Haragana Kujerar Zumudi daga Tobias Kappeler

Zane Haragana Kujerar Zumudi daga Tobias Kappeler mai nasara ne mai daraja sosai na 2022 Kyautar A' Design Award ta Tagulla a Rukunin Gasar Ƙirar Kayan Ɗaki.

TagullaKayan Ɗaki· 2022

Haragana Kujerar Zumudi

daga Tobias Kappeler

Abokin Ciniki: Tobias Kappeler Design

Mai Nasarar Kyautar A' Design Award ta Tagulla a Rukunin Kayan Ɗaki

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Mai Nasara da Aka Tabbatar

Tabbatar da Matsayin Kyauta na #127610

Ziyarci Shafin Duba a A' Design Award Sanarwar Manema Labarai Alamar Kyauta

Launuka

Ƙirar

Game da Haragana Kujerar Zumudi

Haragana kujera ce ta zumudi da aka yi ta amfani da bututun karfe da aka lankwasa tare da faifan kwakwa (cork). An rage kujerar zuwa ainihin tsarinta kawai, don haka ba a amfani da matashin kai ko rufin zane a kanta. Siffar ta yi kama da kujerar hannu, ko da yake babu wuraren ajiye hannu. Matsayin zama mai ƙasƙanci na santimita 28 yana gayyatar mutane su karkata baya su duba muhallinsu na dogon lokaci. Tsarin da ke buɗe yana sanya kujerar ta kasance mai sauƙin gani kuma yana ba ta damar dacewa da wuraren cikin gida ba tare da jan hankali sosai ba. Faifan kwakwa masu sauƙi suna bambanta da tsarin bututun da aka lankwasa. Ana lankwasa, walda, da goge kowace kujera da hannu.

Amincewa

Game da Kyautar A' Design Award ta Tagulla

Zanen Haragana Kujerar Zumudi ya lashe Kyautar A' Design Award ta Tagulla, wata karramawa mai tsananin daraja da ake bai wa zane-zane na musamman waɗanda ke da ƙirƙira, basira da hikima. Waɗanda suka lashe kyautar Tagulla kayayyakin fasaha ne masu ƙwarewa da ƙirƙira mai ban mamaki waɗanda ke tabbatar da babban gogewa, tunani da dabarun masu zanensu. Ana sa ran zanen Haragana Kujerar Zumudi ya zama abu da ake girmamawa sosai, ake sha'awa da ƙauna, mai ƙwarewa da ƙirƙire-ƙirƙire. Wannan zane da ya lashe Kyautar A' Design Award ta Tagulla yana haɗa mafi kyawun ayyuka a fasaha, kimiyya, zane da fasahar zamani, kuma yana da kyau saboda kulawarsa ga cikakkun bayanai. Zanen Haragana Kujerar Zumudi yana biyan buƙatu da kyau, yana taɓa sha'awa, yana jan hankalin zukata kuma yana jawo sha'awar sani.

Bayan Ƙirar

Kayan Manema Labarai

Bayanin ƙungiyar, membobinta da cikakkun bayanai na fasaha da mai ƙirar ya bayar.

Siffofi Na Musamman: The Haragana is a lounge chair made from bent steel tubes and cork disks for seating. The outline of the chair resembles and reminds of an armchair however there are no cushions or upholstery. The chair is reduced to the essential structure, giving it a light and airy design, which fits perfectly in interior spaces without taking up too much space visually. The simple graphical cork seating disks provide contrast to the more complex underlying tubular structures.
Girma da Fakitin: The chair has a width of 75cm, a length of 65cm and a height of 65cm. To add additional support to the legs, a thin stainless steel rod was welded in between the legs. The seating position is purposely low 28cm to ensure people stay seated for longer and enjoy the experience, their surroundings and thoughts that come when taking a break.
Kalmomin Alama: Furniture Design, Chair Design, Lounge Chair, Tubular Design, Observation.
Fasahar Samarwa: The chair was made from 19 and 16mm steel tubes and cork. After an extensive study on the design territory “observation” small scale prototyping and sketching the chair was produced fully by hand without any automated machines. Steel tubes were bent by hand and welded together, piece by piece. First the outline, then the inside structure, then the legs and lastly the seating of the chair. After welding it together, the chair was sanded down and spray painted. The cork was sanded and then added.
Ƙalubalen Zane: The challenge was to produce a chair with a complex curved shape that was still symmetrical. This required several attempts and an in-depth observation from several angles. As tubular systems for furniture design have been explored before, the challenge was to come up with a design that is new and still interesting. To keep the light feel of the chair, the structure needed to be strong and stable.
Bincike: The project started with an exploration into the theme of observation and how to create a seating experience that could last for a longer period. A strong driver of the project was prototyping on a scale of 1:10 with steel rods that were spot-welded together. This allowed for quick iterations on different shapes and to explore different curves and their relation with each other. The tools used to produce the chair were very simple, a tube bending machine, a welding machine and a sanding machine.
Wahayi: We live in a fast-paced world where everything must happen instantly and thus, we often forget to take a break, lean back and just observe our surroundings. The aim was to create a chair in which you stay and remain seated for a while.
Studying the territory of observation the design invites and resembles this as well. What you see, is actually not what you see. Perceived is an armchair due to the emphasized outline which resembles an armchair, however, there are no armrests.
Tsawon Lokacin Aikin: The project started in January 2020 and was developed by myself as part of my MA/MSc Innovation Design Engineering degree. The project duration was 4 weeks and was exhibited at the Royal College of Art in February 2020.
Tsarin Aiki: Due to its low and comfortable seating point, it invites people to stay seated for longer. In addition, having only the essential structures and the seating of the chair, its light and open design smoothly integrates into the interior without claiming too much attention but still allowing for a more complex shape to be present.
Mambobin Ƙungiya: Tobias Kappeler