The Bridge Kabad na gefe daga Acrylber Furniture

Zane The Bridge Kabad na gefe daga Acrylber Furniture mai nasara ne mai daraja sosai na 2021 Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Gasar Ƙirar Kayan Ɗaki.

Baƙin ƘarfeKayan Ɗaki· 2021

The Bridge Kabad na gefe

daga Acrylber Furniture

Abokin Ciniki: Acrylber Designer Furniture Gallery

Mai Nasarar Kyautar A' Design Award ta Baƙin Ƙarfe a Rukunin Kayan Ɗaki

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Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #109562

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da The Bridge Kabad na gefe

The Bridge kabad ne na gefe wanda aka tsara don amfani a gidaje da ofisoshi. An yi kabad da katakon jarrah mai kauri 30 mm wanda aka sake amfani da shi, an dauko shi daga katakon rufin gidaje da aka rushe a birnin Perth, dake Western Australia. Kabad yana tsaye a kan kafafu na acrylic mai launin fari, wadanda kuma suke ratsa cikin aikin kuma suna zama sashe na saman kabad. Riko-riko da aka bulmulmula a ciki tare da gefen akwatuna da aka yanke ta hanyar bevel suna kirkiro kamanni mai sauki da tsafta. Akwatunan suna tafiya a kan na'urorin da suke rufewa a hankali kuma suna mikewa sosai, yayin da madaurorin gargajiya na butt suke bada dama ga kofofin bude har zuwa digiri 160. An yi wa duka kayan aiki kariya da wani sinadari mai suna polyurethane wanda yake bayyane.

Amincewa

Game da Kyautar A' Design Award ta Baƙin Ƙarfe

Zanen The Bridge Kabad na gefe ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe, wata karramawa mai daraja da ake bai wa kyawawan zane-zane waɗanda ke cika buƙatun ƙwararru da masana'antu da ake tsammani daga ƙirƙire-ƙirƙire da aka tsara da kyau. Waɗanda suka lashe kyautar Baƙin Ƙarfe suna nuna babban ƙwarewa, ƙwarewa ta musamman, fahimtar ƙwararru da ikon ƙirƙira na masu ƙirƙirar su. Ana sa ran zanen The Bridge Kabad na gefe ya zama ƙirƙira da ake girmamawa sosai, ake sha'awa da ƙauna wacce ke da amfani kuma mai sababbin abubuwa. Wannan zane da ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe yana haɗa mafi kyawun ayyukan fannin kuma yana da halayen fasaha masu cancanta da ke da alaƙa da sanin yadda da baiwa. Ana girmama zanen The Bridge Kabad na gefe saboda cikakkiyar kulawarsa kuma an tsara shi don ba da ingantuwar rayuwa da ke taimakawa wajen mai da duniya wuri mafi kyau.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The 30mm thick, solid, reclaimed jarrah cupboard is suspended by the white acrylic solid surface legs which also forms part of the top. A sleek, minimalist look is created thanks to the recessed handles and the bevelled edge of the drawers. A fusion of contemporary and traditional style, The furniture piece combines beauty with practicality, and is finished with a two pack clear polyurethane. The way the two products intertwine provides a different visual effect when viewed from various angles.
Girma da Fakitin: White acrylic solid surface,
Reclaimed jarrah roof beams from demolished houses from Perth, Western Australia, suburbs.
Width 1850mm
Depth 500mm
Height 850mm
Blum Movento softclose runners
Traditional butt higes
Kalmomin Alama: Furniture, sideboard, acrylic, solid timber, solid surface, furniture design, freestanding furniture
Fasahar Samarwa: Before construction could begin, careful planning was needed to ensure the angle elements would fit together seamlessly and the doors and drawers would open and close effortlessly. The drawers are fitted with Blum Movento, soft close, full-extension runners while traditional butt hinges were chosen for the doors to allow them to open 160 degrees. The angle drawers are solid jarrah with mortise and tennon together, finished with black velvet bases.
Ƙalubalen Zane: The challenge was in combining the modern material (solid surface) with the traditional material (solid timber) in a way that both elements were highlighted and looked as though they belonged together. There were many revisions of the design to ensure the minute details were perfect before any construction was attempted. I was conscious that each material has different properties and restrictions in the way they can be manufactured so part of the process was experimentation and refinement.
Bincike: My research came from years of trial and error using both solid timber and acrylic solid surfaces. I had to research the different characteristics of both and how they're effected by the environment, who they move due to moisture content in the air. I glued together some timber pieces and placed them in different heat/moisture circumstances to gauge the timber movement. the same was done with the solid surface. The timber had a greater movement due to environmental factors, than the solid surface. In conducting such research I was able to determine that they would have to be allowances for the timber expanding and retracting at different rates to the acrylic solid surface, to make sure there would be any cracking in the future.
Wahayi: The inspiration was to provide an ultra-modern twist on a traditionally-designed sideboard to create a piece that would be at home in any contemporary home or office. The sharp angular form of the sideboard highlights the crisp white of the acrylic where it intersects rich tones of the timber to provide a strongly contrasting visual effect which sets it apart from more traditional furniture.
Tsawon Lokacin Aikin: The idea for the project was conceived in September 2019. From there, design and technical drawings took a further four months. Construction began in April 2020 and the piece was completed in June later that year and has been on exhibition in the Acrylber showroom from January 2021.
Tsarin Aiki: This product was designed primarily as a sideboard or hall table in a home but also has applications as a credenza or storage unit in an office or reception space. The drawers are fitted with runners that allow the drawer to open to its fullest extend and door hinges that provide full access to the interior, for maximum functionality. It was specifically designed to allow the height to provide an additional set down area and to be optimally positioned at an ergonomic height from the floor.
Haƙƙoƙin Ƙirƙira: Trademark 2020 David Nesbit
Mambobin Ƙungiya: David Nesbit
Godiyar Hotuna: Photos by Kash Photography