. Duk da kamanninta mai ban mamaki, Gis tana da dacewa da tsarin jiki saboda tsarin lanƙwasa da kusurwoyi da kyau. Ƙirar ta wani bincike ne na yuwuwar amfani da itace mai ƙarfi kuma tafiya ce a kan iyakar Fasaha da Ƙira, Kyau da Aiki.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Gis Kujera ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Gis Kujera ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Gis Kujera ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: Gis is a three-legged wooden chair with bronze feet and is carved out from two walnut logs with exquisite craftsmanship to seem as a sculpture. The wood knots and scars are remained exposed to give the objects a special characteristic. Despite its uncanny appearance, Gis is ergonomic due to the careful design of curves and angles. The design is an exploration of solid wood possibilities and also is a walk on the edge of "Art" and "Design", "Beauty" and "Function".
Girma da Fakitin: width 600mm
depth 1000 mm
height 800 mm
Kalmomin Alama: Design, Chair, Furniture, Art, Persian, Contemporary
Fasahar Samarwa: Materials: Walnut Solid Wood, Bronze.
Completely Handcrafted.
Ƙalubalen Zane: The holy grail of this design was to reach a sculptural Persian aesthetic as the sprit for the body of “furniture design”.
Bincike: This chair is a part of the Konj-e-Hess collection.
This collection is an exploration through which we try to answer a question: “Unrelated to the surrounding space, can we create objects that intrinsically radiate a place of their own, and create a “Konj-e-Hess”.
Konj-e-Hess was after a new measuring unit for aesthetics in design. Quite similar to how Iran and its culture sit in the middle on the world map, Konj-e-Hess tells a centrist narrative too. Somewhere on a sharp blade, it cuts off “tenacious design assumptions”; preconceived notions of the sort that “Media” inundates our minds with.
Wahayi: Gis has odd yet familiar visual qualities. That is why it steals the spotlight and sets its own place. The main leg's dainty form is inspired by a girl's ponytail; the premise from which the chair takes its name from. In Farsi, "Gis" means the tumble of a woman’s hair.
Tsawon Lokacin Aikin: The project started in March 2019 and finished in September 2019 in Tehran, Iran and was exhibited as a part of "Konj-e-Hess" exhibition.
Tsarin Aiki: Gis has sculptural qualities in its presence in the interior space. This chair is designed with an artistic approach in design to be a "good chair" and also an elegence piece of "art".
Godiyar Hotuna: Main Image: Photo by Kaj Art Group
Image #1: Photo by Kaj Art Group
Image #2: Photo by Sepehr Mehrdadfar, Hamoun
Image #3: Photo by Sepehr Mehrdadfar, Hamoun
Image #4: Photo by Sepehr Mehrdadfar, Hamoun