Polonceau Railway Carriage Aikin Farko: Kayan Aikin Watsa Labarai Da Yawa by Pitch Creative Engineering Bureau

Polonceau Railway Carriage Aikin Farko: Kayan Aikin Watsa Labarai Da Yawa by Pitch Creative Engineering Bureau is a highly esteemed winner of the very prestigious 2021 Kyautar A' Design Award ta Azurfa in Al'adun Gargajiya Competition Category.

AzurfaAl'adun Gargajiya· 2021

Polonceau Railway Carriage Aikin Farko: Kayan Aikin Watsa Labarai Da Yawa

by Pitch Creative Engineering Bureau

Client: Russian Railway Museum

Kyautar A' Design Award ta Azurfa Winner in Al'adun Gargajiya Category

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Colors

The Design

About Polonceau Railway Carriage Aikin Farko: Kayan Aikin Watsa Labarai Da Yawa

Kekunan Jirgin Kasa na Polonceau kaya ne na watsa labarai da yawa da aka kirkira domin gidan tarihin jirgin kasa. Wannan kayan aiki ya hada wani keken jirgin kasa mai wuya na tarihi da katangar bidiyo mai fuska da yawa wadda take tafiya tare da shi. Katangar tana da tsayin mita 4.2, tana rike da fuskoki biyar kuma tana tafiya kimanin mita 22. Bidiyon yana nuna cikin wani keke na musamman mai daraja da manyan jami'an Tarayyar Soviet suke amfani da shi, wanda ya kunshi dakin girki, dakuna, dakin zama da dakin karatu. An hada al'amuran da aka dauka a hoto tare da hotunan kwamfuta, kuma an daidaita bidiyon tare da katangar mai tafiya, ta yadda baƙi za su ga abubuwan da wataƙila suka faru a ciki.

The Recognition

About the Kyautar A' Design Award ta Azurfa

Zanen Polonceau Railway Carriage Aikin Farko: Kayan Aikin Watsa Labarai Da Yawa ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Polonceau Railway Carriage Aikin Farko: Kayan Aikin Watsa Labarai Da Yawa ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Polonceau Railway Carriage Aikin Farko: Kayan Aikin Watsa Labarai Da Yawa ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The installation combines a rare carriage named after a French engineer Camille Polonceau with a multi-screen video wall moving along. The video demonstrates inner space of a private premium carriage used by prominent Soviet officials. Historically accurate shooting is combined with CGI. Video content is accurately synchronized with video wall movement, so that a physical carriage standing next to a visitor a provides a glance at one of historical episodes that may have happened inside.
Dimensions & Packaging: The height of video wall is 4.2 m, it consists of 5 screens and covers a distance of about 22 m. Ensured accuracy for the whole travel path is 1 mm. As visitors follow the moving wall within easy reach, the installation is equipped with an industrial safety system.
Tags: historical railway carriage, multi-screen video wall, CGI, costume shooting
Production Technology: Video content was created with chroma key technique for compositing filmed action and CG. For proper realism and parallax effect we needed moving camera with precise repeatability for a 22 m travel path. Camera was mounted on a moving video wall. According to filming script a special program was written to control camera movement.
Design Challenge: The main production challenge was to create content with chroma key technique for compositing filmed action and CG. For proper realism and parallax effect we needed moving camera with precise repeatability for a 22 m travel path. It was impossible to rent such system for studio floor filming, so we placed historically accurate decorations behind the other installation we developed earlier for the same museum. Camera was mounted on a moving video wall. Due to digital motion control system and unique project pipeline no further adjustment, movement program correction or content re-rendering was needed afterwards.
Inspiration: The Russian Railway Museum is one of the world's largest railway museums and keeps a vast collection of rare and legendary steam trains, locomotives, electric locomotives, railcars and other rolling stock. We have striven to create an authentic visitor experience complementing historical artifacts by modern technologies. Historically accurate video content immerses visitors into the past and enables to witness some episodes that might have happened. This installation was created on request, under supervision and with help of the Museum's exposition general contractor, The Art Combine for Museums & Exhibitions LCC (KMVI LCC).
Project Duration: The installation is available in the Russian Railway Museum permanent exhibition (St. Petersburg)
Operation Flow: Moving along premium carriage Polonceau visitors observe Vyacheslav Molotov, notorious Soviet Minister of Foreign Affairs, on his typical business trip. Inner space of the carriage presents a kitchen, lavatories, compartments for porters and guards, drawing rooms, a study and Minister's private compartment. The episode was recreated by one shot filming with custom high accuracy motion control technology. The video provides some explanations for interior environment.
Team Members: General contractor
Artistic endeavor
Architectural design |
The Art Combine for Museums & Exhibitions LCC (KMVI LCC)
Concept and Principal | Andrey Pazgalyov (KMVI)
Senior Art Director | Ivan Nikitin (KMVI)
Chief Architect | Rodion Pautov (KMVI)
Project Manager | Ivan Kuznetsov (KMVI)
Creative Director | Boris Kislitsin (Pitch)
Technical Director | Dmitriy Napolnov (Pitch)
Production Director | Maxim Chepukhalin (Pitch)
Project Manager | Danil Gerasimenko (Pitch)
Chief Engineer | Vladimir Makhnov (Pitch)
Designing Еngineer | Oleg Savitchev (Pitch)
Automation Engineers | Valeriy Kozhukhov, Alexandr Lukin (Pitch)
Multimedia Engineer | Sergey Pervakov (Pitch)
Art Director | Svetlana Golovchanskaya (Pitch)
Scriptwriters | Vadim Shtepenko, Liza Pejemskaya (KMVI)
Supervisor | Roman Kuligin (Pitch)
3d Artists | Rustam Arazov, Anton Khondoker (Pitch)
Filming Operator | Mikhail Vikhrov (Pitch)
Film Post-production | Frame Bakery