Fissure Tarin Kayan Ado by Lingjun Sun is a highly esteemed winner of the very prestigious 2021 Kyautar A' Design Award ta Baƙin Ƙarfe in Kayan Ado Competition Category.

Baƙin ƘarfeKayan Ado· 2021

Fissure Tarin Kayan Ado

by Lingjun Sun

Client: Lingjun Sun Jewellery

Kyautar A' Design Award ta Baƙin Ƙarfe Winner in Kayan Ado Category

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Colors

The Design

About Fissure Tarin Kayan Ado

Fissure tarin kayan ado ne wanda aka samo asali daga tsagewar da ake samu a dusar ƙanƙara mai narkewa da ƙasa mai bushewa. Ana sassaƙa kowane sashi da hannu a cikin kakin zuma zuwa siffar lattice mai girma uku, tare da layuka masu kwaikwayon waɗanda ake samu a yanayi. Tsarin yana samuwa a kewayen duwatsu masu daraja, yana ƙirƙirar tsare-tsare masu daidaito daga abubuwan da suke kama da na bazuwar. Zubawa ta hanyar kakin zuma mai ɓacewa, shigar da duwatsu, gyaran ƙarfe da shafa robodiyum baƙar fata suna kammala kowane abu. Kayan da aka yi amfani da su su ne zinariya ta 18K, lu'ulu'u na baroque na South Sea da lu'u-lu'u fari. Bambancin launi yana nuna fitattun siffofin da ba su daidaita ba kuma masu haɗuwa da juna.

The Recognition

About the Kyautar A' Design Award ta Baƙin Ƙarfe

Zanen Fissure Tarin Kayan Ado ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe, wata karramawa mai daraja da ake bai wa kyawawan zane-zane waɗanda ke cika buƙatun ƙwararru da masana'antu da ake tsammani daga ƙirƙire-ƙirƙire da aka tsara da kyau. Waɗanda suka lashe kyautar Baƙin Ƙarfe suna nuna babban ƙwarewa, ƙwarewa ta musamman, fahimtar ƙwararru da ikon ƙirƙira na masu ƙirƙirar su. Ana sa ran zanen Fissure Tarin Kayan Ado ya zama ƙirƙira da ake girmamawa sosai, ake sha'awa da ƙauna wacce ke da amfani kuma mai sababbin abubuwa. Wannan zane da ya lashe Kyautar A' Design Award ta Baƙin Ƙarfe yana haɗa mafi kyawun ayyukan fannin kuma yana da halayen fasaha masu cancanta da ke da alaƙa da sanin yadda da baiwa. Ana girmama zanen Fissure Tarin Kayan Ado saboda cikakkiyar kulawarsa kuma an tsara shi don ba da ingantuwar rayuwa da ke taimakawa wajen mai da duniya wuri mafi kyau.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Each piece of this collection is hand-carved into a three dimensional lattice with lines mimicking those found in nature - a technique developed in my MA program in London. A thoughtful design logic hides between the organic lines of each piece, forming accordingly around the gems, contributing to balanced compositions of seemingly random components.
Dimensions & Packaging: Ring No.1: 41mm x 27mm x 19mm; Earrings No.1: 32mm x 32mm x 7mm; Earrings No.2: 55mm x 14mm x 11mm
Tags: wearable sculpture, art jewellery, one of a kind, volume, asymmetry
Production Technology: Each piece was hand-carved from wax to create the structure, according to the design needs or specific gem shapes. Lost-wax casting was used later. Stone setting, metal finishing and black rhodium plating were also applied. 18K yellow gold, south sea baroque pearls, white diamonds.
Design Challenge: Seemingly randomness, asymmetrical structure, fine surface texture, together with unique form of each piece in the collection made 2D rendering or computer tools nearly impossible. Every piece required significant time and carving craftsmanship to model and test in physical prototypes. Further detailed adjustment was processed with additional remarkable time and effort.
Research: Extracting a two dimensional pattern that widely found in nature to a three dimensional form requires large scale of visual analysis and model construction. Carefully designed structure, texture and colour, together serve the design logic hidden behind these seemingly random lines.
Inspiration: 'Fissure' is a collection inspired by the crevices in melting ice caps and dried earth, echoing the growing environmental crisis we are living in.
Project Duration: The project started in August 2020 in Sydney, and was exhibited in NYC Jewellery Week 2020
Operation Flow: The designs were inspired the crevices in melting ice caps and dried earth. Wearers are experiencing the organic, three dimensional and asymmetrical forms of the collection. Its crisscrossing structure is further highlighted by colour contrast. Smooth and lustrous gems sitting in a carefully textured surface of the metal implies the incongruity human civilization and the nature.
Image Credits: Image#1, 2, 3, 4: Photographer Charmaine Morgan, 2020, Image#5: Photographer Lingjun Sun, 2021