Tea Culture Primary Function: Zauren Ƙwarewar Al'adun Shayi daga Shenzhen Horizon Space Design Co.,Ltd

Zane Tea Culture Primary Function: Zauren Ƙwarewar Al'adun Shayi daga Shenzhen Horizon Space Design Co.,Ltd mai nasara ne mai daraja sosai na 2021 Kyautar A' Design Award ta Azurfa a Rukunin Gasar Cikin Gida.

AzurfaCikin Gida· 2021

Tea Culture Primary Function: Zauren Ƙwarewar Al'adun Shayi

daga Shenzhen Horizon Space Design Co.,Ltd

Abokin Ciniki: Shenzhen Horizon Space Design Co.,Ltd

Mai Nasarar Kyautar A' Design Award ta Azurfa a Rukunin Cikin Gida

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Tabbatar da Matsayin Kyauta na #116924

Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Tea Culture Primary Function: Zauren Ƙwarewar Al'adun Shayi

Book Text: Al'adun Shayi ƙaramin zaure ne na ƙwarewar al'adun shayi da aka ƙera a matsayin wuri mai natsuwa don ɗanɗana shayi. An haɗa wurare da dama na kwance da tsaye zuwa yanki guda mai ci gaba inda baƙi za su iya tafiya cikin walwala, su haɗu da juna ko su tsaya su waiwaya baya. An samo tsarin daga takarda da aka ninka, kuma sauyin mahangar da hakan ya haifar yana ba ciki natsuwar gargajiya da kuma kuzarin zamani a lokaci guda. Siraran gizagizai suna maye gurbin fasalin saman takarda. An rage kowane wuri zuwa aiki mai sauƙi, don haka baƙi su iya hutawa kafin a kawo shayi.

Amincewa

Game da Kyautar A' Design Award ta Azurfa

Zanen Tea Culture Primary Function: Zauren Ƙwarewar Al'adun Shayi ya lashe Kyautar A' Design Award ta Azurfa, wata karramawa mai tsananin daraja da ake bai wa zane-zane na matakin koli, masu kyau sosai kuma masu burgewa. Waɗanda suka lashe kyautar Azurfa ayyuka ne masu haske sosai da ƙirƙira mai yawa waɗanda ke nuna ƙwarewa, baiwa da kaifin tunanin masu zanensu. Ana sa ran zanen Tea Culture Primary Function: Zauren Ƙwarewar Al'adun Shayi ya zama aiki mai ban mamaki, abin koyi, mai ƙwarewa sosai kuma mai ƙirƙire-ƙirƙire mai zurfi. Wannan zane da ya lashe Kyautar A' Design Award ta Azurfa ƙirƙira ce mai abin lura sosai, da ake sha'awa, wacce ke amfanar da kuma kai iyakokin fasaha, kimiyya, zane da fasahar zamani gaba. Zanen Tea Culture Primary Function: Zauren Ƙwarewar Al'adun Shayi ƙirƙira ce da ake yi wa hassada sosai wacce ke tada sha'awa, tana kawo jin daɗi kuma tana haifar da mamaki da al'ajabi.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The Project took only more than one month from design to opening. How to complete design and high-quality implementation in such short time? And I thought of the ancient literati and painters, who had often dealt with friends, but only a few strokes and words would reveal their broad mind, much better than a masterwork. So, I simplified what was complicated. The process looked quite like the original intention of the tea ceremony—to eliminate fidgetiness before tasting fragrance.
Girma da Fakitin: What came last was visual presentation. For the interspace distortion caused by the connecting paper, it was a contingent visual effect we wanted to achieve, giving the entire room not only classical calmness, but also modern vitality. Finally, the surface texture of paper was replaced with slender grids to express an elusory and visible Oriental mood.
Kalmomin Alama: Tea Culture Exploration Hall
Fasahar Samarwa: Smelling Osmanthus Fragrance is a well-known story about Zen. Huang Tingjian, a great calligrapher and litterateur in the Northern Song Dynasty, practiced the dharma to reach understanding of Zen and seek enlightenment, but being short-tempered, he thought that the master didn’t teach him how to get enlightened although they had stayed together for many years. One day, they traveled leisurely between the earth and sky. The master asked, Have you smelled the fragrance of osmanthus flowers? Huang Tingjian answered, I have. Everywhere! The master laughed and said, As you know, I didn’t hide anything from you! Huang Tingjian perceived Zen through meditation: Like the beauty of living and the fragrance of osmanthus flowers, the way of life can be found everywhere and will never disappear, but everybody must smell and comprehend it himself. The same is true for the philosophical connotation of the tea ceremony, isn’t it? It is just that tea is used as the carrier to seek enlightenment. That’s called the tea ceremony at the cultural level.

At the substantial phase of design, the biggest obstacle encountered was that the spaces were too small. There would be no extra space provided that the room was given all functions, but the design would be uninteresting supposing that nothing more was added. As I was at my wits’ end, it struck me that some idea might be obtained from the paper folding game I played in my childhood, so I folded, unfolded and ripped A4 paper again and gain, finally joining a number of horizontal and vertical spaces together and making them into a holonomic one where people could walk freely, interact with one another or stop to look back, looking like a 3D hanging courtyard. Through functional ablation of each space, people could easily enter a calm state of relaxation and meditation. That should presumably be the most ideal state for tea affairs.
Wahayi: When I was young, I despised the Japanese sado culture as a red tape, but I have now realized that I was so shallow because the tea ceremony is a process where one cultivates himself and seeks enlightenment. Years later, I heard the story of Smelling Osmanthus Fragrance in the Suzhou Garden and suddenly had my chaotic thoughts straightened out. It happened that my friend commissioned me to design a small-sized tea culture experience hall, so I named it Osmanthus Fragrance Cottage.
Mambobin Ƙungiya: Song Han
Hairong Wu
Wenxiang Zhou
Jianyong Zhu
Lingmin Wang
Yulan Liao
Qian Liu